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Adam Foulds Biography Adam Foulds Essay

He felt no fear yet: the sun lit wonders in a new zone that held him in steady rapt amazement. He did wonder, though, why the old world had not come to an end, why the horizon was no closer." (The relevance of this quote to the 21st century is that we all stand mesmerized by what the future may bring, but the closer we get to realizing our dreams, the farther away they seem). 2. From The Broken Word: "He could see people posting themselves, third class, into the train windows or dropping carefully onto wide, unfeeling feet" (The relevance of this quote to the 21st century is that the daily grind has beaten many people down into feeling like third class objects).

3. From The Quickening Maze "Even the church, rising over the wood, the church he'd seen very day as soon as he could see at all, looked counterfeit" (The relevance of this quote to the 21st century is that religion has...

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1. An Interview with Adam Folds from the University of East Anglia

2. Article from the Sunday Times: "Adam Foulds on getting started, getting published, and getting noticed"

3. Article from the Sunday Times: "The Broken Word by Adam Foulds"

4. Article from The Guardian: "Writing has warped me"

VI. Works Cited

"The Truth About These Strange Times" FictionCritic review. 16 June 2008 Available online from http://fictioncritic.blogspot.com/2008/06/truth-about-these-strange-times.html

Foulds, Adam. The Truth About These Strange Times. London: Orion Publishing Co, 2007

Foulds, Adam, The Broken Word, London: Jonathan Cape, 2008

Foulds, Adam, The Quickening Maze, London: Jonathan Cape, 2009

Sources used in this document:
Works Cited

"The Truth About These Strange Times" FictionCritic review. 16 June 2008 Available online from http://fictioncritic.blogspot.com/2008/06/truth-about-these-strange-times.html

Foulds, Adam. The Truth About These Strange Times. London: Orion Publishing Co, 2007

Foulds, Adam, The Broken Word, London: Jonathan Cape, 2008

Foulds, Adam, The Quickening Maze, London: Jonathan Cape, 2009
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