Carter never allows his students to accept the limitations that have been imposed on them. A good coach understands that students' self-concepts are shaped by their peers, parents, the media, and their adult mentors. When kids are taught that they are more likely to end up in prison than in college, they become resigned to their fate. When they are told not to bother trying in school because "basketball's all they got," the students are likely to view academic achievement with suspicion. The empowerment of students like the ones depicted in the film is one of the keys to social, economic, and political betterment of all disenfranchised communities. Coaches can play a more central role in community and personal development than they even knew was possible. Coaching is not just about winning games or reaping financial fortunes; it is about helping others reach their highest potential.
Personal/Professional Implications
"Our deepest fear is not that we are inadequate. Our deepest fear is that we are powerful beyond measure. It is our light, not our darkness that most frightens us. Your playing small doesn't serve the world. There is nothing enlightened about shrinking so that other people won't feel insecure around you. We are all meant to shine, as children do. It is not just in some of us, it is in everyone, and as we let our own light shine, we unconsciously give other people permission to do the same. As we...
Coach Carter (): My Meaningful FilmThe film Coach Carter (2005) changed my life. As a child, I�d always loved inspirational sports films, because sports meant so much in my own life. But Coach Carter was about much more than sports. Instead of focusing on whether a team would win or lose a big game, the focus of the film (and of the central character) was on the moral lessons the
Grant This is a grant proposal to start a non-profit organization dedicated to promoting safe and socially conscious film documentaries and photojournalism. It is believed that many documentarians have conflicts when filming sensitive material, not due to the nature of the material itself, but to the fact that they are placed in the position of being bystanders while someone is being harmed. Their commitment to filmmaking comes in direct contact with
One factor that does not seem to correlate as well as the above two is the number of weeks a picture spends in the top 60. The highest on our list was Ladies in Lavender who spent 22 weeks in the top 60 but grossed a paltry $6.6 million dollars. This could be due to the fact that it was only shown in 119 theaters as compared to a Harry
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