The sheer length of time designated to each suggests a great deal about the excess of resources, man-power and conceit which were reserved for the cite of worship, historical documentation, deference to the shared authority of the Crown and Church and, in the case of St. Denis, the interment of France's Kings. And embodied in this long process would be the incorporation of a host of aesthetic, spiritual and sociological impulses that would ultimately feed into the political and philosophical machinations of the renaissance. Thus, it may be that there is some elevated degree of credit to be given to the French Renaissance architects who ultimately completed these structures so unprecedented in their size.
It must be acknowledged that the construction of the Cathedral at Notre Dame would, in France, represent nothing less significant than the transition from a Roman tradition of building aesthetic values to a distinct manifestation of the Middle Ages in Europe. Begun in 1163 under the aspirations of Roman Catholic leaders in order to replace a cathedral then considered unfit to house the worship of the first French pope. From this origin, by its very admission inclined to augment and elaborate man's house of worship, it had been assured that Notre Dame would attempt to orient a new perspective with regard to the impulses guiding cathedral construction. Quite so, it would help to build the framework for the more classically European styles that would soon become dominant on the French landscape.
To this consideration, we refer to what may well be regarded as the most important structure to be produced during the period known as the French Renaissance. The Loire Valley is home to many of the most remarkable and pleasing structures of the era in question. In particular, we consider such examples as the Chateau d'Azay-le-Rideau. A white palace flanked with towers and set on a reflecting body of water, it is the peak of architectural taste and sheer beauty. Its dependency on the use of nature and on the responsiveness of the natural setting to a fundamentally compatible structure are both features of the renaissance tradition in which it was produced. Simultaneously, the palatial impression of the work is unquestionably gothic. Hard stone edifice peaks as spindly towers and the interior appears to demonstrate yet a more refined use of the flying buttress just two centuries hence of its introduction to gothic France.
This convergence of gothic and renaissance influences causes a return to the initial...
Considered part of the Northern Renaissance, German Renaissance developed in the 15th and 16th centuries among German thinkers who had traveled to Italy, the cradle of the movement, and had been inspired to import it to Germany. Humanism exerted a strong influence over the arts and sciences in several German principalities, and coincided with a period of political development. Painting was one of the most prominent ways of artistic expression within
Symbolism first developed in poetry, where it spawned free verse. Forefathers included the poets Baudelaire, Verlaine, and Rimbaud; practitioners included Laforgue, Moreas, and Regnier. The Swiss artist Arnold Becklin is perhaps the most well-known Symbolist painter; his pictures are like allegories without keys, drenched in melancholy and mystery. Other artists working in this vein include Odilon Redon and Gustave Moreau. The Surrealists drew heavily on the Symbolists later on. Catalan
In contrast, English baroque has been described as being more secular, with a higher degree of classical inspiration. However, as Daniells states, this form of the Baroque style is not easy to categorize with finality (Daniells). Wellek uses the term 'restraint' to characterize English baroque (Wellek). With regard to the period of the Scientific Revolution, English Baroque drew inspiration from renaissance geometry. As in the Italian or Roman Baroque, there
French absolute monarchy. We discussed development modern state army, baroque art architecture, scientific revolution early Enlightenment. In a -organized essay, explain early modern absolute monarchy, baroque style, scientific revolution responses turmoil sixteenth seventeenth centuries. The sixteenth and seventeenth centuries plays an important role in shaping public opinion across France as individuals came to express particular interest in supporting an absolute monarchy as a result of nobles gradually being pushed aside,
French literature? (Pick as many as you think are correct) Detective stories Songs sung by traveling minstrels (troubadours) and entertainers and jesters (jongleurs) Oral histories evoking the exploits of saints and kings Long verse poems telling the stories of heroes like Charlemagne, knights and ladies and their confrontations with giants, monsters, and the supernatural world Gothic novels The Renaissance - pick out which of the following elements characterize the changes and innovations of the Renaissance
A major point of the above is that the winners of wars typically write the history books and their reverence and view of history may not be all that positive. Examples like that litter the pages of history including the Roman Empire, the Ottoman Empire and so on. Architecture is molded and shaped to this very day by countries generally take a dim view of religion and the associated
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