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David Carson When David Carson Essay

6). There are always "next levels" for Carson. Looking at his design for the book the Architecture of Patterns, at first the eye sees the + signs and interprets them as crosses in a cemetery. A closer look and maybe they are just "X's" turned on their sides. Small, smaller, with a few very large + positioned on the cover. The book title is blurred and interrupted by the +'s. Carson's design for Quicksilver and Pukas Surfboards is rowdy; a surfboard shape is permeated with circles and a macrame-like swirl connecting to what could be a bow. it's bizarre, but it's pure Carson. The Bark catalog design uses fonts creatively, a patented Carson approach. "Born on the BarkOcean" is laid over a blurry photo of an ocean swell with the back leg of a...

It reflects motion, water, a surfer and skewed fonts -- all wrapped into a classic Carson attitude. As Byrne said, "Style that works is a concept."
Works Cited

Adweek. "End of Print?" 44.42, (1994): p. 32.

Blackwell, Lewis, and Carson, David. The End of Print: The Grafik Design of David Carson.

San Francisco: Chronicle Books, 2000.

Carson, David. "click: dcd work, bio, clients." Retrieved Nov. 17, 2010, from http://www.davidcarsondesign.com/?dcdc=top/t.

Plagens, Peter, and Sawhill, Ray. "The Font of Youth." Newsweek. 127.9 (1996): 64-66.

Remson, Adam. "Director David Carson on the Menu." Shoot. 43.2 (2002): pp. 6-8.

Sources used in this document:
Works Cited

Adweek. "End of Print?" 44.42, (1994): p. 32.

Blackwell, Lewis, and Carson, David. The End of Print: The Grafik Design of David Carson.

San Francisco: Chronicle Books, 2000.

Carson, David. "click: dcd work, bio, clients." Retrieved Nov. 17, 2010, from http://www.davidcarsondesign.com/?dcdc=top/t.
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