Art Cinema and Theatre of Absurd In "The Art of Cinema as a Mode of Film Practice," David Bordwell provides a definition of what he believes constitutes art cinema in order to define the style as an artistic movement. In "The Theatre of the Absurd," Martin Esslin provides similar arguments about theatre as Bordwell does about film. Bordwell and Esslin both provide an analysis of the elements that distinguish art cinema

This is an apt title because of the gender inequality that the mid-1960s can be associated with, especially the depiction of either sex in films. Madeleine and her friends are depicted as socially unaware conformists who only live in the moment and don't care for the deeper meaning of life and so embrace popular culture. In contrast, Paul and Robert are seen as the opposite: nationalists, idealists, philosophers. However, as

Auteur theory is familiar to anyone who is a fan of the French cinema because the word originated as a description of a certain type of French film. Basically, it was a style that was directly connected to the director of the film, usually because he was both the involved in both writing the screenplay and directing the film. In the movies Week End by Jean-Luc Godard and The 400

The puppets enable Fugui to regain his self-esteem and give him a sense of creativity, as he is now capable of articulating his thoughts through the puppets. He is able to make a better living as a traveling entertainer than as a seller of needles and thread. When it became too painful to live in his old town where he was once so wealthy, Fugui flees and goes on the