Paper Example Doctorate 1,445 words

Exploring Gender in Cultural Artifacts

Last reviewed: March 4, 2013 ~8 min read
Abstract

This paper discusses the issue of gender in this culture. In order to considered beautiful, a woman must look a certain way. If she does not, then she feels social pressure and it negatively impacts her self-image and her feelings of self-worth as well. Images like the one attached from the Gap reinforce the false conceptions of beauty.

¶ … Gender in Cultural Artifacts

In the United States of America, in order to be considered beautiful, a woman must fit into very specific parameters, particularly involving her weight. Being beautiful within this society demands that a woman be thin; heavy women are not beautiful in the United States. The cultural artifact attached is an advertisement from the Gap, a popular clothing store chain. This image serves to exemplify the problem of social pressure put upon women to starve themselves in order to be considered beautiful. Throughout the rest of the world, curvaceous women are valued. Indeed in many countries a woman without these curves is considered unattractive. However, in this country the desired physical shape is stick thin. This ideal of beauty demands that a woman have perfect air, be a size 0-2 at the most and weigh in the vicinity of 100 pounds (Herbozo 2004,-page 21). Any woman who does not share these characteristics is made to feel ugly and wrong; forever believing that since she does not look like the women in this advertisement that she is unattractive.

In this advertisement for the Gap, seven different women stand against a light blue background. The letters G, A, and P. are seen in white behind them as well. Each woman is dressed in some combination of white and light blue. Some are wearing sweaters; some shorts and paints while others are in skirts. These are casual clothing items. The women are not standing up straight, but are instead slouching, furthering the idea that this is a casual group of women who just happened to be standing around together when they got photographed. They are not heavily made up. Nor are they showing a lot of skin. At first glance, it looks like an advertisement only aimed at women, to show them some clothes which they might like to buy. However, upon closer examination, it is evident that several of the women are in heels. They are in makeup and each has had her hair carefully coiffed to look so carefree and effortless. Real women do not often look like this.

In addition to this false message that buying these clothes from the Gap will make the wearer look like a supermodel, there is a definite lack of diversity in the advertisement. The company has obviously tried to overcome such a claim because the seven women are all of different races and ethnicities. This too comes off as unnatural. It is diverse in a way that screams to the viewer that the company wanted to look diversified and so made sure they had a model representing each ethnic group. Although the Gap made sure to ethnically diversify, in terms of physical body types, all of the women are the same. They are of approximately the same height and are all incredibly thin. A consequence of such an ad is that the clothing maker, and it can be argued, the rest of the society says that you can be perfectly beautiful even in grubby, casual clothing…so long as you are a small clothing size. According to researchers, children in preschool have been inundated with enough messages that already they have come to understand that to be thin means to be beautiful (Pappas 2011). Women can be beautiful in heavy makeup and evening gowns or they can be beautiful in jeans and sweaters from the Gap, unless they are overweight.

Authors in literature and non-fiction have tried to explain this characteristic of western society. Fatema Mernissi's article "Size Six: The Western Women's Harem" explores the victimization of women in the western world by the patriarchy of their society and throughout the world. This author is all too familiar with the subjugation of women. By her own admission, she was born into a harem. From the outset, this term divides western and eastern cultures. For those who live in the west, a harem is a fantasy of male sexual gratification where he is allowed a bevy of women to fulfill his needs. Women in these fantasies are unimportant in terms of anything that would make them individual. This is symptomatic of a wider problem in the world: that even though we like to think of ourselves as having progressed beyond archaic ideas of gender roles, women everywhere are still put into positions where they are daily marginalized and the patriarchal power of society is reaffirmed.

The fashion industry is a multi-billion dollar business and a large target of manufacturers is the woman customer, all of whom have been convinced of an ideal body form to which they must all aspire. This is made evident by Mernissi's account of when she went into a New York clothing retailer and was insulted by a saleswoman who stated that the clothing's size 6 would not accommodate her body size (Mernissi 2003,-page 1). Not only will the clothing in this store not fit this woman, but her clothing size is called deviant, that is to say something outside of the norm. Daily, women in the United States and other western cultures are inundated with images about what the female physical ideal should be. She is barraged with many images and messages which all tell the same thing; they inform women that they are unsuitable in their own skins and must constantly work on their innate failings in order to fulfill the fantasy of men and thus achieve companionship. What happens in this narrative is that the two women expose the opposing viewpoints of the western and eastern world, only one of whom realizes that they are both being victimized by the patriarchy. Those in the west look upon women like Mernissi and feel pity for her. Westerners view women from the east as other and somehow lesser because of the way that women are marginalized in the Middle East. However, in the west, women are made to feel inferior if they are a clothing size that is larger than the norm. Mernissi feels pity for the western woman because she is thin to the point of looking, in Mernissi's opinion, like an adolescent boy so that she can be what her society demands that she be. She has no curves, and yet this is the body form that she aspires to because some anonymous dictator has demanded all media to portray this size 6 as the norm. Both women are victimized by the males in their society.

You’re 74% through this paper. Sign up to read the full paper.

Sign Up Now — Instant Access Already a member? Log in
130,000+ paper examples AI writing assistant Citation generator Cancel anytime
References
6 sources cited in this paper
  • Gap Spring Summer 2009. (2009). Retrieved from http://www.nitrolicious.com/blog/wp-
  • content/uploads/2009/06/gap-spring-summer-09-02-500x326.jpg
  • Herbozo, S., Tantleff-Dunn, S., Gokee-Larose, J. & Thompson, J. (2004). Beauty and thinness
  • messages in children’s media: a content analysis. Eating Disorders. Taylor & Francis. 12. 21-34.
  • Mernissi, F. (2003). Size six: the western women’s harem.” Ode Magazine.
  • Pappas, S. (2011). Preschoolers already think thin is beautiful. Live Science.
Cite This Paper
PaperDue. (2013). Exploring Gender in Cultural Artifacts. PaperDue. https://paperdue.com/essay/exploring-gender-in-cultural-artifacts-103406

Always verify citation format against your institution’s current style guide requirements.