Dazbog is considered an evil being. This Serbian fairy-tale was penned during Christianity's early days, and there was a decidedly concentrated movement to present the old pagan deities as evil and devilish.
In one Russian myth, his attributes were the sword and the cudgel, found with the 'clear-sky' war-god and 'storm-god,' respectively. His identity with the latter is also found in Polish mythology as the son of Svarog, the Slavic 'heavenly sky father', and either the dawn-goddess Zorya Dennitsa or the summer- and love-goddess Lada.
The Russians seem to have him as the son of the thunder-god Perun and the mermaid ('sea nymph') Ros. Other attributes include a fiery shield and a diamond chariot - both of which identify him with as a sun-god. Dazbog is served by four beautiful maidens: Zorya Utrennyaya, the Aurora of the Dawn, opens the palace gates in the morning. Zorya Vechernyaya, the Aurora of the Evening, closes them in the evening. Vechernyaya Zvezda, the Evening Star, and Zvezda Dennitsa, the Morning Star, tend Dazbog's horses.
Dazbos shares many similarities with the Welsh god Llew Llaw Gyffes; they are both sun and summer fertility gods. Russian death-god Kashchej wanted to destroy Dazbog, with the help of Dazbog's wife, Marena, who drugged him and then let her lover Kashchej throw him into the abyss, and then later, nailed him to a mountain in the Caucasus. Llew's welsh wife, Blodeuwedd did something very similar, as she and her boyfriend Gronwy (a death-god) tricked Llew and hurt him. Both Llew and Dazbog survive and exact...
Tales In the 17th century, fairy tales were miles apart from the versions we read and watch today. Endings would not always be as happy as we know them to be and there were far more complications, perversity and brutalities. For instance, in Sleeping Beauty, the girl is not kissed and awakened by her prince; rather, he rapes her and makes her pregnant while she is still unconscious. I plan
Media presentations of justified violencemay also change the belief that violent behavior is wrong, encouraging the development of pro-violence attitudes. […] Violence is acceptable because it is not real, therefore "victims" do not really suffer (Funk et al. 26). Given this serious -- and well-documented -- consequence of even imaginary violence, writers and readers of fairy tales should exercise care that their depictions of violence are truly relevant to the
popular culture is relatively young and new in modern society. Sociologists and psychologists began to pay attention to it only at the end of the nineteenth century and at the beginning of the twentieth. Popular culture is a set of values, customs and system of beliefs which are common for people of different financial, class and gender background, so that it forms a wide group of people which goes
film "Pretty Woman" is, in many ways, a modern day Cinderella story (Kelly 1994). To begin with, the major premise of both stories is that a woman of extremely low social standing succeeds in joining with a man of power and wealth. Additionally, both tales involve an element of deception: the females are forced to pretend to be something they are not. Also, both women are rescued from their
CinderellaDisney\\\'s animated Cinderella is a classic fairy tale film that was first released in 1950. The story follows the life of Cinderella, a young girl who is mistreated by her stepmother and stepsisters after the death of her father. Despite her difficult circumstances, Cinderella remains kind and hopeful, and ultimately wins the heart of the prince with the help of her fairy godmother.The Grimm version of Cinderella, also known as
product of a virtual exploration about art in Babylonian culture. I chose the Striding Lion of Babylon after carefully sampling the digital pieces of art at Royal Ontario Museum and the Oriental Institute Museum. The artifact I chose was crafted and sculpted on glazed brick-wall as a relief. The lion is a symbolic representation of the iron age of the Neo-Babylonian art. The piece dates back to around the
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