E's Music Classroom: Musickit, 2007). The exposition tends to be less resolved, atonal, and discordant in sound. The form was used to create a more open structure than the Baroque fugues or rondeau forms.
hat types of works commonly use this form? Sonatas (obviously) symphonies, and string quartets all make use of the three-part sonata form, although some have more elaborate variations than others, depending on the length of the piece.

Mozart

olfgang a. Mozart was a master of virtually every form he embraced as a composer. His symphonies and sonatas paved the way for Classical music, as he adopted the innovations of Hayden in the symphony form and made these innovations more flexible and expressive. He was also a master of the operatic form in comic works such as "The Marriage of Figaro" as well as dramatic works like "Don Giovanni." He moved opera away from the more somber themes of…...

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Works Cited

Characteristics of Baroque Music." Library.thinquest.org. 2007. 26 Mar 2007. http://library.thinkquest.org/27927/Baroque_Characteristics.htm

Characteristics of Classical Music." Library.thinquest.org. 2007. 26 Mar 2007. http://library.thinkquest.org/27927/Classical_characteristics.htm

Forss, Marcus. "Mozart: A Modern/Classical Composer." Mozart Forums. 2007.

26 Mar 2007.  http://www.mozartforum.com/Lore/article.php?id=105

But in the end, the theme becomes a funeral march, reminiscent of Tchaikovsky's piano trio which also ended with a funeral march" (Piano Trio No.1 in g minor Elegiaque, Edition Silvertrust, 2009).
Paul Hindemith (1895-1963): Morgenmusik (1932)

I. MaBig bewegt

II. Lied

III. Bewegt

Paul Hindemith was a German composer who made use of neoclassical elements, blending "tonal harmony and distinctively modern elements, notably jazz" in his works (Sadie 2005). hile criticized for putting art above political resistance during orld ar II, others have cited his work's celebration of individuality and spontaneity within form as a way of resistance, despite the overall tonality of his work.

Bela Bartok (1881-1945): String Quartet No.5

III. Scherzo a la bulgarese

The Hungarian Bela Bartok is praised both for his innovations in composition as well as for his work collecting and transcribing folksongs. Bartok used dissonances and propulsive rhythms and worked largely with instrumental music ("Zoltan Zodaly," Sierra Chamber Society Program…...

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Works Cited

"Bela Bartok." Music Encyclopedia. April 25, 2009.

 http://www.answers.com/topic/b-la-bart-k 

Herman, Michael. "Swiss symphonies." 2009. April 25, 2009.

http://www.musicweb-international.com/BeneluxSwiss_Symphonies/BeneluxSwissSymphonies.htm#koetsier

The accessible sounds of the beats are meant to be enjoyed by all.
Third Construction (1941): John Cage (1912-1992)

Although a relatively contemporary piece, this work sounds almost primitive, as if it is played on traditional wooden, handmade instruments. It sounds 'constructed' -- perhaps that is why Cage calls it a construction, not a movement, as if it is still a work in progress. Alternating rhythm patterns assault the ears, dissonant and harsh at times, at other times seducing the listener with complementary and more consonant beats.

ExitiX Novum (2007): Peter Saleh (b.1977)

A strangely musical percussion arrangement. The work is a collage of percussion instruments and alternating rhythms that still manage to sound musical and uncluttered. There is an almost exotic and otherworldly tone, despite the featuring of familiar instruments such as snare drums and tympanis.

Dressur (1976/1977): Mauricio Kagel (1931-2008)

This percussion piece begins with a tinkling, almost childlike xylophone, then a harsh…...

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Works Cited

An Idyll for the Misbegotten (Images III). Art of the States. (1986). Art of the States.

