(Antonio Gaudi) it should also be noted that his works draw inspiration from many disciplines and from the input of artists, engineers and sculptors. The first commission that Gaudi was awarded was for the lampposts for the Plaza Real in Barcelona. (Antonio Gaudi)
This was followed by various commissions, which included furniture and alter pieces. An early work was the villa El Capricio at the resort area of Comillas. (Antonio Gaudi)
Initially, many of the works and his unique architectural style were criticized by some of his contemporaries. However, with the support of allies like Eusebi Guell and others, he achieved a national and then international status as an architect. A major part of his fame was based on his questioning of convention and his interrogation or deconstruction of classic architectural styles. " His deconstruction of classic architecture, refusal to use straight lines and organic shapes lent his buildings a surreal air that clearly wasn't to the tastes of his more traditional peers" (Resources - Antoni Gaud'.February 15, 2008). It should also be borne in mind that this questioning of convention and classic styles and perceptions did not take place in a vacuum, and there were many artists, architects and writers who were critical of the status quo and in search of new alternatives in the early Twentieth Century. This context should not be forgotten in assessing Gaudi's work.
Among his most outstanding works is "Casa Mila" also known as "La Pedrera" ("the Quarry"). However, the work that defines Gaudi's achievement as a modern and innovative architect is the well - known "Sagrada Familia" Church project. The architect devoted the last 43 years of his life to the project and it has...
The new woman is scary for many, especially for men. Not only because she personifies a radical change, but because they no longer have the power upon her. Being independent, wise and strong she becomes an adversary, an opponent and therefore a challenge. And it's not only the male pride at stake, but also the acknowledgement that society was really changing. A relevant example for our discussion is the literary character
It is much less an expression of breaking away with the past and norms and rules, like the Art Nouveau current was. This is mainly due to the fact that contemporary art has been an expression of the individual freedoms throughout the 20th century and the numerous experimentations during this period produced no limits to the artistic capacity of individuals. The art of the 1990s continues the anxiety expressed
To be sure, under the label Art Nouveau, there resides a long list of diverse artistic styles, from two dimensional arts to constructive and geometrical arts. Art Nouveau was an important architectural movement, inspired by the inherent patterns of nature. For example, C.F.A. Voysey's textile prints showcase plant forms in free curves, while Christopher Dresser's design philosophy stemmed from his knowledge of botany. Aubrey Beardsley (1872-98) is famous for his
Emile Galle and Louis Majorelle and the Art Nouveau Movement Art Nouveau is best defined as a style in the visual arts that came to the fore in a number of European and North American cities in the early 1890s, and remained a force to be reckoned with until the end of the first decade of the twentieth century, when it faded quite speedily from view. The style emerged as a
According to Schmutlzer, "The buildings of Horta reveal the full importance of architectural initiative" (114). In his book, a History of Modern Architecture, Joedicke (1959) reports that, "In the nineteenth century a circle of adventurous artists, known as 'Les XX,' had already appeared in Brussels, who were strongly influenced by William Morris and his followers. In 1893 Victor Horta, who belonged to this group, built the house in the Rue
Art - A Product of Its Context Introduction Exploring by visual means is a versatile process of collecting facts about the world. The context from which one does so and their personal factors influence such a dynamic exploration process. Art and context are inseparable. The meaning is derived from the information that accompanies a piece of art. Thus far, aspects such s the title of a piece of art, the authenticity and
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