Midsummer's Night Dream Acting: Were the actors believable in their roles? I did not find all of the actors particularly believable in their roles. I could not help noticing that several of the members of the cast forgot their lines or misspoke their lines, sometimes saying a line in the wrong place. Knowing the play well, this really threw me off and took me out of the moment of the performance. I

However, Titania appears in this scene and so does a fairy who is probably female. The biggest problem for the audience would be Titania, who is supposed to be beautiful and wise, which helps the audience understand why Oberon is so obsessed with gaining her love. If Titania is not believable, the play will not work. This scene also needs to show Oberon's weak will, but not turn him

But if I'm not the same, the next question is 'Who in the world am I?' Ah, that's the great puzzle!" (Carroll, 8) Carroll uses Alice's experiences as a means to persuading his readers to demand similar questions of themselves. At this juncture, we are unclear on Carroll's motives in altering Alice's perspective. However, as she descends deeper into Wonderland, she finds this knowledge is invaluable for recognizing its inherent

Conclusion: A Midsummer Night's Dream is a piece of literature that incorporates the use of various writing styles for various characters. Some of these writing styles include prose and complex form of poetry. While prose enables Bottom and his friends to have a simple, rustic quality, the complex form of poetry presents a superb beauty and magic of the fairy kingdom. The audience laughs at the take of mistaken identity and

My story being done, She gave me for my pains a world of sighs: She swore, in faith, twas strange, 'twas passing strange, Twas pitiful, 'twas wondrous pitiful: She wish'd she had not heard it, yet she wish'd That heaven had made her such a man: she thank'd me, And bade me, if I had a friend that loved her, should but teach him how to tell my story. And that would woo her. Upon this

Clip: Oberon and Titania 1935 (clip available on You Tube) Foolish fairies and mortals: Multiple interpretations of Shakespeare's a Midsummer Night's Dream Shakespeare's A Midsummer Night's Dream has been interpreted and reinterpreted many times. One of the most popular cinematic versions, directed by Max Reinhardt in 1935, depicts the play as a fantastic spectacle. The fairy king Oberon and the fairy queen Titania are shown as otherworldly beings, flitting through the air,