April 27, 2009. http://artofthestates.org/cgi-bin/piece.pl?pid=76

..but the strain of musical isolation became too much for me and I suffered a minor nervous breakdown...and the arrogant headmaster showed little compunction in promptly dismissing me from my post at his school. This was in November 1926..."(Alwyn, 1983; cited in: ulot, 1985)
Alwyn was appointed a position as a professor of composition at the RAM in 1926 and as well, "he became a flautist in the London Symphony Orchestra." (ulot, 1985) Alwyn began music composition for films in 1936. In 1939 acknowledged were the works: (1) Rhapsody for Piano Quartet; and (2) Divertimento for Solo Flute. ulot (1985) states: "1955 was an important year for Alwyn; it saw the completion of the beautifully nostalgic Autumn Legend, inspired by Pre-Raphaelite painters, and also of the String Quartet in D minor (in fact, No 1) and the first important piano work Fantasy Waltzes." The slow movement within the First String Quartet…...

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Culot states that among the best film scores of Alwyn are: (1) Odd Man Out (1947); and (2) Shake Hands with the Devil (1959). The work of Johnson (2005) entitled: "William Alwyn: The Art of Film Music" relates that two primary features of film music "were of fundamental importance to Alwyn" which included: (1) the film's dramatic function; and (2) the value of silence. According to Alwyn in his work entitled: "How Not to Write Film Music" "Sound...can only makes its effect by contrast with silence." (1954)

III. MATTHIJS VERMEULEN (1888-1967)

Vermeulen was born in 1888 to a Dutch blacksmith and as he was growing up, he aspired to work with his father in the shop. However, Vermeulen had an accident and the result is that he forgot entering the family business and sent to a Jesuit seminary and it was there that he discovered music. When Vermeulen was fourteen years old, he began his journey toward music composition. Due to a statement Vermeulen made following an orchestra performance his Second Symphony, which was originally composed in the years of 1919-1920, entitled Prelude a la nouvelle journee did not premier until sometime in the 1950s. The work of Vermeulen is such that his symphonies "give therefore beginning to end a stream of melodies heard in a very different appearance and character." It is stated that Vermeulen "draws a parallel between melody and individuals: 'The melody is a strong show affection.' (Sixth Symfonie Les Minutes

Music
Medieval, Baroque, and Renaissance music share core features and elements in common, while also revealing poignant differences that highlight aesthetic, geographic, social, and technological changes. Religiosity, simplicity of instrumentation, and monophic choral qualities characterize early medieval music. Vocals grew increasingly polyphonic toward the late Middle Ages. Renaissance music can be listened to as a sonic and cultural bridge between the medieval and Baroque periods. Instrumentation became more complex, and yet compositions remained religions in tone and relied on a select number of instruments. The Baroque witnessed a flourishing of creativity rooted in the technological advances in Renaissance instrument production and also in the social sensibilities that characterized the era.

Early medieval music bore witness to the intense religious fervor that permeated social life. This can especially be witnessed in the compositions of Hildegard von Bingen. For Hildegard, melody and voice are central elements, as hymns and antiphons comprised a large part…...

Avant-Garde Jazz
Jazz music might sometimes be difficult to define because of its many movements. As a purely American form of music, jazz cannot be overlooked for its influence in other musical genres. As jazz has evolved over the years, the genre has witnessed many movements that represent African-American moods and attitudes. One significant movement in jazz is the avant-garde movement, which changed the course of traditional jazz. Along with this new movement comes a diverse array of opinions regarding jazz, contemporary forms of jazz, and jazz audiences.

The avant-garde movement of jazz is the often referred to as the bebop era. Lewis Porter asserts that bebop was a "revolt" (Porter 174) from bag band arrangements and the confines of tradition. Characteristics of bebop include a melody that does not last for a long time and many beboppers aimed for dissonance, which means experimenting with new sounds. Porter notes that the popularity…...

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Works Cited

Evans, Bill. "The Jazz Cadence of American Culture. "

Gottlieb, Bill. "The Anatomy of Bop."

Jones, Leroi. "The Jazz Avant-Garde."

Lewis Porter. "Reaction to Bebop."

