Poetry may be one of the most common vehicles for emotional expression, especially the expression of romantic love. From Milton to Shakespeare, poets have woven words that capture their audiences as well as the object of their affection. Often the verses that talented poets pen linger for years, even centuries, as love is a universal experience. Love poems also appeal to all readers, especially if their language is straightforward and accessible. Without resorting to complicated diction or convoluted metaphors, George Gordon, Lord Byron, communicates his affection and admiration for his female lover in "She Walks in Beauty." Moreover, "She Walks in Beauty" affects me personally because it reminds me of romantic ideals; like love itself, the poem is at once simple and evocative.
Lord Byron does not use unnecessary symbolism to describe his love. Instead, he extends metaphors to color the nature of his emotions. The first line of the poem…...

pleasant and romantic world depicted in "She alks in Beauty," Byron illustrates a dark, cold, and hopeless world in "Darkness." "Darkness" is an elaborately detailed poem that remains a testament to Byron's flexibility as a poet. hen I consider the personal and external forces at work in Byron's life at this time, it becomes easier to understand how he could so masterfully create a world that was full of despair and so far removed from the world he illustrated in "She alks Like Beauty."
By the time "Darkness" was published, Byron was already established as a poet whose talent covered a wide range. (Bartleby) "She alks in Beauty" was written in 1814, and is presumably written for Mrs. Robert John ilmot, Byron's cousin. (u 668). Although only two years separate the two poems, there were forces other than love that were influencing Byron's life during those years. History provides a…...

mla

Works Cited

Bartleby. From The Columbia Encyclopedia, Sixth Edition. 2001.   Site visited 23 February 2003http://www.bartleby.com/people/Byron-Ge.html .

Byron, George Gordon, Lord. The Complete Poetical Works. Ed. Jerome J. McGann and Barry Weller. Oxford: Clarendon Press, 1980-92.

Cox, Jeffery and Snodgrass, Charles. Romantic Circles.   ww?filter=%5E%2Fexport%2Fsoftware%2Frc%2Fwww&query=byron&lines=1&errors=0 & maxfiles=100&maxlines=1000&maxchars=10000> Site visited 23 February 2003.http://www.rc.umd.edu/webglimpse/webglimpse/export/software/rc/w 

Leung, Matthew. Poetry of Byron. New York: Macmillan. 1964.

Socrates and Plotinus also have very similar ideas on how Beauty is recognized, which though intimately related to their ideas on the nature of Beauty are somewhat different, also. For both men, Beauty was connected to the eternal. Socrates, being at least somewhat (and perhaps completely) atheistic, does not immediately or necessarily connect the concept of the eternal with the concept of the divine, however, but rather recognizes the inherent Beauty in the only act of immortality that mortals can engage in -- procreation and generation, which leads to "beauty in birth." The physical act of love between a man and a woman is described by Socrates -- through the voice of Diotima -- as an act of supreme beauty, and its effects are equally beautiful, as it causes immortality and hence touches upon the eternal. Beauty is also connected to love because love cannot occur with deformity; the closer…...

Beauty and Life of the Monarch Butterfly
This is a paper about the Monarch Butterfly. What animal kingdom is it from? Listed is the life cycle of the butterfly. What are the adaptations of the Monarch Butterfly?

THE BEAUTY OF THE MONACH BUTTEFLY

Many people think butterflies live in a carefree environment, but they are wrong. They seem so peaceful visiting flowers, but they are bound by social conventions and instincts of their own. Although their lives appear to be so simple, yet their lives are quite demanding (Farrand 1990). The beauty of the Monarch is found delighting in most butterfly lovers. The life of a Monarch Butterfly is quite complicated as it meets the instincts that it is bound with. A butterfly's life depends on finding enough food, where to lay its eggs safely, the intricate demands of courtships, and on finding the right spot of transformation from a caterpillar to a…...

mla

References

Butterflies and Moths" Encarta Encyclopedia Article. http://encarta.msn.com/find/Concise.asp?z=1&pg=2&ti=761578331&cid=2

Butterflies The World of Nature" 1990. New York: Gallery Books

Carson, Shawn. "Unraveling the Secrets of Monarchs" Scientific American Sep. 1997 Vol. 277 Issue 3 p. 90

