Clint Eastwood Films
Client Eastwood Films

Clint Eastwood is often hailed as an adept actor but his work as a director is also legendary. His directing goes back to the early 1970's when he started off with Play Misty for Me. Since then, there have been some extraordinary movies that are ensconced in movie history. These movies include Million Dollar Baby, Unforgiven, J. Edgar and others. The genres he touches on include drama, esterns and even a little comedy here and there. Famous (and often pilloried/mocked) scenes and sequences that typify his work include the neck injury scene from Million Dollar Baby and the general motifs used in his esterns. The author of this report is being asked to drill down on two films in particular that Eastwood did and look at some mise-en-scene elements including the acting, sound, editing and so forth. Two critiques of those movies will be included and…...

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Works Cited

DGA. "Clint Eastwood - Conversations with a Director and His Team." Clint Eastwood

Conversations with a Director and His Team. 11 Jan. 2015. Web. 11 Jan. 2015.

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Ebert, Roger. "Midnight In The Garden Of Good And Evil Movie Review (1997) | Roger

Film Still Analysis 1 The 400 Blows
The mise en scene of Figure 1 from The 400 Blows shows two youths scattering a flock of pigeons in the streets of Paris. The centermost youth is the main character Antoine Doinel. He and the boy beside him and tramping through a city that is full of adults—but the adults are all in the backdrop, away from the action of the still but not unaware of it. A few of them look over to the boys who are causing the birds to suddenly take flight. Their looks of disapproval seem to suggest that they are out of sympathy with the rambunctious nature of boys with their desire to interact and engage with the natural world. The adults seem to suggest that their world does not condone such behavior as that of disturbing the peace and calm, the status quo, of traipsing through the middle…...

Women in Middle East
The mise-en-scene of "Best in Show"

In "Best in Show" it is the mise-en-scene which truly defines the film and in so doing created and develops the emotional effect on the audience. Of course, using a term like "emotional effect" seems slightly pretentious in terms of this movie -- the mockumentary is a clever spoof on dog shows and the human relationship to competition and relationship. The film asks, with its tongue fully in cheek: 'how does man relate to man's best friend... oh, and by that we mean the dog, honestly." Though the film never bothers to answer the real, serious issues behind that questions (the idea that purebreds might need rescue groups is blown off, even though thousands are euthanized yearly, and the question of how a couple "disposes" of a dog that does not meet show expectations is never addressed), it does have an emotional…...

Alien Chestburster Scene Analysis
Analysis of the Chestburster Sequence in Alien

idley Scott's Alien (1979) is one of the most riveting and horrifying sci-fi film of the 20th century. While the film's title points to an unknown alien creature, the audience is not introduced to this threat until approximately 52-minutes into the narrative during the infamous, and one of the most recognizable sci-fi scenes of the film -- the chestburster scene. Despite lasting less than two-minutes, this scene is one of the most terrifyingly recognizable scenes in Alien (1979) due to its mise-en-scene, composition, editing, sound, and action.

The chestburster scene takes place in the Nostromo's canteen -- the spaceship's dining hall -- where the crew, is enjoying one last meal together before being put into hypersleep in order to return to Earth. The ship's crew is limited in size and is made up of Lambert, the Nostromo's navigator; Ash, the ship's science…...

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References

Alien. (1979). Directed by Ridley Scott. United States/United Kingdom: 20th Century Fox. DVD.

Kill Bill Scene Analysis
Quentin Tarantino's approach to cinema is unique and refreshing. In Kill Bill, Vol. 1 (2003), Tarantino tells the story of a woman, The Bride, hell-bent on seeking revenge on the elite group of assassins, the Deadly Viper Assassination Squad, and their leader, Bill, after they attacked and killed her wedding party and left her for dead. Tarantino's use of mise-en-scene and scene composition helps to establish an atmosphere in which the Bride is able to carry out her vendetta successfully in an artistic manner that does not distract the audience from the narrative.

Kill Bill, Vol. 1 (2003) is the first film of two in the Kill Bill series to date. Tarantino wrote and directed the film and was the film's executive soundtrack producer as well. The director is "the driving artistic source behind the filming process, and communicates to actors the way that he/she would like a…...

