Art
Thinking Critically about Photography
The photograph that I have chosen to think critically about for the purposes of this assignment is "Paris, Montparnasse," by Andreas Gursky. The photograph is rectangular. The primary object in the photograph is a large building or edifice, full of homes or of offices. It is unclear from the vantage point because the picture is taken as an extra wide shot. This object takes up most of the area in the photo. There is some unused or negative space in the top fifth of the photograph. That empty space is of the sky. Toward the bottom fifth of the photograph, there are trees, plants, and what could be a parking lot or another section of the roof of the building. Again, while there is detail and sharpness to the photograph, these sorts of contextual details are ambiguous or unknown....
Reframing The Archive�We don�t need the new sentence; the old sentence re-framed is good enough,� � said Kenneth Goldsmith.IntroductionThe last two years have radically altered the way most of us live, work, and create, forcing us to reconsider our connection with our previous photography work. How do we frame our previous work when the world doesn�t appear the same? Images of rush-hour pedestrians or pals lazily flinging their arms around
Much like the assertion of Dusty Lavoie earlier in this paper, Simone Knox believes that "…little detailed analysis has been offered on the film" (Knox, 2010, 1). Knox takes care of that problem with a long essay that, in the end, compares "Seahaven" with Disneyland. But along the way Knox affirms the artistic legitimacy of The Truman Show, adding that the film does "not ask the audience to work out
Photojournalism was a defining feature of the Vietnam War era, bringing informative but usually horrific images from the front lines to the pages of print and the tubes of television. Therefore, photojournalism was instrumental in shaping the American public sentiment towards the war. Imagery laden with bloodshed and brutality impacted the minds and hearts of Americans, giving fuel to the already fiery anti-war, counterculture movement. Moreover, the Vietnam War was
These pastel-colored etches influenced Degas' late-life paintings. Those were characterized by women frequently engaged in some type of grooming, such as bathing. Rather than the tightly-structured lines of his earlier works, these later works seemed more hurriedly-drawn and less meticulous than his early works. For example, in Woman Drying Her Hair, a pastel on paper, Degas depicts the back of a nude woman, drying her hair. Unlike many of his
All the attention is on the woman, and the background is inconsequential. The lighting is not harsh on Diana, it does not create deep shadows, but it is very soft all around her, almost blurry, but not quite, focusing the entire attention of the photo only on her. The depth of field is primarily her face and torso, the rest of the room is softly out of focus. The
In 2002 the crime lab in the state of Mississippi found that the semen in the victim's body belonged to two different men and neither of them was Kennedy Brewer. Balko concludes by stating: "Forensic scandals have been troublingly common of late, with phony experts, fake results, and incompetent testing recently uncovered in Virginia, Maryland, Kansas, Illinois, and Texas, to name just a few. Courts need to take a
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