Music appreciation [...] my personal attraction to jazz music and some of its composers and performers. Jazz music has been called a particularly American invention, and the many forms of jazz epitomize a successful and exciting country on the move. Jazz encompasses many facets of music, from be-bop to swing, and one testament to jazz's endurance is its continued popularity today. Jazz breathes life into the listener, and embodies life in America.
Jazz, a state of mind! " (Osgood 7)

Jazz is a uniquely American creation, and perhaps that is one reason I enjoy it so much. In the early part of the 20th century, the music we call jazz and blues were beginning to develop into popular songs people enjoyed. One critic writes, "Unquestionably, the most significant contribution made to music by the United States in the period under discussion lay in the field of popular music" (Hansen 84). Jazz…...

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References

Friedlander, P. Rock and Roll A Social History. Boulder, CO: Westview Press, 1996.

Gioia, Ted. The History of Jazz. New York: Oxford University Press U.S., 1997.

Hansen, Peter S. An Introduction to Twentieth Century Music. Boston: Allyn and Bacon, 1961.

Osgood, Henry O. So This Is Jazz. Boston: Little, Brown, and Company, 1926.

New Orleans as a Focal Point in the Development of Jazz
New Orleans is known a melting pot of culture and music and it has played a major role in early development of jazz. It was full of opportunity and rich with the fine arts of music and dance, while offering a breeding ground for innovation. In the back alley city streets, clubs and saloons, basements of homes and African-American dance halls, jazz was born. Brass bands marched in numerous parades and played to comfort families during funerals. There were numerous society dances that required skilled musical ensembles for entertainment. New Orleans was home to Joe "King" Oliver and his leading student, Louis Armstrong. They hailed from New Orleans along with other influential musicians to include Jelly Roll Morton.

In 1718, the French started building the city of New Orleans. Located at the mouth of the Mississippi River, the city lured people…...

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Works Cited

Barlow, W. And Morgan, T. From Cakewalks to Concert Halls: An Illustrated History of African-American Popular Music, From 1895-1930. Washington, D.C.: Elliott and Clark, 1992.

Mabunda, L. The Reference Library of Black America. Gale, 1997.

Tirro, T. "Morton, Jelly Roll," World Book, 2001.

Music Producers
Biographical Introduction: Teo Macero

Producers work behind the scenes and are the unsung heroes of music. While some producers receive public notoriety like Brian Eno and George Martin; others like Teo Macero remain known mainly to music scholars and serious audiophiles. In 2008, when Macero died, The New York Times ran an obituary with the tagline: "Teo Macero, 82, ecord Producer," as if readers would need that crucial bit of vocational data. Indeed, Macero is best known for his work on Miles Davis's masterpieces Kind of Blue and Bitches Brew. He was also a composer, whose approach to music takes into account the big picture rather than attention to minute detail.

Macero was ahead of his time. He incorporated electronic effects and electronic media in ways that made Bitches Brew as momentous and groundbreaking an album as it is. The embrace of new technology is therefore a hallmark of Macero's style.…...

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References

"George Martin," (n.d.). Beatles Bible. Retrieved online:  http://www.beatlesbible.com/people/george-martin/ 

Martin, G. (2012). Interview with Marc Myers. Retrieved online:  http://www.jazzwax.com/2012/09/interview-sir-george-martin-pt-1.html 

Ratliff, B. (2008). Teo Macero, 82, Record Producer, Dies. The New York Times. 22 Feb, 2008. Retrieved online:  http://www.nytimes.com/2008/02/22/arts/music/22macero.html 

Rock and Roll Hall of Fame (2010). George Martin Biography. Retrieved online:  http://rockhall.com/inductees/george-martin/bio/

Music and Society
Music has a profound influence on society. As with other forms of art, music has the ability to communicate messages that are both complex and oblique -- the message need not be specific, but may convey an emotion or ethos, external to the lyrical content of the songs. Music gives a voice to generations by allowing those who have the ability to convey their thoughts and feelings through the form, and others to convey theirs through the consumption of the media. Thus, while music can have significant influence over a generation, and reflect its values, likewise the music to which that generation is drawn to reflects its values outward to the world, allowing some of the music (and other art) consumed by that generation to be understood by any society that chooses to consume that music. One cannot replicate the 60s just by listening to the Doors and…...

