Waterfront Timeless Elia Kazan's 1954 "On the Waterfront" is a mixture of crime-romance with hero-drama. Marlon Brando is cast as the protagonist, with Rod Steiger as his brother, Lee J. Cobb as the union mob boss, Karl Malden as the local priest, and Eva Marie Saint as Brando's love interest. In essence, Kazan directed a simple story of good against evil, moral values against corruption, and what it means to sacrifice

In this case, each chapter highlights the significance of each habit. Below, I briefly highlight each of the seven 'habits' which are amongst the basic concepts the book concerns itself with. The first habit Covey talks about in this case is being proactive. This habit underscores the importance of acting on the basis of principles as opposed to circumstance or emotion. Indeed, based on its insistence on the ability of

Other novels of the time, such as "The Swiss Family Robinson" and "The Dairyman's Daughter," were moralistic Christian tales, and novels of fear and terror were also becoming popular, such as "Tales of the Dead" and tales of Dracula-like beings. Thus, Austen was bucking tradition with her novel, combining wit, romance, and satire against the very society that was reading it. Her novel was exceedingly popular at the time,

They believe that God exists in a trinity, made up of Father, Son and the Holy Spirit. They believe Jesus was born of the Virgin Mary. There is an emphasis upon the sacraments (communion, etc.) to unite the believer with Jesus as the Savior (ibid). Abortion is against Church doctrine and it is very pro-family. Groups such as the Franciscans work with the poor. Catholic Charities is one of the

Feminist Art as Evolution Rather Than as a Movement Feminist art as a named movement evolved in the context of the late 1960's early 1970's political climate. The movement contextually cannot be separated from larger civil rights movements and specifically those relating to women; like the sexual revolution, the women's liberation movement, and the formation and growth of groups like the National Organization for Women. Strictly speaking there can be no

The Song also affirms, albeit, that humans consist of more than mere bodies. Francis Landy (2007), University of Alberta, notes in his review of "Song of Songs," by Richard S. Hess, that Hess intentionally writes with his conservative audience in mind. "He assumes a context of married love for the Song, while recognizing that this is never made explicit: 'the erotic love of the couple does not lie outside the