Concerts Across Time
The performer that I watched in a pop music concert is named PJ Morton. He is a keyboardist and vocalist, who performed with what looked like the helping of a full band. There were two baroque concerts that I watched. The first was entitled "Little Baroque Suite," whereas the second one was entitled "Une Fete Baroque." On the whole I did not enjoy these concerts very much. I certainly did not enjoy the first two I have listed in this document. I found Morton's music and songwriting to be extremely bland, if not boring. This sentiment applied doubly so to "Little Baroque Suite." The music was extremely staid and just seemed to plod (if not march) along. The concert I liked best was "Une Fete Baroque," mostly because the various musicians and vocalists (and the conductor, especially) in this concert actually performed, complete with dancing and a number of props. The music was pedestrian, I thought, but the performance made it somewhat entertaining in terms of simply viewing a concert.
The music differs from the baroque era and now in a couple of ways. On the one hand, contemporary music is a lot less formal. This fact is denoted especially in the lyrics, which may contain vulgarity or simply celebrations of mundane things. A good example of this fact is the tradition of the blues which much contemporary music -- including both rhythm and blues and rock and roll -- continues to a certain degree. Baroque music is a lot more formal. There are certain selections (such as everything that was performed in "Little Baroque Suite") that are just...
This would have sent the audience home in an upbeat mood. Fiesta sent the audience home in a chaotic, frenzied mood. I would have liked to see more pieces like Illapa that evoked the desired imagery. The pace of the music added variety and interesting, beginning with the slow rhythm of El condor pasa, then picking up the pace with Coleccion de Musica virreinal. Once again slowing the pace with
Even now music like Beethoven's seems elitist. Unlike a punk rock show, a classical music concert is attended by well-heeled individuals: people who dress up in gowns and suits and who leave their car at valet parking. The culture that surrounds classical music today is not much different than it was in Beethoven's time. In the nineteenth century, music like Beethoven's was appreciated largely by the burgeoning bourgeoisie: the
I appreciated most of all the ability of Tchaikovsky to imbue the piece with mood and emotional power. Even if the "Meditation" is a slow piece that languishes at times, it is one that aptly reflects the mood the composer intended. Moreover, the performers executed the composition with aplomb. Dvorak's "String Quintet in G Major, Op. 77" is in many ways easier to listen to than Tchaikovsky's "Meditation." The latter
Schumann's "Cello Concerto in a Minor, Op. 129" illustrates this principle. There are three movements of the piece, all of which are quite distinct, but there are none of the showy, distinctive shifts as distinguished the Hayden works. The music is lyric and tonal in quality like the Hayden, but there is a searching, introspective quality that the Hayden lacks. As is evident in the title, the voice of
Concert Review The Asphalt Orchestra is a band with 12 musicians who play brass (horns of all kinds), woodwind (flutes and clarinets), and percussion (drums, cymbals) instruments. The musicians are very talented and the music they play makes the people listening very happy. But more than that, the main thing about the Asphalt Orchestra gets right up next to their audience. They took the word "asphalt" for their name because that
A female hands him a cloth handkerchief to wipe his sweaty face. During "What Know My Love" sweat is heavier than ever on his face; it is getting into his eyes. Clearly an Elvis concert, no matter whether it is in a small or large venue like the one he is singing in today, is more like a lounge act that a rock show. it's Elvis, after all, and
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