Other cinematic techniques that aided in the telling of the story was simplicity of the focus and frames. With modern computer animation, shots that pan, move in and out, or adjust focus without cuts are now as commonplace in animation as they are in live-action films. The older style of animation, in which backgrounds were often stationary and hardly ever shifted scale without a cut, is actually better suited to the telling of Alice in Wonderland. This keeps the focus on Alice and her experience in Wonderland, scaling everything to match whatever her current body size happens to be and relating importance and relationship by the placement of the various characters and background elements in relation to Alice within the frame. The film and therefore viewer's focus shifts, generally speaking, only when Alice's does, in keeping with the flow and construction of the novel. Another film technique employed in the Disney film that serves as an effective means of adaptation from the novel is the use of the cross-fade and the "dream" -- or more appropriately in this case "storytelling" -- sequence. The most prominent and memorable use of this technique from the film is the story f the Walrus and the Carpenter, which is told by Tweedle Dum and Tweedle Dee, but which is also acted out in the film during this "storytelling" sequence. In the novel, the story is just one of the many half-sensical story-poems Dodgson puts into the mouths of his characters, but it is easily one of the most enjoyable and unique sequences in the film -- Disney even ran the excerpt as a short in its morning cartoon line-up from time to time. The poems are all very witty and enjoyable whether being read from the age or heard spoken, but the film takes this latter option a step farther by allwing the action to be visually represented as well. The cut-away to...
The makers of this film were well aware of the power and necessity of the visual image, and they used it well.
4. Alexandre Gabriel Decamps Figure 8. Alexandre Gabriel Decamps' "The Monkey Painter," 1833. (Source: http://dalihouse.blogsome.com/2007/04/26/beasts-get-the-babes Figure 9. ( Source: http://www.artandpopularculture.com/Image:The_Experts%2C_1837_by_Alexandre-Gabriel_Decamps.jpg) Alexandre-Gabriel Decamps was an artist who often used animals portrayed as human beings to satirize society and especially the formal artistic community of the time. He was opposed to falsity and pretentions and the often biased views of the academic art coterie of the time was a subject of some of his works. This can be
When the dentist asked Walt to come over to finalize the deal, Walt had to admit that he did not have the $1.50 to recover his shoes from the local cobbler. The dentist not only came to Walt to hand over $500 for the deal, but also gave him the cobbler's fee. Walt then began work on Alice's Wonderland, in which a child was placed against a cartoon background,
movie industry in America has been controlled by some of the monolithic companies which not only provided a place for making the movies, but also made the movies themselves and then distributed it throughout the entire country. These are movie companies and their entire image revolved around the number of participants of their films. People who wanted to see the movies being made had to go to the "studios"
Figure 3. Cover art for Miyazaki's Nausicaa DVD set Source: http://4.bp.blogspot.com/_t68ar0SFX54/SrvMLVUJMyI/AAAAAAAADy4 / Ol1Z06z6YdE/s400/Nausicaa.jpg The economic success of Nausicaa convinced its producers that the market for their type of work was viable, resulting in the explosion of the global manga and anime markets (Schilling, 1997). Launching Studio Ghibli as a framework in which to produce his theatrical follow-up to Nausicaa, Miyazaki's worked on Tenku no Shiro Laputa, another fantasy adventure story concerning a
He was unworthy, because he had in effect become both a woman and a prostitute. If as an adult he nevertheless went ahead and exercised his citizenship by casting his vote or speaking in the assembly, he could be put on trial and lose not only his citizenship but also his life. Such charges may not have been brought very often, but it did sometimes happen,(18) and the very
Walt Disney Company Scenario Scene: Fiscal Karat (FK), host of TV's Let's Talk Money, is seated at the center of an oak conference table. Let's Talk Money is a weekly PBS talk show that interviews business leaders and often finds government officials to debate certain ideas and programs. Tonight's episode features Mr. Michael McDuck (MM), CEO of Walt Disney Company and Mr. Rigid B. Crat (RC), Senior Administrator for the U.S.
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