At the peak of fame and fortune, Charlie Parker lost direction and his life fell apart. Giddins book doesn't focus much on the later stage of Charlie's life but it definitely manages to stand apart from other books on him with good pictures and accurate hard-to-find information. For example, it is only from this source that we learn that by the end of his life, Charlie had got tired of jazz and wanted to write orchestral scores. (p. 112) Parker is remembered today more for his innovative music techniques and his unique voice than anything else. His personal problems never overshadowed his numerous achievements. We should pay tribute to this man for creating new ways of making jazz music. One of his very well-known techniques was Bebop, a form so music that took the country by storm in 1950s and was a rage among music-lovers. Charlie believed in innovation and improvisation. He was not satisfied with the trends of his times and decided to create new and better...
The flexibility he introduced to jazz is unparalleled even today. The great legendary musician would sometimes create tunes right in the middle of his performance and people would remain in awe of his musical genius.
16). In comparing a number of literary elements in one story, Smith and Wiese (2006) contend that at times, when attempting to transform an old story into a modern multicultural version, cultural meanings of the original story may be lost. In turn, the literature does not subject the reader to another culture. For instance, in the story about the fisherman, that Smith and Wiese access, the plot remains similar plot,
The boy just stood there staring at the pile of clothes and cat food and bows. I went over and asked him if I could do anything but he told me that he was used to it. I wasn't actually all that surprised by his answer. And so I ask myself: Which story of the family are these two telling themselves? Does the boy know that he is Horus and
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