Sandro otticelli
Italian painter Sandro otticelli was one of the foremost talked-about artists during the early Italian Renaissance, well-known for his portrayal of the female figure. Even throughout the changes of his subjects -- from the whimsical pagan mythologies to the reverent Christian ideologies -- otticelli was a master of his art. His personalized style was captured in each work, all elegantly executed on canvas with the influence of his patrons and the humanist thinkers.

otticelli was born under the name Alessandro di Mariano Filipepi in Florence (Gietmann, 1907). His early years were slightly obscure, though it has been said that he derived his name (which meant "little barrel") from either otticelli, a goldsmith, who was also Alessandro's master, or from his older brother ("Sandro," 2009). The artist was apprenticed around 13 or 14 years of age by Filippo Lippi, whose style defined his earlier works. Lippi's style was particularly evident in…...

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Bibliography

"Sandro Botticelli." Sandro Botticelli (2009): 1. Biography Collection Complete. EBSCO. Retrieved 23 Feb. 2011.

Fossi, Gloria (1998). Botticelli. Primavera. (Inglese ed.). Giunti Editore Firenze Italy. ISBN 9788809214590.   Retrieved 23 Feb. 2011.http://books.google.com/?id=baMqgX2uDEYC .

Gietmann, G. (1907). Sandro Botticelli. In The Catholic Encyclopedia. New York: Robert Appleton Company. Retrieved January 29, 2011 from New Advent:  http://www.newadvent.org/cathen/02708b.htm 

Lightbown, R. (n.d), Sandro Botticelli: Life and Work (rev. edn., 1989). Retrieved January 29, 2011 from http://arts.jrank.org/pages/14691/Sandro-Botticelli-(-Alessandro-di-Mariano-Filipepi-).html

Sandro Boticelli
Sandro Botticelli

In the Birth of Venus, Sandro Botticelli is depicting a mythical deity that is rising from the ocean. Venus is standing on a sea shell and is surrounded by two angels and a woman. They are all in a suspended position that is hovering above the water.

Visual Elements

Line -- What types of lines do you see in the piece? Provide examples actual and implied lines.

The types of lines are actual. This is because the facial features can be seen with certain amounts of clarity. A good example of this occurs by looking at the different facial expressions of each subject. ("The Birth of Venus," 2012)

Shape -- What types of shapes do you see? Provide examples.

There are geometric shapes. This takes place with the subjects having a basic circular drawing of their faces. While organic shapes can be seen with the birds in the background. ("The Birth of Venus,"…...

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References

The Birth of Venus. (2012). MLA Hanas. Retrieved from: http://www.mlahanas.de/Greeks/Mythology/Master4.html

This may also be an indication of the struggle within the artist. (Botticelli, Sandro: The Mystical Nativity)
The works of Botticelli were to become less fashionable and popular with the development of the Renaissance. He was to die virtually unknown in the art world. However in the 19th century Ruskin and the Pre-Raphaelites once again recognized his genius and his paintings again assumed a prominent position in the history of art. (Sandro Botticelli:Alessandro di Mariano Filipepi)

orks Cited

Adoration of the Magi. 1475, Galleria degli Uffizi, Florence. May 25, 2006. http://www.myrrhine.net/botticelli/adoration.html

Botticelli, Sandro: Biography. May 27, 2006. http://www.wga.hu/frames-e.html?/bio/b/botticel/biograph.html

BOTTICELLI, Sandro. May 27, 2006. http://www.nationalgallery.org.uk/cgi-bin/ebObjects.dll/CollectionPublisher.woa/wa/artistBiography?artistID=89

Botticelli, Sandro: The Mystical Nativity. May 27, 2006. http://www.artchive.com/artchive/B/botticelli/mystical_nativity.jpg.html

Primavera, 1482, Galleria degli Uffizi, Florence. May 25, 2006 http://www.myrrhine.net/botticelli/primavera.html

Renaissance. May 25, 2006. http://en.wikipedia.org/wiki/Renaissance_art

Sandro Botticelli: 1445-1510. May 25, 2006. http://www.mcs.csueastbay.edu/~malek/Botticelli.html

Sandro Botticelli:Alessandro di Mariano Filipepi. May 27, 2006. http://artchive.com/artchive/B/botticelli.html

Sandro Botticelli. May 27, 2006. http://en.wikipedia.org/wiki/Sandro_Botticelli

The Adoration of the Magi. May 26, 2006. http://www.kfki.hu/~/arthp/html/b/botticel/painting/magiscan.html

The Birth of…...