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References

Kill Bill, Vol. 1. (2003). Dir. Quentin Tarantino. USA/Japan: Miramax Films.

Kill Bill, Vol. 1. (2003). IMDB. Retrieved 8 July 2012, from  http://www.imdb.com/title/tt0266697/ 

Movie Terminology Glossary. (2012). IMDB. Retrieved 8 July 2012, from  http://www.imdb.com/glossary/A 

The Crazy 88s. (2003). MovieClips.com. Retrieved 8 July 2012, from  http://movieclips.com/QWmt-kill-bill-vol-1-movie-the-crazy-88s/

Double Indemnity Scene Analysis
Double Indemnity (1944) can be considered to be one of the films most representative of American film noir. Double Indemnity (1944) is the story of a woman, Phyllis Dietrichson, who has manipulated her way into marriage with a wealthy man, Mr. Dietrichson, and subsequently conspires with an insurance salesman, Walter Neff, to help kill her husband. Under the premise of being concerned for her husband's safety, Phyllis takes out an accident insurance policy, which is guaranteed to pay her at least $50,000 in the event of Mr. Dietrichson's untimely death. When Walter informs Phyllis that she can get $100,000 from the insurance policy if her husband dies in a rare accident, such as an accident involving a train, because of a double indemnity clause in the policy, the nefarious duo decide to concoct a plan that will make it appear as though Mr. Dietrichson fell to his…...

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References

"The End of the Line." (1944). Double Indemnity. Dir. Billy Wilder. United States: Paramount

Pictures. MovieClips.com. Accessed 7 November 2012, from  http://movieclips.com/rU9mD-double-indemnity-movie-the-end-of-the-line/ 

Full Cast and Crew for Double Indemnity. (n.d.). IMDB.com. Accessed 7 November 2012,

 http://www.imdb.com/title/tt0036775/fullcredits#cast

Tarantino's Inglourious Basterds
An analysis of Quentin Tarantino's Inglourious Basterds

Inglourious Basterds, written and directed by Quentin Tarantino and released in 2009, is a continuation of Tarantino's postmodern approach to cinema and may be considered to be of greater cultural significance due to its subject matter and how it is developed through the narrative. Inglourious Basterds features an all-star cast that includes Brad Pitt, Eli Roth, Michael Fassbender, Christoph altz, Melanie Laurent, and Diane Kruger, among other greats and frequent collaborators. Set during orld ar II in Nazi-occupied France, Tarantino creates an alternative and fictional re-interpretation of Adolph Hitler's plan for the eradication of the Jewish race and the days leading up to his death. In Inglourious Basterds, Tarantino creates a world of catharsis, one where Hitler's victims and intended victims are able to seek revenge and ultimately destroy the Nazi regime on their own. Through the film's narrative, cinematography, mise-en-scene, and…...

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Works Cited

"Chronology of Jewish Persecution: 1933." Jewish Virtual Library. Web. 18 May 2013.

Inglourious Basterds. Directed by Quentin Tarantino. United States: The Weinstein Company,

2009. DVD.

"Inglourious Basterds Trivia." Internet Movie Database. Web. 9 May 2011.

Bonnie and Clyde
Through its film design, Bonnie and Clyde is able to capture a relatively truthful dramatization of Bonnie and Clyde's final journey together. Despite its many historical inaccuracies, the film is able to capture the essence of the Great Depression through the narrative and mise-en-scene. Bonnie and Clyde focuses mostly on the fictionalized relationship that develops between the titular characters and the various ups-and-downs that the couple underwent during their romantic relationship and criminal career. Despite the historical inaccuracies that arise during the course of the film, the film's concluding scene is the most jarring and violent scene. hile the purpose of the final scene is to provide closure to the film, the combination of a simple set design and rapid composition culminates to depict the sudden and brutal take down of the infamous couple.

hile the film focuses on the titular characters, the crime spree that they embark…...

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Works Cited

Barsam, Richard and Dave Monahan. "Chapter 5: Mise-en-Scene." Looking at Movies an Introduction to Film. 3rd Ed. New York: W.W. Norton and Company, 2009. Print.

Bonnie and Clyde. Dir. Arthur Penn. United States: Warner Brothers, 1967. Film.

