From a study of Gibson's work, we learn, too, that there is a marked difference between illustrators and those artists who pursue their own creative inklings, like Picasso, Renoir, and others. The skill and expertise of illustrating is reflected in a much different sense than is formal portraiture, and while, as we see in the oil of Gibson's daughter, the illustrator might imitate formal portraiture, the skill and expertise of the illustrator do not lend themselves to that illustrator in attempts to create formal portraiture.
This is not to suggest that Gibson was not a gifted artist, because he clearly was. However his work shows an untrained gift, and a gift that restricted by the commercialism of the era in which lived and worked. It would have been very interesting to see Gibson's gift explored with formal training or the influences of the great artists of his time.
Works Cited
http://www.questia.com/PM.qst?a=o&d=98802947
Banta, Martha. Idea and Ideals in Cultural History. New York: Columbia University Press, 1987. Questia....
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