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References

Edmonson, J. (2013). How social media and streaming have influenced the music industry. Socialnomicsi. Retrieved December 6, 2015 from  http://www.socialnomics.net/2013/12/02/how-social-media-and-streaming-have-influenced-the-music-industry/ 

Gordon, A. (2014). Subcultures, Popular Music and Social Change.: Subcultural practices in UK punk culture. Cambridge Scholars Publishing: Newcastle-upon-Tyne.

music and their relationship to either the Baroque or Classical Period. The two pieces of music to be analyzed are Bach's Brandenburg Concerto No. 3 by Karl Munchinger performed by the Stuttgart Chamber Orchestra and Jeffery Tate's Allegro con brio performed by the English Chamber Orchestra. A brief discussion of the comparison of the two periods of music will be presented to help contextualize the argument before describing both pieces as products of either of those periods.
Baroque Period Vs. Classical Period

The Baroque Period of Music began in 1600 and lasted until 1750. Philosophically, this period's music aligned with much of the social and intellectual enlightenment that was occurring at the same time. The musical styles of this era demonstrated complex layers of melody and appealed to an upper elite class of thought. The orchestra concept began in this period and large booming productions like many operas of the time…...

Acoustic Guitar
Although not nearly as controversial as saxophones upon their introduction, acoustic guitars have nevertheless had a lasting impact on the world of music since their invention 400 years ago. Noted for their pleasant tonality and frequently beautiful appearance, acoustic guitars remain a mainstay of several music genres such as pop and folk, and provide many newcomers to music with their first experience playing an instrument. Given their increasing popularity in recent years, it is clear that acoustic guitars are here to stay, but many people may not appreciate their lengthy heritage and the craftsmanship required to build such an instrument. To this end, this paper provides an overview of the history of acoustic guitars, followed by a description of how they are made; a summary of the research and salient findings will be provided in the conclusion.

Review and Discussion

History of Acoustic Guitars. In 1944, Muddy aters enthused that…...

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Works Cited

Brain, Marshall. (2005). How Stuff Works. [Online]. Available: http://entertainment.

howstuffworks.com/guitar1.htm.

Guitar. (2005). Encyclopedia Britannica [premium service].

Bennett, Andy and Kevin Dawe. Guitar Cultures. New York: Berg, 2001.

From the research I know he was a ladies man. In Joan Peyser's book (The Memory of All That: The Life of George Gershwin) it is 1927 and Gershwin is discovered in bed with one of the attractive women from a show he and Harry Richman were working on. Caught with his shirt and pants still in his hand, Gershwin offered: "Mr. Richman, what can I say to you? I'm waiting for a streetcar?" (Peyser, 2007, p. 136).
Question #3: Music is far, far more than entertainment. A soft playing of Pieces (8) for Piano, Opus 76, by Johannes Brahms is the healing salve that helps a widow relate to the passing of her 88-year-old husband of 58 years. The Piano Sonata in E Minor D. 566 by Franz Schubert is the ideal theme to be played respectfully in the background as a new artist shows her latest abstract art…...

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Works Cited

Butterton, Mary. (2004). Music and Meaning: Opening Minds in the Caring and Healing

Professions. Oxon, UK: Radcliffe Publishing.

Peyser, Joan. (2007). The Memory of All That: The Life of George Gershwin. Milwaukee, WI:

Hal Leonard Corporation.

I especially appreciate the opportunity to place musical compositions and composers within a historical context. Placing music within a historical context illuminates some of the variables that characterize a piece like "ite of Spring." Understanding the cultural, political, and military events taking place during the composer's lifetime is essential to understanding the music. Although analyzing classical pieces can prove difficult because of shifting time signatures, counterpoint, and layering of sounds, I am now much more able to distinguish between different styles and composers. The course content has awoken my mind and my ears to rhythms and melodies and I look forward to exploring Western classical music more in-depth. For example, pieces like "ite of Spring" have made their way into movies and therefore continue to have an impact on musical culture.
eferences

Alsop, M. (2008). "Getting Hooked on the 'ite' Sound." NP MUSIC. etrieved Dec 19, 2008 at http://www.npr.org/templates/story/story.php?storyId=9041627

Kelly, T. (1999).…...

