Chicano
Sandra Cisneros and the Cultural Construction of Latin-American Womanhood
Sandra Cisneros stands as one of the most formative Chicana writers of her generation. She has inspired many other Chicano novelists, poets, and essayists because of the critical and popular success of her first novel, The House on Mango Street. However, despite the book's attempt to give validity to a more positive view of Latin American culture, as it exists in the United States, Cisneros' novel and her subsequent works have not stinted in their criticism of certain aspects of Hispanic life and reality, such as the inequality between the sexes.
Cisneros is an author, and he first novel attempted to give a certain beauty and dramatic weight to the innocent perspective of a young, Latina girl. The work 'argued' that young Latina life was interesting and a culturally significant topic for modern fiction. However, Cisneros is also quite critical of the role that popular Latino culture has had in contributing to the oppression of women in Latin America, both abroad and within the Latin-American community within the United States. This oppression is not manifested only in the way that white culture has portrayed the 'exotic' Hispanic female, or the Hispanic 'earth mother' or mamacita. Latin culture itself, through the use of melodramas such as the popular telenovias, creates an idealized view of suffering women. In these telenovias, women willingly endure the abuse of unfaithful, even physically battering men. Although they...
The novel opens seven years after Gabo's mother, Ximena, was murdered by coyotes -- or paid traffickers -- during an attempt to cross the border. Her mutilated body was found, her organs gone -- sold most likely. Because of the fear surrounding this border town and the lure of the other side, all of the characters become consumed with finding Rafa. These people are neglected and abused. Like other fiction
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