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Works Cited

Adoration of the Magi. 1475, Galleria degli Uffizi, Florence. May 25, 2006. http://www.myrrhine.net/botticelli/adoration.html

Botticelli, Sandro: Biography. May 27, 2006.  http://www.wga.hu/frames-e.html?/bio/b/botticel/biograph.html 

BOTTICELLI, Sandro. May 27, 2006. http://www.nationalgallery.org.uk/cgi-bin/WebObjects.dll/CollectionPublisher.woa/wa/artistBiography?artistID=89

Botticelli, Sandro: The Mystical Nativity. May 27, 2006.  http://www.artchive.com/artchive/B/botticelli/mystical_nativity.jpg.html

Botticelli's Birth Of Venus And Duccio's Maesta
The representation of women in estern art has changed throughout history, and for much of estern history this representation was oriented around the dominant female figure in contemporary society; that is, Mary, mother of Jesus. However, the gradual shift away from a dominantly monotheistic cultural hegemony seen in the Renaissance and eventually the Enlightenment brought with it new (and the case of this study, old) means of representing women beyond the confinements and discourse of the Madonna and Child. By comparing and contrasting Duccio di Buoninsegna's Virgin and Child Enthroned Amidst Angels and Saints (which is the main altarpiece of the artist's Maesta) with Sandro Botticelli's The Birth of Venus, one is able to see how the changing cultural standards which came about during the shift from the conservative, Eastern-influenced Late Gothic art of Duccio to the freer, more naturalistic art of Botticelli's Renaissance…...

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Works Cited

Botticelli, Sandro. "The Birth of Venus."Wikipedia.org. Google Art Project, c. 1486. Web. 12

Jun 2011. .

Duccio. "Maesta." Wikipedia.org. N.p., 1308-1311. Web. 12 Jun 2011.

Botticelli's Mythological Paintings
The paintings done by different artists exemplify the influences that they have had throughout their life. The style and topics chosen for the artwork are two of the major elements of any painting. In Sandro Botticelli's work, the topics chosen for the painting are that he was influenced by the Renaissance Neoplatonism, coupled by the Medici Humanism all presented in his work in various ways.

Sandro Botticelli one of the great Italian masters of art demonstrated a preference for spirituality in his scenic patterns and portraits that were a reaction against the conceptual realism of Masaccio. His reaction was to introduce the elements of Gothic art which were shown through sentiment, passion, ornamental styles that used myths of the past creating allegory's and symbolic images, later combined with the Medici humanism. The Medici family, were the Renaissance patrons of Florentine art who changed the era of art to one…...

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Conclusion: Botticelli's art in the painting Mars and Venus thus suggests a love and influence of the gothic art which was used to reveal the symbolic myths of the past in order to revive sentiment and passion in an era of changing society.

Source

Cheney, Liana De Girolami Quattrocento Neoplatonism and Medici Humanism in Botticelli's Mythological Paintings University Press of America, 1985 www.windows.ucar.edu/tour/link=/mythology/WINDOWS_MAIN_FILE/TCC97_small.html&edu=high"

Some have speculated that the work may have been commissioned by one of those families, and that the work was stored in a private residence, as opposed to being on display (the Birth, No date).
In its historical context, Birth of Venus is important because it gives us a glimpse into the Italian psychology at the time. The painting shows that even as the church tried to exert total influence in Italy, the people had not completely forgotten their old traditions and still thought fondly about the days of Rome. Because so many pagan-themed paintings were destroyed by the Catholic church, Birth of Venus also allows us to consider the other great works of pagan art from the 15th century that we will never get to see.