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References

Alsop, M. (2008). "Getting Hooked on the 'Rite' Sound." NPR MUSIC. Retrieved Dec 19, 2008 at  http://www.npr.org/templates/story/story.php?storyId=9041627 

Kelly, T. (1999). "Igor Stravinsky's "The Rite of Spring." NPR Online. Retrieved Dec 19, 2008 from Igor Stravinsky's "The Rite of Spring"

Revolutions in Music: Stravinsky's Rite of Spring." (2006). PBS.org. Retrieved Dec 19, 2008 at  http://www.pbs.org/keepingscore/topicfeature2.html 

Thomas, M.T. (2006). "Stravinsky: The Rite of Spring." San Francisco Symphony. Retrieved Dec 19, 2008 at http://www.keepingscore.org/flash/stravinsky/index.html

In "The Times They Are a-Changin'," released in February 1964, he encapsulated the spirit of the times, and issued a timely warning to the older generation to accept the changing times or be drowned in a youth-inspired social revolution. (Mcilliams, 32)
hile Dylan was introducing protest folk music in the mainstream popular music in the early 1960s, bands such as "The Beatles" had captured the imagination of the estern youth on both sides of the Atlantic. By accepting the influence of each other's music in their work, these artists revolutionized estern popular music. The power of such music in shaping the direction of the youth culture was immense. It spread the message of peace, love, racial and gender equality and challenged the hypocrisy of the existing social order.

Not all aspects of the sixties music were positive. Many of the sixties rock musicians adopted a hedonistic lifestyle and indulged in excessive…...

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Works Cited

DiGrazia, Judith L. "The Sixties: Notes of Discord." Yale-New Haven Teachers Institute. 1983. January 18, 2007.  http://www.yale.edu/ynhti/curriculum/units/1983/4/83.04.04.x.html 

McWilliams, John C. The 1960s Cultural Revolution. Ed. Randall M. Miller. Westport, CT: Greenwood Press, 2000.

Rodnitzky, Jerome L. "The Sixties between the Microgrooves: Using Folk and Protest Music to Understand American History, 1963-1973." Popular Music and Society 23.4 (1999): 105.

Dylan started to introduce amplified rock music into his acoustic folk repertoire by 1965 and the "Beatles" replaced their simple "I wanna hold your hand" lyrics by more socially relevant themes in their songs in the latter part of the sixties.

1. The Roots of Mississippi Gulf Coast Music: Exploring the Origins of Blues

2. The Mississippi Delta Blues Influence on Gulf Coast Music

3. From the Juke joints to the Concert Halls: The Evolution of Mississippi Gulf Coast Music

4. Blues Legends of the Mississippi Gulf Coast: Celebrating the Artists who Shaped the Genre

5. Sonic Reflections of the Mississippi Gulf Coast: A Musical Journey through the Region

6. Honoring the Mississippi Gulf Coast Blues Fest: A Cultural Celebration of Music

7. The Socio-Cultural Impact of Blues Music on the Mississippi Gulf Coast

8. The Mississippi Gulf Coast's Contribution to American Music: Exploring the Legacy of Blues

9.....

1. "The Mesmerizing Melodies: Exploring the Origin and Evolution of the Flute"

2. "The Anatomy of the Flute: Understanding its Structure and Mechanism"

3. "The Influence of Flute Music on Human Emotions and Well-being"

4. "Unveiling the Secrets of Flute Techniques: Breathing, Fingerings, and Embouchure"

5. "The Role of the Flute in Various Musical Genres and Traditions"

6. "Flute Soloists through History: From Classical Virtuosos to Modern Masters"

7. "Flute Ensembles: The Magic in Musical Collaboration"

8. "The Flute’s Transformation: From Ancient Rituals to Modern Concert Halls"

9. "Exploring Flute Repertoire: Iconic Compositions and Hidden Gems"

10. "The Flute’s Journey: From Amateur Instrument to Professional Pursuit"
11. "The Flute as....