It seemed less a powerful expression of creative energy than simply a quality piece of music performed to perfection.
One section I did not particularly care for was Tuba Mirum. This section chronologically follows the powerful Dies Irae section, and does so a little weakly, in my opinion. I enjoyed the tenor solo in this section, but felt that overall it was too restrained, and too anticlimactic coming on the heels of a powerful, energetic section. The finale of Lux Aeterna (and thus the piece) was weak and predictable. Granted, this section was not written by Mozart himself, but a stronger finish, and certainly a more creative one, would have benefited the piece.
There was no encore performance for this work. The requiem was performed in its entirety and I can imagine that to throw in some other work at the end would not have been suitable.
The audience appeared to be a capacity crowd for this concert. The Palau de la Musica Catalana has a capacity of 2146 people and it appears as though there were this many in attendance. The demographic was almost exclusively middle class and white. There were some more elderly citizens in the audience, but no younger people, and no people of color.
The audience enjoyed the performance with rapture....
Cosmos ended the work with a performance of "A Columbus Triptych" by Stephen Main, which it premiered in 2007. Main often makes use of Christian iconography in his work, and one of his most noted compositions is a reinterpretation of "Pie Jesus." ("Stephen Main," Official Website, 2008). The setting of the performance in St. John's Evangelical Church of Columbus seemed fitting for the work. The "Columbus Triptych" tries to render
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