"Did You Know? Bonnie and Clyde (1967)" IMDB.com. Accessed 21 March 2012. Web.

Geringer, Joseph. "Bonnie and Clyde: Romeo and Juliet in a Getaway Car." TruTv. Web.

Film Clip Analysis of Inglourious Basterds
Quentin Tarantino is best known for his ultraviolent and bloody films. Through his unique writing, directing, and editing style, Tarantino has been able to create a cinematic canon that is distinguishable from his cinematic peers. In Inglourious Basterds (2009), Tarantino uses a mixture of modern music and historical events to give a fictional account of a group of vigilantes who are on a quest to take down the Nazis during World War II; these vigilantes range from Shosanna Dreyfus, who escaped being executed by SS Col. Hans Landa, to the Inglourious Basterds, a rogue band of soldiers hell bent on killing as many Nazis as they can. Tarantino's use of mise-en-scene and composition help to establish the mood and setting without detracting from the narrative.

Inglourious Basterds (2009) is Tarantino's most recent film. He not only directed the film, but also wrote the film and played…...

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References

"Business is A'Boomin." (2009). from Inglourious Basterds. Movieclips.com. Accessed 15 May

2012, from  http://movieclips.com/gVWFR-inglourious-basterds-movie-business-is-a-boomin/ 

David Wasco. (n.d.). IMDB.com. Accessed 15 May 2012, from  http://www.imdb.com/name/nm0913300/ 

Full Cast and Crew for Inglourious Basterds. (n.d.). IMDB.com. Accessed 15 May 2012,

It is after Ana views the film, that she becomes more active at night, running away in order to try and find the mysterious spirit or ghost that Isabel has told her about. As Ana becomes more entranced with the darkness around her, she begins to explore her surroundings by herself. She is later shown to be playing by herself near an abandoned sheepfold, whereupon she later encounters a fugitive. Much like the relationship between the monster in Frankenstein and the little girl, Ana innocently tries to take care of the soldier only to unknowingly contribute to his demise. Ana, wracked with guilt, blames herself for the execution of the fugitive and subsequently runs away. While in the forest, Ana comes upon a stream, and while gazing into her reflection in the water, she imagines that she is the monster and that the monster has materialized both within her…...

Battleship Potemkin by Sergei Eisenstien and Black Girl by Ousmane SembeneIn the movie Battleship Potemkin, Eisenstein used the filmmaking technique called tertium quid, representing the connection of individual scene parts to create a bigger picture. It was not only about the combination of the images but also the message to be disseminated to the target audience.Based on montage theory, the development of suspense and rhythm created rationality in which concepts and linkages seemed to be connected impeccably. For instance, in the historical scene of Odessas steps sequence, the distinct individuality of the moments that came out as fear and terror was shown in a sequence not thought of before. The emotional climax was developed with the help of montage and is an example of mise-en-scene in the history of cinema.The jump cuts showing thematic stiffness between people flowing up and down and throes falling from the Odessa stairs was a…...

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Work Cited

Clark, Ashley. “Black Girl: Self, possessed.” Criterion, 23 Jan. 2017,  https://www.criterion.com/current/posts/4402-black-girl-self-possessed 

Memento Film Analysis
Christopher Nolan's Academy Award nominated film Memento provided a new perspective on film noir and helped to redefine how a narrative was presented in cinema. Memento stars Guy Pierce as Leonard Shelby, Carrie-Anne Moss as Natalie, and Joe Pantoliano as Teddy/John Edward Gammell. Through Leonard's psyche, the film's narrative structure, and its mise-en-scene, Nolan is able to demonstrate the perpetual conflict that arises in the film between good and evil, fact and fiction, and instinct and knowledge.

Memento is the story of Leonard Shelby, a former insurance investigator, who is suffering from anterograde amnesia. In the film, Leonard is trying to find the person that raped and killed his wife, but has trouble retaining any information long enough for him to make any progress in his investigation. However, through a series of techniques designed to jog his memory, including tattoo, Polaroid pictures, and extensive note taking, Leonard is able…...

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Works Cited

Borde, Raymond and Etienne Chaumeton. A Panorama of American Film Noir: 1941-1953.