Darrach, Brad. "Millions of Monarchs" Life. Aug 93. Vol. 16. Issue 9. p. 50

Price Beauty?
'For though beauty is seen and confessed by all, yet, from the many fruitless attempts to account for the cause of its being so, enquiries on this head have almost been given up"

illiam Hogarth, The Analysis of Beauty, (1753)

Not very encouraging words, but if the great artist illiam Hogarth felt himself up to the task, we can attempt at least to follow his lead. That beauty is enigmatic goes almost without saying. Different ages, different cultures, and even different individuals, will have their own definitions of "beauty." The problem is more than skin deep. Any term that can be so widely and irregularly employed is bound to trap the casual researcher ... Or reader ... Or viewer ... Or for that matter, any other human being who attempts to define what is and what is not "beauty." People, places, things -- even ideas dreams -- can all be…...

mla

Works Cited

Al-Braizat, Fares. "Muslims and Democracy: An Empirical Critique of Fukuyama's Culturalist Approach." International Journal of Comparative Sociology (2002): 269+.

Browne, Stephen H. "EDMUND BURKE (1729-1797)." Eighteenth-Century British and American Rhetorics and Rhetoricians: Critical Studies and Sources. Westport, CT: Greenwood Press, 1994. 42-50.

Callaghan, Karen A., ed. Ideals of Feminine Beauty: Philosophical, Social, and Cultural Dimensions. Westport, CT: Greenwood Press, 1994.

"The Eighteenth-Century Beauty Contest." Eighteenth-Century Literary History: An MLQ Reader. Ed. Brown, Marshall. Durham, NC: Duke University Press, 1999. 204-234.

" "We tried to call you." "Why didn't you return my call?" For some reason, not for lack of trying, I nearly always forget to charge my cell phone. It is not that I am anti-technology. I spend too much time on my computer and Internet. There is something psychologically taking place with me and that cell phone. And, it gets me into trouble. When I need to make a phone call when I am away from home, I cannot find a pay phone. They are quickly being removed or broken and unfixed. I can go for miles without finding one. Once I ran into a police station to see if they had a pay phone and even they had removed the one in the hallway for the public.
I am amputated unless I remember to charge my phone.

We are undergoing a communication shock, as when the printing press was invented.…...

mla

References

Arendt, Hannah. Between Past and Future. New York: Penguin, 1993.

Chillemi, Stacey. Faith, Courage, Wisdom, Strength and Hope: Inspirational Poetry That Comes from the Heart. Frederick, MD: Publish America, 2005.

McLuhan, M. And Q. Fiore. War and Peace in the Global Village. New York: Bantum, 1968.

Oelschlaeger, M. The wilderness condition: Essays on environment and civilization. San Francisco: Sierra Club Press, 1992.

Most individuals fail to appreciate life to the fullest because they concentrate on being remembered as some of the greatest humans who ever lives. This makes it difficult for them to enjoy the simple pleasures in life, considering that they waste most of their time trying to put across ideas that are appealing to the masses. While many did not manage to produce ideas that survived more than them, others succeeded and actually produced thinking that remained in society for a long period of time consequent to their death.

Creativity is generally regarded as one of the most important concepts in society, considering that it generally induces intense feelings in individuals. It is responsible for progress and for the fact that humanity managed to produce a series of ideas that dominated society's thinking through time. In order for someone to create a concept that will live longer than him or her,…...

Being of nature, a supposedly passive entity does not necessarily stime the female poet, it can also, in Bishop's construcion, empower her as a speaker.
Yet, there is one caveat -- for Bishop's poem remains tantalizingly silent about her own gender as a female. Thus, even as late as Bishop, the idea of an openly female speaker within a poem associating herself with nature, and seeing herself reflected in nature remains tenuous. Thus, although not Byronic in its imposition of meaning upon the natural world, nor Barrett Browning like in its denial of it, Bishop does not comlpetely deny the cultural assumptions of associating women with nature that still haunt female poets today. Unlike men, women must grapple with this association as authors, of passivitity and feminine voicelessness as mere subjects of the poetic experience -- while men can chose to view nature as neutrals, rather than as conciously gendered…...

mla

Works Cited

Bishop, Elizabeth. "The Fish." From Charters, Ann & Samuel. Literature and its Writers. Third edition. New York: Bedford, 2002.