Conclusion

Birth of Venus by Sandro Botticelli is an important work in the study of art. This late-15th century painting reflects the struggle many Italian…...

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Works Cited

Art archive: Venus (No date). Retrieved March 29, 2007, at http://www.windows.ucar.edu/tour/link=/mythology/images/venus_art_archive.html.

The Birth of Venus: Spring (No date). Retrieved March 29, 2007, at  http://www.bergerfoundation.ch/Sandro/44venusprintemps_english.html .

Botticelli (2002). Retrieved March 28, 2007, at http://www.loggia.com/art/renaissance/botticelli02.htm.

Botticelli, Sandro, real name Alessandro di Mariano Filipepi (No date). Retrieved March 27, 2007, at  http://www.latifm.com/artists/Botticelli_Sandro.html .

renaissance paintings- VIGIN AND CHILD
Art has always been an important tool for understanding various eras and their influence. It has served as a reflection of the times during which it was created and for this reason, art is considered a very sensitive medium. It quickly absorbs the changes that witnesses in the surrounding culture and society. It is impossible for art to remain static and uninfluenced in the wake of societal upheaval. enaissance art therefore is a completely distinctive breed as it reflects the massive transformation in political and religious mood of the society. It depicts the changes that enaissance era underwent. While some painters paid closer attention to political problems that occurred during 14 and 15th century AD, others focused mainly on religious changes. These changes are most prominent in the several enaissance paintings that depict Virgin and Child theme.

Unlike the dogmatic nature of religious beliefs observed during medieval…...

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References

OSMOND, SUSAN FEGLEY, THE RENAISSANCE MIND MIRRORED IN ART.

World and I; Date: 12/01/1998;

Kavaler, Ethan Matt Renaissance Gothic in the Netherlands: The Uses of Ornament The Art Bulletin 06/01/2000;

ROBERTA OLSON, The Florentine Tondo Oxford: Oxford University Press, 2000.

In his attempt to paint the goddess, the Renaissance painter inspired from the mythological legend of Venus's birth. The Roman Goddess of love apparently emerged out of the sea as a result of a foam formed around Uranus's genitals that had just been cut by his son, Cronus. Cronus apparently did so in order to get revenge, since his father treated him very cruelly (Deimling 52).
otticelli focused on emphasizing the painting's contours with a black stripe, making them contrast the rest of the picture. This concomitantly makes the painting clearer and gives it a detached character. The flowers falling from the sky were also taken from the legend, since flowers and spring are associated to Venus's birth (Deimling 52).

Whereas the painting's title refers to the actual birth of the goddess, the painting itself seems to represent something else. Instead of showing Venus as she comes into this world, the…...

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Bibliography:

Argan, Giulio Carlo, Botticelli: Biographical and Critical Study, trans. James Emmons (New York: Skira, 1957).

Bowman, David. "Birth of Venus and La Primavera Conjoined." Retrieved November 18, 2010, from the Aiwaz Website: http://www.aiwaz.net/article/Birth-of-Venus-and-La-Primavera-Conjoined/a115

Deimling, Barbara. Sandro Botticelli, 1444/45-1510, (Taschen, 2000).

Singleton, Esther, Great Pictures as Seen and Described by Famous Writers, (BiblioBazaar, LLC, 2008).

Interestingly, Venus is a goddess of love, beauty, and fertility, which is significant, since she was literally created from the male genitalia, and males were more strongly linked to sexuality than females, even at that point in oman history. In the rest of oman and Greek mythology, Venus/Aphrodite generally plays a benevolent role, though she does use influence women to use their sexuality in inappropriate ways, such as the willful seduction of one's own father.
Botticelli's painting captures all of the prettier elements of the birth of Venus without referencing the uglier parts of the myth. There are no castrated gods or vengeful sons in the painting, merely a beautiful, naked woman emerging from the sea, standing grown in a sea shell. The sea shell symbolized the vulva in art of that time period. Moreover, Venus was a frequent non-religious subject of paintings, because it was considered acceptable to depict…...

