" (Nora FitzGerald, 2002)
Bauhaus popularized functional design, a technique that focused specifically on the major functions of everything including buildings, textiles, tables, lamps etc. To make them more easily accessible and usable. Bauhaus artists were the first to understand the needs of the new urban breed of workers who were looking for cleaner and sleeker design in everything in order to make better use of space without feeling cramped. Gropius decided to combine Academy with the Weimar Arts and Crafts School to provide new and more comprehensive training in design. Two persons trained each student: an artist and an expert craftsman to develop "creative ambidexterity." (2)
While cubism, expressionism and Dadaism inspired early Bauhaus designs, the later designs rarely ever bore any resemblance to these art movements. The reason being that Bauhaus took birth in highly chaotic times and it took some time for the movement to gain momentum and establish its unique identity. Herbert Bayer et al. (1938) wrote: "Fortunately, the first and difficult stage of development was over fairly quickly, and Gropius' idea soon achieved realization: modern artists, familiar with science and economics, began to unite creative imagination with a practical knowledge of craftsmanship, and thus to develop a new sense of functional design." (Page 15)
Today almost everything that we see around is somehow linked with Bauhaus design as it emphasized functionality. Textiles, carpets and rug designs were also influenced by Bauhaus techniques as women were specifically trained in this field. Under Bauhaus movement textile art was revolutionized and emphasis was shifted from detail-oriented designs to organic, often geometric and always abstract forms. students of textile art were trained to develop "whole new design vocabulary" (Weltge-Wortmann, Sigrid, pp. 49)
Bauhaus movement...
International Style of Design & Architecture The International Style In the 1920s and the 1930sa major architectural and design style emerged that was referred to as the International Style by Henry-Russell Hitchcock and Philip Johnson in their book titled the International Style (Hasan-Uddin & Jodidia 2009). Hitchcock and Johnson published the book in order to catalogue and preserve a record of the work introduced at the International Exhibition of Modern Architecture that
In the "temple paintings" by Anuszkiewicz, for example, a sense of depth is elicited by the utilization of two contrasting colors. Looking at these works, we are under the impression that we are looking at something in three dimensions. It is almost as though an architectural work is invading the space in which we view the picture. Stanczak went even further in his pictorial compositions with color. As a matter
"Color has taken possession of me; no longer do I have to chase after it, I know that it has hold of me forever. That is the significance of this blessed moment. Color and I are one," Klee said (cited by Pioch). With this revelation and the expressionist approach Klee learned under Blue Rider tutelage, Klee developed his signature style. After the First World War, both Klee and his
His paintings were and are provocative because, instead of using personal confessions (like Dali), he uses irony and wit and intelligence to make his point hear. "The Treason of Images" is controversial in the sense that it makes the viewer question art and language and the meaning that we apply to objects. Magritte questions the assumptions made by people about the world, changing the scale of objects and defying
Plath then mentions the Luftwaffe or German Air Force and her father's "neat moustache" and "Aryan eye, bright blue" (lines 42-44) which symbolizes the well-groomed appearance of German officers with their blue Aryan eyes. She then calls her father a "Panzer man" (line 45), a metaphor for a German-made armored tank used in battle. Plath also sees her father as worshipping the swastika rather than God (line 46) and
As such, the original construction for the building was completed between 1911 and 1913, after which point the factory underwent significant reconstruction resulting in an expansion that was largely different than its original design. The construction effort was largely financed by Benscheidt, who worked in conjunction with foreign investors raise the necessary funding. The building's foundation was achieved by mixing compressed concrete and pebble dashing. While the majority of
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