¶ … choreographer's choices regarding any and all aspects of dance will impact the strength of the message or support of a cause that he or she wants to convey to the audience. Using varied dynamics, the choreographer can convey different emotions and levels of energy, also controlling and modulating the pacing of the dancers' movements. Dynamics in turn relate to musicality. Depending on the role of music in the piece, the dance might enhance or complement the music or exist almost independently from it. Some modern dances may in fact be fully corporeal to draw the viewer's attention to the power of the sounds of the dance itself, such as feet hitting the stage.
A choreographer must also work conscientiously with positive and negative spaces in the surface area available, including vertical as well as horizontal levels of space. Understanding the specific talents of the dancers and making casting decisions may not necessarily fall under the rubric of choreography, but a choreographer may compose dances with particular performers in mind, or at least for dancers with ideal degrees of virtuosity and experience.
Dances that tell stories will differ from those that are more abstract and expressive. Still, most dances will contain motifs, symbols, and overarching themes, even performances that seem abstract. The choreographer conveys meaning and theme through the various phrases and motifs used throughout the performance, and these phrases may be changed and manipulated over the course of the composition....
Fantasia 1940 1.5 James Algar Samuel Armstrong, Fantasia (1940), Walt Disney Pictures, 120 min. -- ALS • symphony- an extended composition of a full orchestra, with several movements that are distinct from one another. A number of classical musicians composed symphonies (Webster's New World Dictionary, 1977, p. 1287) • melody -- a sequence of single tones to produce a rhythmic whole (Webster's New World Dictionary, 1977, p. 885). Melodies are oftentimes the
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