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References

Botticelli, S. (1485). The birth of Venus. Retrieved March 19, 2009 from Artchive. Web site:  http://artchive.com/artchive/B/botticelli/venus.jpg.html 

Cavendish, R. Ed. (1980). An illustrated encyclopedia of mythology. New York: Crescent

Books.

" Initially, the painters were given the assignment to create sample frescoes which were to be evaluated. On the basis of the evaluation, they were to be employed or not. However, their talent was rapidly acknowledged and they were commissioned to continue the work without any other testing. The individual scenes constitute a whole because they comprise typological references to one another. They present Moses as prefiguring Christ. We must mention, however, that, only after Michelangelo's later work (1508-1512) did the Chapel become famous.
After the Medici's expulsion from Florence, otticelli felt the influence of a Dominican monk called Girolamo Savonarola. In Savonarola's point-of-view, everything that wasn't useful in the life of humans didn't deserve any attention. Therefore, he destroyed many works of art, in his "bonfire of vanities." ecause of this man, Sandro was deeply affected and his interior feelings were also reflected in his work.

As a review, we can…...

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Bibliography

Botticelli- Renaissance Master Artist, http://www.myrrhine.net/botticelli/biography.html

Sandro Botticelli,  http://www.artchive.com/artchive/B/botticelli.html 

Wikipedia Encyclopedia,  http://en.wikipedia.org/wiki/Renaissance

preliminary analysis of a piece of art titled "The Birth of Venus." "
Description

Artist: Sandro Botticelli (1445-1510)

Genre: history painting; Mythological

Medium: Tempera on canvas

Movement: art of the Early enaissance

Location: Uffizi Gallery in Florence.

The Birth of Venus Analysis

The Birth of Venus by Sandro Botticelli is an ingenious piece of art. It remains a great piece of art after 500 years since its creation. It is still one of the highest prized art masterpieces of all time. The difficulty in interpreting its meaning is, perhaps one of the reasons why the piece of art has been a subject of discussion among many analysts of works of art. The painting is a portrayal of a nude and relatively large female standing gracefully on a wide and big seashell. The female seems to show up on land, coming from the sea (The Birth of Venus). To the left of the central figure is a male…...

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References"

Artble: The Home of Passionate Art Lovers. (n.d.). Birth of Venus -- artble.com. Retrieved May 22, 2016, from http://www.artble.com/artists/sandro_botticelli/paintings/birth_of_venus

Jacquier, Y. (2010,). La Geometrie, Science appliquee a l'Art de la Composition dans l'Histoire. Analysis of Composition in Painting: Introduction to Comparative Geometry. Retrieved May 22, 2016, from  http://www.art-renaissance.net/Botticelli/Birth-Venus-Botticelli-children.pdf 

PluribusOne™ -- (n.d.). Analysis: Botticelli's "The Birth of Venus" -- PluribusOne™. Retrieved May 22, 2016, from  http://pluribusone.wordpress.com/2011/01/01/analysis-botticelli 

"The Birth of Venus." Totally History. N.p., n.d. Web. 21 May 2016. .

Art During Renaissance
The Evolution of Art During the Renaissance

The Renaissance period is defined as a cultural movement that spanned approximately from the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe (rotton 2006, p. 6). This period in the history of art included the painting, decorative arts and sculpture of the period and for many was considered a reawakening or rebirth of historic and ancient traditions based on the classical antiquity and the inclusion of more recent developments by applications of contemporary scientific knowledge.

The Renaissance was seen as a bridge between the Middle Ages and the modern era. The period also marked a cognitive shift from religious perspectives to a more intellectual and social focus. Classical texts previously lost to European scholars became readily available and included science, drama, poetry, prose, philosophy, and new considerations regarding Christian theology.…...

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Bibliography

Acidini, Luchinat Cristina. The Medici, Michelangelo, & the Art of Late Renaissance Florence. New Haven: Yale UP in Association with the Detroit Institute of Arts, 2002. Print.

Adams, Laurie. Italian Renaissance Art. Boulder, CO: Westview, 2001. Print.

