In Braque's "Woman with a Guitar we can see the foreshadowing of the Synthetic Cubism period, when he introduces stenciling and lettering, a practice that Picasso was soon to imitate. Figure 7: Picasso, Le Guitariste"(1910 Figure 8: Braque "Woman with a Guitar" (1913 Synthetic Cubism/Collage 1912-1914: Braque was beginning to experiment further now by mixing materials such as sand and sawdust into his paint to create a more textured, built- up look and what

Bruner's constructivist theory and the conceptual paradigms of Kolb's Experiential Learning theory drawing on the associated theories are Kinesthetic and Embodied Learning. As also noted in the introductory chapter, the guiding research question for this study was, "What are the career paths for teaching artists seeking to deploy into the field of community art and development?" To develop timely and informed answers to this research question, this chapter provides

In Miller's Batman, one sees a man waging war on a world that has sold its soul for empty slogans and nationalism: the Dark Knight represents a kind of spirit reminiscent of what the old world used to call the Church Militant -- he is virtue violently opposed to all forms of vice -- even those that bear the letter S. On their chests and come in fine wrapping. Miller's

Some Chinese researchers assert that Chinese flutes may have evolved from of Indian provenance. In fact, the kind of side-blown, or transverse, flutes musicians play in Southeast Asia have also been discovered in Africa, India, Saudi Arabia, and Central Asia, as well as throughout the Europe of the Roman Empire. This suggests that rather than originating in China or even in India, the transverse flute might have been adopted through the

Negotiation Skills A High Impact Negotiations Model: An Answer to the Limitations of the Fisher, Ury Model of Principled Negotiations This study aims to discover the ways in which blocked negotiations can be overcome by testing the Fisher, Ury model of principled negotiation against one of the researcher's own devising, crafted after studying thousands of negotiation trainees from over 100 multinational corporations on 5 continents. It attempts to discern universal applications of

In conclusion, Heinrich Wolfflin, an art critic of the early 1950's, points out that Leonardo's the Last Supper exhibits all of the classical elements of Western art and those of the High Renaissance. Also, the three major trends of 15th century painting, being monumentality and mathematically ordered space at the expense of movement and the freedom of movement at the expense of monumentality and controlled space, are all harmonized and