Why The Waste Land and The French Lieutenant's Woman exemplify modernism and postmodernism
This paper discusses the Wasteland as an exemplary text of the Modernist Period and the French Lieutenant's Woman as an exemplary test of the Post-Modernist period. It posits that Modernism and Post-Modernism cannot be understood by reference to common features alone, but also as responses to their respective social, cultural, and political contexts. It concludes that both works became exemplary partly because they were so unlike any literature before them. Although unconventional, each was familiar enough to be contextualized in the course of literary history, meaning they unique in a way that could be articulated with the terminology available to literary critics of their time.