American Literature discussion topics: 1. Discuss Sarah Orne Jewett Charles Chesnutt contributed local color fiction nineteenth century stories respective regions (Jewett writing New England Chesnutt South).
Sarah Orne Jewett and Charles Chesnutt played essential roles in promoting concepts and thinking in general in the regions of New England, and, respectively, the American South. The fact that these people's writings provide suggestive sketches of village life in the U.S. makes it possible for readers to gain a complex understanding of conditions in the country in the late nineteenth century. Their texts demonstrate that there is much more to the American background during the period than meets the eye. Both Jewett and Chesnutt adopted regionalism as one of the principal ideas in their texts and virtually created texts that have become an active part of American traditionalism.
Jewett's "The Country of the Pointed Firs" focuses on presenting readers with a metropolitan traveler's perspective of a rural community that has little to nothing to do with the progress experienced by the rest of the country. Even though some might be inclined to associate this traveler with a pilgrim that simply wanted to settle in a comfortable location, Jewett's traveler is actually more similar to modern day tourists. It is as if this character concentrates on having readers join him in learning more about things in New England's rural areas (Jewett 284).
Even though it appears that Jewett wants her works to be differentiated from exploration texts, she "place her own regionalist writing and that of her peers in an identifiable literary history" (Joseph 24). This woman practically considered that it was essential for her readers to become acquainted with her thinking and that her imaginary reader in particular, Phebe, needed to have access to her writings. She considered that her thoughts were extremely valuable not only because they were her own, but also because she considered that it was important for individuals in the twentieth century and later on to be familiarized with conditions in the nineteenth century in New England's rural areas (Fetterley & Pryse 1).
Jewett started to acknowledge "the effectiveness of focusing on a specific geographical location" (American Literature Since the Civil War 32) consequent to the moment when she read Harriet Beecher Stowe's "The Pearl of Orr's Island." Stowe's novel made it possible for her to consider that she could write with regard to people in rural New England in an attempt to have society understand that they were not as limited as the masses might be inclined to think.
Chesnutt's works played an important role in providing the masses with a complex view of African-American life in the South. Even with the fact that many criticized his works because he had a tendency to focus mainly on race, his thinking was certainly impressive and he can be considered to be largely responsible for society's understanding of the Old South. The thin line between exploration and fiction is a concept that he constantly dealt with, thus making it difficult for a great deal of explorers to appreciate his works when regarding things strictly from a point-of-view involving their field of work (American Literature Since the Civil War 41).
In spite of the fact that he writes rather similarly to magazines in the nineteenth century, Chesnutt actually wants his work to address readers by providing them with a more exotic version of the South. The writer wants his readers to identify with his perspective regarding matters in the South as seen from the point-of-view of someone who is not necessarily interested in the racial aspect of the story. "Chesnutt thereby proposes a kind of "close" or relational reading as a way of understanding how frames and tales intersect" (Fetterley & Pryse 21).
"The Goophered Grapevine" is a perfect example of Chesnutt's writing style and it makes it possible for readers to understand how the writer intended to emphasize the wrongness related to believing in stereotypes. In spite of the fact that Chesnutt was mostly white, his African-American background motivated him to take on his identity proudly. He virtually started to lobby with regard to how the masses failed to see beyond race and highlighted that people should change their thinking concerning African-Americans and their presumed inferiority.
Chesnutt mainly designed his works as fiction and was not necessarily concerned in the regionalism that they put across. However, the stories actually proved to be more important when considering...
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