Throughout the play, Willy longs for the wealth, privilege, and equality the America was alleged to have been built upon until he can no longer deny that the promises of the American dream are just an illusion. While this is without a doubt a scathing critique of capitalism, at the same time, the play seems to be trying to show that nothing is truly real and once you remove all of the 'bells and whistles.' In other words, 'real' people, just like the American dream, are a myth. No one is immune to putting on a 'front' for other people, but when the opinions of others dictate your life and your decisions, this is when the human soul begins to deteriorate. Willy Loman is the characterization of this corrosion.
The death of the American Dream portrayed in the play, as well as the constant comparisons between the rich and the poor are evident. The reason for this strong focus on consumption of only the best and the finest appears to be that those who do not have the best clothes or the shiniest cars are considered to be less valuable or less worthy of respect than the "leisure class" who places such high values on these things. Ultimately, it is not just about 'looking good' - it is just as critically about not 'looking bad'. The irony of this perception rests in the notion that the more characters such as Willy strove to look good on the outside, the more they began to lose their true identity; of who they truly were on the inside.
According to Bloom, (1991) "Miller indicts the commercial ethos of success for its lack of any nourishing values, but the only solution he offers his characters is escape -- death for Willy, and back to the land for Biff, back to an agrarian, productive life (p. 26)." The fact that Miller offers no other solution but escape seems to indicate that his...
Critic Heyen says, "There is no question but that the play is elusive. As Miller himself has said, 'Death of a Salesman is a slippery play to categorize because nobody in it stops to make a speech objectively stating the great issues which I believe it embodies'" (Heyen 47). Therefore, many critics look at the play in different ways, attempting to categorize it and reference it according to their
Act 2. Discuss the scene between Willy and Ben, consider what advice Willy is asking of Ben, note Bens reply "let me think about it." What might miller be suggesting by it? What importance does this scene have in the play? What themes are evoked in it? Ben's relationship with his brother Willy throughout the play exemplifies Willy's longing for the success that never comes. Ben profits from diamond mines, while
"(Miller, 96) However, even if it can appear that Willy's death is a further failure and humiliation, Happy points out at his funeral that Loman had the braveness to pursue his dream to the end, despite the fact that he did not succeed: "I'm gonna show you and everybody else that Willy Loman did not die in vain. He had a good dream. it's the only dream you can have
Death of a Salesman: Tragedy in Prose Tragedy, can easily lure us into talking nonsense." Eric Bentley In Arthur Miller's Death of a Salesman, we are introduced to Willy Loman, who believes wholeheartedly in what he considers the promise of the American Dream -- that a "well liked" and "personally attractive" man in business will unquestionably acquire the material comforts offered by modern American life. Willy's obsession with the superficial qualities of attractiveness
Willy's "psychopathy," he explained, is a manifestation of his being "other-directed" -- or possessing a value system entirely determined by external norms…evidence that goes beyond normal human inconsistency into the realm of severe internal division" (3). The author's analysis illustrates that Willy's "psychopathy" is an inevitable and consistent result of his constant dreaming about success and wealth using the wrong approach. Knowing that he has failed himself and his
The truth is simply too difficult to accept, so he turns a blind eye to it. For Willy, denial is easier than reinventing a new life. He believes that somehow, he will get an advance and "come home with a New York job" (Miller II.1070-1). He believes he can still get a promotion and never have to "get behind another wheel" (II.1071) again. These beliefs, while they are positive,
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