During the construction process, dead loads "can be accurately calculated," (Brannigan: 15). Yet, live loads are much harder to plan for. Carefully planning for the planning of these types of considerations in building design has been crucial. Recent fire codes have begun to implement live load constrictions. All of these elements can have an effect on the health of a structure during a disaster like a fire. Constructing smart means

Fine Arts Los Angeles Fine Arts Building "Form follows function" may be a cliche nowadays, one that's parroted in chic commercials for high-end, luxury sedans, but at some point, before the phrase devolved into a catchphrase for Cadillacs, it had real meaning. The architects who designed and built the Los Angeles Fine Arts Building knew what it meant, and they applied that philosophy to their stunning 12-story masterpiece in the city of

Art can come in many shapes, sizes, and mediums, yet one thing that all art has in common is its ability to connect to individuals and enable them to experience catharsis, that is illicit an emotional response. Some of the most awe-inspiring works of art are architectural such as the Lincoln Memorial, which bookmarks the National Mall in Washington, D.C. The Lincoln Memorial is impressive and its sheer magnitude and size

(176) In this regard, Nead notes that because she was an art lover, Richardson experienced a moral dilemma in her decision to attack "The Rokeby Venus," but she felt compelled to do so anyway based on her perception that the government was failing to act responsibility towards women in general and the suffragettes in particular. "In her statement during her trial, Richardson appears calm and articulate and nothing is said

His paintings were and are provocative because, instead of using personal confessions (like Dali), he uses irony and wit and intelligence to make his point hear. "The Treason of Images" is controversial in the sense that it makes the viewer question art and language and the meaning that we apply to objects. Magritte questions the assumptions made by people about the world, changing the scale of objects and defying

Colin Rowe and Fred Koetter argued in Collage City that the designer should intervene in the existing city by adding to and adjusting what is already there, a process more like collage than any other art form. (Barnett, 1996, p. 185) The city as "collage" is possibly the finest metaphor for the urban world. Nowhere else do so many different people and purposes come together as in the city. No other