Browning, Elizabeth Barrett." "How do I love thee? From Charters, Ann & Samuel. Literature and its Writers. Third edition. New York: Bedford, 2002.

Gordon George -- Lord Byron. "She Walks in Beauty Like the Night. From Charters, Ann & Samuel. Literature and its Writers. Third edition. New York: Bedford, 2002.

Samuel Taylor Coleridge's poem, "To a Beautiful Spring in a Village" represents the Romantic Movement in that the poet expresses appreciation for the "sweet stream." Coleridge is also expounding on his experience of the stream, which is an example of how the Romantic riters wrote. The poem celebrates the stream with its "friendly banks" and "pebbled falls," focusing on every detail and finding joy in all of them. (Perkins 397)
illiam ordsworth's poem, "Lines ritten in Early Spring" is an excellent example of Romantic verse as it, too, places a great deal of respect and awe upon nature. In this poem, ordsworth laments what "man has made of man" while rejoicing in the beauty of nature. The poet is emphasizing the workings of nature when he thinks that "every flower enjoys the air it breathes" and the birds around him "hopped and played" with their every movement seeming to be a…...

mla

Works Cited

Hall, Donald, ed. Contemporary American Poetry. New York: Penguin Books. 1971.

Perkins, David, ed. English Romantic Writers. New York: Harcourt Brace Jovanovich.

It has kept going ever since" (Cavendish, 2001, p. 66). Morley's wife, Julia (a former beauty pageant winner) joined him in 1970 to help organize the competition to help maintain the contestants' morals and to ensure their modesty was suitably protected ("not invariably with success") (Cavendish, p. 67). Miss World has subsequently attracted television audiences in almost every country in the world and has earned an enormous amount of money for charity (Cavendish, 2001).
During the first few years of the competition, the Miss Great Britain title was a highly prized award, but Cooke suggests that it represented one of the only ways women had at the time to express themselves in a legitimate fashion: "My feeling," she says, is that it was, perversely, a kind of liberation for some women -- a way of making their only assets and their skills (the application of lipstick, the ability to walk…...

mla

References

Beauty Business, the. (2000, August). Business Asia, 8(12), 36.

Cavendish, R. (2001, April). The First Miss World Contest. History Today, 51(4), 64.

Cooke, R. (June 14, 2004). Girls, girls, girls. New Statesman, 133(4692), 38.

David M. Dozier and Martha M. Lauzen. (2002). You Look Mahvelous: An Examination of Gender and Appearance Comments in the 1999-2000 Prime-Time Season. Sex Roles: A Journal of Research, 429.

Christy Turlington explains to Elle magazine... "Advertising is so manipulative," she says. "There's not one picture in magazines today that's not airbrushed."… "It's funny," Turlington continues. "hen women see pictures of models in fashion magazines and say, 'I can never look like that,' what they don't realize is that no one can look that good without the help of a computer." (Hilary 13)
That's right, the beautiful Turlington, a woman that can be said as fitting the standard ideal of American beauty, admits that it is unachievable even for her. hy? Because even she admits that she has been touched up. In a similar exercise, we can only imagine the remarkable steadfastness this act must have taken, but it shows that there is a realization that this American image is unattainable (Domar 23).

The Trouble with Persisting Ideas

Even if the mechanism behind the spread and adoption of ideas is understood, there…...

mla

Works Cited

Anderson, Benedict. Imagined Communities: Reflections on the Origin and Spread of Nationalism. New York: Verso Publishing, 1991. Print.

Chernin, Karen. Hungry Self: Women, Eating, & Identity. New York: HarperCollins Publishers, 2008

Dixon, Violet. "Understanding the Implications of a Global Village." Reason and Respect 4.1 (2008). 1-5. Web. 15 May 2011.

Domar, Allan. (Prof) Harvard Medical School. Parade magazine, October 11, 2003.

Prejudice
If you walk in to a bookstore or browse online you will find hundreds, in fact thousands, of essays, books, articles, and speeches about prejudice. Obviously, most of them are against prejudice and before you begin reading any of them, let me tell you that chances are good that they will contain phrases like "don't have prejudice against people," "prejudice results in downfall" or "prejudice is a bad thing,." ut what puzzles the mind is whether phrases like "we shouldn't have prejudice against people" are enough to end prejudice. Does a moral lesson at the end of a very moving story convince you not to have prejudice against your fellow beings? Does it convince people not to judge others and to treat everyone equally? I think not. In order to understand what prejudice is, does a person have to experience it firsthand?