Barter, James. Artists of the Renaissance. San Diego, CA: Lucent, 1999. Print.

Bartlett, Kenneth. The Civilization of the Italian Renaissance. Toronto D.C.

Baroque Art
An examination of "Virgin and Child with St. John the Baptist" by Jacopo del Sellaio, 1480-85 and "St. Sebastian Attended by Holy omen" by Nicolas Regnier (called Nicolo Renieri) 1615-1626 reveal the differences between early and later Renaissance painting in Italy. Jacopo del Sellaio's word dates to the late fifteenth century, and Renieri painted more than a century after that. The historical context of their work also signals the differences between Sellaio and Renieri. Sellaio studied under Fra Filippo Lippi and his style inevitably reveals his connection with the Lippi school. Sandro Botticelli studied under Lippi at the same time; Renieri and Botticelli influenced each other and this is especially evident in "Virgin and Child with St. John the Baptist." For instance, Botticelli's style is evident in Sellaio's work "in such traits as the texture and color of hair, the tilt of the Virgin's head and the elongation of…...

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Works Cited

Castelvecchi, Davide. "Renaissance Painting Restoration Leads to Unusual Collaboration." Stanford Report. July 21, 2004. Retrieved online:  http://news.stanford.edu/news/2004/july21/jacopo-721.html 

Regnier, Nicolas. "St. Sebastian Attended by Holy Women," 1615-1626.

Sellaio, Jacopo del. "Virgin and Child with St. John the Baptist." Painting. 1480-85

Renaissance was beginning to influence Italian painters in adapting their style in order for it to fit the needs of a more advanced world. Fra Angelico is recognized as one of the great early Italian painters from the Renaissance. In his work of decorating the Dominican Monastery of San Marco, he mastered a painting style that was reported to have been partly inspired from Masaccio, with his paintings expressing motion and being filled with linear perspective meant to suggest depth of space.

It had been a common thing for the wealthy and most important families of Florence to hire talented painters to paint for them. Sandro Botticelli had been just one of the many Renaissance painters to paint for the Medici family. Even if Botticelli had spent a large part of his time working for great families, he still found time to perform additional paintings such as the one in Vatican,…...

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Works cited:

1. Cole, Bruce. (1987). "Italian Art, 1250-1550: The Relation of Renaissance Art to Life and Society." Harper & Row.

2. Sohm, Philip. "Gendered Style in Italian Art Criticism from Michelangelo to Malvasia." Renaissance Quarterly, Vol. 48, 1995.

Sohm, Philip. "Gendered Style in Italian Art Criticism from Michelangelo to Malvasia." Renaissance Quarterly, Vol. 48, 1995.

idem

Michael Baxandall's Painting & Experience in 15th Century Italy
In his work, Painting & Experience In 15th Century Italy, the art critic Michael Baxandall attempted not simply to discuss the art of this particular period in Italian history, but to relate it this period's art to the social context that spawned the greatness and the significance of what we now call early Renaissance painting. Baxandall's central thesis is that the style of painting in any society, from the Renaissance to our own, is reflective not simply of an artistic tradition, handed down from master to master in terms of technique, but is also reflective of the rhythms and habits of ordinary, daily life. Baxandall attempts a synchronic, or specific and contextually located study of this period of art, and the perspective of the art's gazers, rather than attempts to make an argument about the nature of art in general in…...

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Works Cited

Baxandall, Michael. Painting & Experience In 15th Century Italy. Oxford: Oxford University Press, 1988.

Greek mythology has been reinterpreted and incorporated into modern storytelling mediums in a variety of ways, including:

1. Literature: Many authors have drawn inspiration from Greek mythology in their works of fiction, reimagining the stories of gods, heroes, and monsters in new and unique ways. For example, Madeline Miller’s novel "Circe" retells the story of the witch from The Odyssey, while Rick Riordan’s Percy Jackson series features modern-day demigods who must navigate the world of Greek mythology.

2. Film and television: Greek mythology has been a popular source of inspiration for filmmakers and television producers, with numerous movies and TV shows incorporating....