¶ … William Gibson
Born in 1948 in South Carolina, William Gibson was to become one of the most prolific representative of science fiction and an exponent of what is to referred to as the cyberpunk genre in science fiction. Even if he did not actually defined the termed (it has been used previously, see below), William Gibson became the most recognized writer of cyberpunk and he created and defined the term cyberspace, a term with which we are becoming more and more familiar today. His book Neuromancer, written in 1984, won him international fame and recognition, as well as the Hugo Award, the Nebula Award and the Philipp K. Dick Award.
Of course, discussing William Gibson means discussing, however briefly, the concept of cyberpunk. Gibson did not actually invent the term: it was first used by Bruce Bethke somewhere in the 1980s as a title for one of his short stories. The term was created by juxtaposition and can be explained by the two terms that make it up, cyber and punk. The term describes "punk attitudes and high technology," usually criminal driven teenagers with a punk attitude using high technology to achieve their goals. More so, cyber punk described "a young, technologically facile, ethically vacuous, computer-assisted vandal or criminal." If we look at the basic meanings of the two terms, we will get an even better idea of what cyberpunk is about. If cyber comes from cybernetics, a science that studies "control and communication in the animal and the machine," punk describes an entire generation that found its roots in the Sex Pistol music and the general anarchistic attitude that many youths had embraced at the end of the seventies. The punk teenager is individualistic, anarchic, anti-social and rebel. If we look again at cyberpunk, we see that the term basically describes an ultratechnological rebel movement, a revolt, but a revolt done with and by high technology.
Not surprisingly, the action of the novel is set in 21st century Japan: in the 80s, Japan came to be seen in the United States as the place of ultimate technology, a place where the likes of Mitsubishi or...
movies Gladiator and Braveheart both focus on the highly popular and time-honored, classic theme of humankind's unending struggle for freedom. Braveheart and Gladiator share numerous similarities, but are very different movies, in several important ways. In both movies, the average man becomes a true hero, after he is horribly wronged, and is thereafter forced to fight for freedom for both himself and others, against what seem to be almost
697). Rutherford goes on to submit that Graham's narrative is more about the city within a city (cyberspace), in "all its forms and functions," than it is about the utopian of "dystopian visions of technology" that some authors have alluded to. As for Graham's book, in the Introduction he explains that he has put together a book with a myriad of inputs from scholars in several technology-related fields; and, in
SCIENCE FICTION & FEMINISM Sci-Fi & Feminism Origins & Evolution of Science Fiction As with most things including literature, science fiction has progressed and changed a lot over the years. Many works of science fiction were simply rough copies and following the altready-established patterns of prior authors. However, there has always been authors and creators that push the envelope and forge new questions and storylines that have not been realized or conceptualized before.
Utopias Explored: THE TIME MACHINE and BLADE RUNNER Science Fiction and Film Utopian Societies Explored The Ancient Greek work for "no place," utopia has come down to modern readers as something to be the ideal -- the Eden. The actual word comes from the Greek 'ou -- not' and 'topos -- place,' and was coined in the modern sense by the title of a 1516 book written by Sir Thomas Moore. More's Utopia
Toward the end of the novel, Caroline even remarks, with stark irony and insensitivity, to Dilsey: " 'You're not the one who has to bear it... It's not your responsibility... You don't have to bear the brunt of it day in and day out..." (p. 272). While Caroline is unable (and/or unwilling), to cope with, or even cease denying to herself, the realities of present life for the Compsons, a
" This madness likely leads to Ophelia's suicide but, consistent with the entire theme of this play, the exact nature of Ophelia's demise is left to speculation. The fascination with Hamlet is uncanny. What provides this fascination is the fact that there is always more to what is going on in the play than what actually appears to be. Observers of the play are left with an overwhelming feeling that they
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now