In order to ponder over this important question…...

mla

Bibliography

Angelou, Maya. "Graduation." "Occasions for Writing: Evidence, Idea, Essay." DiYanni, Robert, and Pat C. Hoy. Boston, MA: Thomson Heinle, (2008).335-342. Print.

Hurston, Zora. "How It Feels To Be Colored Me." "Occasions for Writing: Evidence, Idea, Essay." DiYanni, Robert, and Pat C. Hoy. Boston, MA: Thomson Heinle, (2008). 159-161. Print.

Kincaid, Jamaica. "On Seeing England For The First Time." "Occasions for Writing: Evidence, Idea, Essay." DiYanni, Robert, and Pat C. Hoy. Boston, MA: Thomson Heinle, (2008).720-727. Print.

Staples, Brent. "Just Walk On By." "Occasions for Writing: Evidence, Idea, Essay." DiYanni, Robert, and Pat C. Hoy. Boston, MA: Thomson Heinle, (2008). 153-155. Print.

gay couple walks hand-in-hand across campus. A man driving by in a car sees them and shouts, "Fags!" A black student is working late at a local coffee shop. A professor from one of her classes comes in and tries to order a meal. She explains that the coffee shop is closing. He insists, becomes more and more upset until he calls her a "*****" and a "nigger" and stalks away.
Both the gay couple and the young woman have been subjected to extreme verbal abuse. But should the people who said these hateful things be punished? According to Thomas Grey's article, "Civil Rights vs. Civil Liberties: The Case of Discriminatory Verbal Harassment," whether or not the speakers should pay a price for their words depends on whether one adopts a civil liberties point-of-view or a civil rights point-of-view.

The civil liberties point-of-view holds that the speakers, though undeniably obnoxious, did…...

This suspicion becomes even more ironically clear as we read further. As we progress with the analysis of the protagonist's description of his love we find even more apparently negative comparisons. For example, he states that that in comparison to perfumes his "mistress reeks" and that music has a much more "pleasing sound" than her voice. He also states that she is no goddess in the lines,

I grant I never saw a goddess go;

My mistress, when she walks, treads on the ground

However in the final couplet of the sonnet there is a dramatic change of tone and a radical change in our perception of the loved one. The final two lines read as follows.

And yet, by heaven, I think my love as rare

As any she belied with false compare.

These two lines should be carefully considered as they ironically overturn the meaning and intention of the metaphorical comparisons that have been…...

Suddenly I receive a Titian to hang on my wall -- a Greek bas-relief to stick over my chimney-piece." (James in: Phelan-Cox, 2004)
Through the analogies of alph, the reader is able to view the manner in which "male pleasure in spectatorship with interconnected with Western aesthetics generally." (Phelan-Cox, 2004) it is the argument of Laura Mulvey that the film of Hollywood is structured around "the voyeurism and scopopophilia of the male gaze by denying the existence of other viewing positions." (Phelan-Cox, 2004) James veritably denied other ways to view through his description of the scene "by consciously omitting Isabel's own perception of herself in that setting or any objective description of the scene that might include observations about alph." (Phelan-Cox, 2004)

VII. Portrait and the Implications

The title of this story is even misleading as noted by Phelan-Cox the word 'portrait' "implies that the novel is to be a neutral or…...

mla

References

Ascari, M. (nd) Three Aesthetes in Profile: Gilbert Osmond, Mark Ambient, and Gabriel Nash. RSA Journal 7.

Braden, HE (2011) Lily Bart and Isabel Archer: Women Free to Choose Lifestyle of Victims of Fate? University of New Orleans. 4 Aug 2011. Retrieved from:  http://scholarworks.uno.edu/cgi/viewcontent.cgi?article=1247&context=td 

Brown, B. (2001) Thing Theory. Critical Inquiry. Vo. 28, No. 1 Autumn 2001.

Gilmore, MT (1986) the Commodity World of the Portrait of a Lady. The New England Quarterly, Vo. 59, No. 1. Mar, 1986.