(Antonio Gaudi) it should also be noted that his works draw inspiration from many disciplines and from the input of artists, engineers and sculptors. The first commission that Gaudi was awarded was for the lampposts for the Plaza Real in Barcelona. (Antonio Gaudi)
This was followed by various commissions, which included furniture and alter pieces. An early work was the villa El Capricio at the resort area of Comillas. (Antonio Gaudi)
Initially, many of the works and his unique architectural style were criticized by some of his contemporaries. However, with the support of allies like Eusebi Guell and others, he achieved a national and then international status as an architect. A major part of his fame was based on his questioning of convention and his interrogation or deconstruction of classic architectural styles. " His deconstruction of classic architecture, refusal to use straight lines and organic shapes lent his buildings a surreal air that clearly wasn't to the tastes of his more traditional peers" (Resources - Antoni Gaud'.February 15, 2008). It should also be borne in mind that this questioning of convention and classic styles and perceptions did not take place in a vacuum, and there were many artists, architects and writers who were critical of the status quo and in search of new alternatives in the early Twentieth Century. This context should not be forgotten in assessing Gaudi's work.
Among his most outstanding works is "Casa Mila" also known as "La Pedrera" ("the Quarry"). However, the work that defines Gaudi's achievement as a modern and innovative architect is the well - known "Sagrada Familia" Church project. The architect devoted the last 43 years of his life to the project and it has...
The above perception of the insanity of life is not at all apparent in the second painting of Georges Seurat. While it is mystical, it gives too much quiescence that is there with the impressionistic style. This like Picasso's painting above is a happy trip and does not exhibit as much negative energy as Picasso. He also does not seem to be trying to summon any primitive energies. Rather Seurat's
Art "Sacrifice of Isaac" Analysis This paper will focus upon Lorenzo Ghiberti and one of his artistic works called "Sacrifice of Isaac." The paper will provide a context within which to explain and evaluate this sculpture. Referencing art history, world history, and the artist's personal history, the paper will explore and analyze "Sacrifice of Isaac" as a seminal work of a famous artist that serves as a masterpiece representing the entire artistic
Art Culture: Public Space Art Public art like that of Koon's Train (2011), Serra's Tilted Arc (1981), Lin's Vietnam Veterans Memorial (1981), and James' Sea Flower (1978), ignite discussion to the point of its modification, re-arrangement, or removal. The reason for this controversial treatment of public art is its ability to embrace a variety of aesthetic practices. The adoption of different aesthetic values like poster art, outdoor sculpture, earthworks, multimedia projections,
This work of art depicts a struggle between two ancestors, the Bungalung man and a Tingari man, the latter of whom was trespassing on sacred land (No author). The copious quantity of dots, particularly the white ones, evinces the full force of the elements invoked by the Bungalung Man to beat his opponent into submission. The power of the Bungalung man is evinced by the fact that he leaves
Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome
Art During Renaissance The Evolution of Art During the Renaissance The Renaissance period is defined as a cultural movement that spanned approximately from the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe (Brotton 2006, p. 6). This period in the history of art included the painting, decorative arts and sculpture of the period and for many was considered a
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