Trans. Paul Hammond. San Francisco: City Lights Books, 2002. Print.

Memento. Dir. Christopher Nolan. USA: Summit Entertainment, 2000. Hulu. 20 July 2012.

Naremore, James. "American Film Noir: The History of an Idea." Film Quarterly 49.2 (1995-

It also says a lot about our society that so many people went to see the film and endorsed the film. It is not because this film is about heroes or heroism. It is because the film's ultimate message is to never forget the people who died in the September 11, 2001 terrorist attacks. It was a time when the people of the country came together in support and grief, and a time that made the country and its people just a bit closer to one another. It was an epic time in history and this film makes everyone remember, ultimately so they will never forget.
In conclusion, this is an important and emotional film. It is certainly not easy to watch, and it is easy to demonize the terrorists and fault the military because of their scrambled messages and inaction. However, the director does not demonize the terrorists or…...

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References

Fortuna, Michael. "Bingham Feels 'United 93' Does Son's Memory Justice." Villages Daily Sun. 2006. 1 Dec. 2008. http://www.thevillagesdailysun.com/articles/2006/04/28/lifestyles/lifestyles01.txt.

Roberts, Sheila. "United 93 Movie Review." Movies-Online.ca. 2006. 1 Dec. 2008. http://www.moviesonline.ca/movie_review_detail.php?id=1769.

United 93. Dir. Paul Greengrass. Perf..J. Johnson, Gary Commock, Polly Adams, and Opal Alladin. Universal Pictures, 2006.

Wilson, Tyler. "United 93' a Powerful Re-Enactment of Tragedy." University of Idaho. 2006. 1 Dec. 2008.  http://www.uiargonaut.com/content/view/1839/47/ .

A perfect example of this is located in Chapter three. Chapter three opens with the camera zooming steadily in on a window. The shot then cuts to a shot of streetlights, establishing the time of day as early morning. Even though simply not enough of the room is exhibited to demonstrate what exactly exists within it, the shot following the streetlight is of a woman in bed, strongly suggesting it was her bedroom that the camera was stealthily creeping up to in order to peep through the lace curtains unbeknownst to the sleeping woman.

This voyeurism keeps going even as the aforementioned woman gets up, washes and dresses in various sequences interspersed in chapter three. Vertov's camera cuts from the sleeping woman to the painting on the wall of an old man, located and leering as if he too were watching her sleep.

This voyeurism is further emphasized by the subsequent cut…...

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Bibliography

Barnouw, Erik (1993) Documentary: A History of the Non-Fiction Film. 2nd ed. New York: Oxford University Press.

Barsam, Richard M (1973) Nonfiction Film: A Critical History. Bloomington: Indiana University Press.

Beller, Jonathan L (1999) Dziga Vertov and the Film of Money, Boundary 2: An International Journal of Literature and Culture. 26 (3). Duke University Press.

Guynn, William (1990) A Cinema of Nonfiction. Rutherford: Fairleigh Dickinson University Press.

Limitless is a film that was released by elativity Media and Virgin Produced in 2011. The film's primary cast consists of Bradley Cooper, who plays the protagonist, Eddie Morra, Abbie Cornish, who plays Eddie's girlfriend Lindy, and obert DeNiro, who plays Carl Van Loon, a finance and energy tycoon. The premise of the film is that Eddie, a struggling professional writer, comes across the brother of his ex-wife, Vernon, on the streets of New York City by chance. Vernon, a former drug dealer, and now shady pharmaceutical consultant, offers Eddie a drug that allows him complete access to the full capacity of his brain. Vernon is murdered by criminal rivals and Eddie takes Vernon's remaining cash and stash of the fictional wonder-drug to propel his life in a new, much better direction. The conflicts of the film include the unknown and potentially fatal side effects of the drug that Eddie…...

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References:

Campbell, D. (2002). Technical Film and TV for Nontechnical People. Allsworth Press: New York.

Internet Movie Database. (2012). Limitless -- Full Cast and Crew. Web, Available from:   2012 November 15.http://www.imdb.com/title/tt1219289/fullcredits#cast .

Smith, G.M. (2003). Film Structure and the Emotion System. Cambridge University Press: Cambridge, UK.