Benin Bronzes are an example of culture and representation encapsulated in art work. Although these artifacts in themselves contain so much controversy because of the way that they were originally attained, it brings cultural, racial, and aesthetic representation to a society that sometimes seems to forget that there were once societies vastly different from one's own. These Benin Bronzes in themselves contain historical representation from a time now forgotten and very little appreciated (Gore 2008). These are examples of artifacts that need to be properly situated in locations that will bring vast amount of interest and understanding of their value.
The most appropriate location to display the Benin Bronzes would be in a place that would be accessible by all those who wish to appreciate the cultural and aesthetic importance of these artifacts. Museums would be a great choice, but only those that are completely dedicated to the preservation of old values and the original culture of the Benin Bronzes. The Musee du quai Branly would be an example of an institution concentrated on presenting the ideals of art in a non-Western perspective, as a result protecting the purity of these pieces of art. It is of high value to know that the physical and aesthetically appealing features of these artifacts should be presented in a classy way to give credit to the beauty of what they actually represent (Fur 2009).
Representation of culture in art is absolutely everything. One cannot appreciate the essence of the artist architecture without...
Benin Bronze The Case for Keeping the Benin Bronzes in the West In 1897, members of the British military in what is now Nigeria -- members of the colonizing force, essentially -- removed many pieces of bronze statuary and other pieces from the country and brought their cache to Europe (Opoku, 2008; Cremer, 2011). From here, the pieces were dispersed to a variety of museums and collections, with substantial shares in the
Traditional social hierarchy, which was practiced in pre-colonial times, survived in the form of ethical norms. Nigerians are very respectful to the holders of traditional titles such as chief, emir, Oba or Eze; as in ancient times chiefs' role was semi-divine as they were considered to be appointed by supreme powers. Holders of these titles take high positions in modern community hierarchy, especially in rural areas. Inner tribe relations based
Archaeological artifacts repatriation: should the artifacts go back to their homeland? The word repatriation came from a Latin transformation of patria which means fatherland. (William, 2008). Repatriation of cultural objects involves mainly returning historical artifacts to their original culture that obtained and owned by museums and institutions that collect culture materials. This term repatriation was originally created for the Native Americans who wished to restore their cultural object from modern museums.
Ethics of Repatriation-Egyptian Artifacts Egyptians making efforts to get their artifacts back The artifacts that get stolen from a country are hard to get back as, the country from which they are stolen would have to ask the authorities of the other country to help them find those artifacts or fight a legal battle in the courts of the other country which can not only be very time consuming but also
The shapes, forms, mediums, quality and condition of the ancient art all plays a role in the final determination of value of the art a recent report of an action of the Stanford Estate by Christie's in London relates that documentation of an Apollo bust for the purpose of establishing value was conducted and included "comprehensive research and our own expertise as well as drawing on the knowledge of
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