ART CRITICISM AND THEORY: Question: How constraints practices artists/designers/architects influence make? Make reference TWO response: - Site - Views art critics historians - Historical precedents - Materials technologies - Time - Audience expectations.
Post-modern art and theory
Artists in the post-modern era realized that they dealt with a lot of pressure coming from the public and that it was important for them to employ attitudes that would reflect positively on their works. Even with this, people need to understand that artists have always been constrained and that being limited actually had a constructive effect on most individuals. Chaos is difficult to discuss when regarding things from an artistic point-of-view, as while some people consider it to be an important asset, others believe that it is better for an artist to work with a limited amount of tools because this makes it possible for him or her to actually demonstrate that he or she is different.
Bill Viola's 'painting' Silent Mountain is one of the most intriguing artworks in recent years. The fact that this paper relates to the video as being a painting is largely owed to the feelings that it triggers as the storyline progresses. Its silence dominates the whole motion picture and makes it possible for viewers to consider that they are practically watching a painting come to life and that they actually understand what the actors are...
Language Acquisition The language theory According to Krashen 'communication' is the purpose of a language. Focusing on communicative abilities is just as important. The relevance of 'meaning' is also stressed upon. According to Terrell and Krashen, a language has its very own lexicon. The stress on vocabulary is apparent here and language is seen as a means to 'communicate meanings' as well as 'messages'. 'Acquisition' takes place in case where people
Vernacular Rhetoric has an element of discussion which ensures that there is hope of better and newer social circumstances to emerge as the ideologies behind social movements keep changing. The combination of Rhetoric and vernahas yielded the momentous Theory of Vernacular Rhetoric which embodies the teachings of persuasive use of inherent and familiar tongues to offer resistance by persons to bring social change. References Amos, R. (1969). House Form and Culture.
18). Assessing the economic impact of the arts on these communities allowed the researchers to then produce a national impact estimate, the results of which were stated above. Ultimately, the researchers found that when communities "support the arts, [they] not only enhance the quality of community life but also invest in their economic well-being" (Cohen, Schaffer, & Davidson, 2003, p. 30). The researchers concluded by noting that while "the very
feminist rhetorical theory. Women have been historically minimized and isolated by the domination of the patriarchal majority. Although women have been able to make a degree of progress, finally achieving positions of social and political power, the number of women in these high offices is still far less than the roles that are filled by man. Modern women, far removed from the "angels in the house" of the Victorian
Nightingale met a friend Richard Monckton Miles in 1842. Then in 1844, Nightingale asked Dr. Howe if she could do a charitable job in a hospital like the catholic nuns, and refused her marriage to her cousin, Henry Nicholson. By 1845, Nightingale started training herself in the nearby Salisbury Hospital, but her parents were not happy about it, seeing nursing as an inappropriate job for a well to do
In addition, Lett (1987) emphasizes that, "Cultural materialists maintain that a society's modes of production and reproduction determine its social structure and ideological superstructure, but cultural materialists reject the metaphysical notion of Hegelian dialectics that is part of dialectical materialism" (80). Indeed, according to Bradshaw (1993), "the British cultural materialist knows that the 'radical,' 'subversive,' 'marginal,' or 'dissident' perspective is always superior (9). This author maintains that British cultural
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