Alvin Ailey
First Viewing:
The overall tone of the work is positive and life-affirming in spite of apparent obstacles that are perceived as externalities to the dancer's range of motion. The dancer at times hugs herself, which seems to suggest a need to love oneself; at other times, the dancer opens the arms wide in an embrace of the world and of life's possibilities. Then the dancer moves in a circle as though to encompass the range of these possibilities and move towards them. When the dancer shrinks down, there is danger or one of life's obstacles getting in the way. When the dancer rises again, life is once more possible because of the inner strength within.
The sound score is dramatic with a woman's voice singing the words over a few instruments that sound like strings. The work seems to be about a woman awakening to life. The dancer is Marylin Banks and she stretches out her limbs with such fluidity and grace that she seems at once to be like a tree reaching up with life and like a ballerina spinning with grace. I think the choreographer wants us to know that the female life is dramatic and beautiful as it grows and develops.
Second Viewing:
Alvin Ailey's cultural background shapes his artistic process in the sense that he is an African-American who comes out of a situation where there is a lot of...
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