Moreover, the arena for that very transformation could, because of the inherent nature of technological advancement, achieve something that is beyond the sum of its parts. Cyberspace in Neuromancer becomes more than an expression of human consciousness, it eventually becomes consciousness.
ibliography
Adams, Paul C. "Cyberspace and Virtual Places." Geographical Review, 87 (1997): 155-171.
ell, David, an Introduction to Cybercultures, NY; Routledge, 2001.
ell, David and arbara M. Kennedy, the Cybercultures Reader, NY: Routledge, 2000.
enedikt, Michael, "Cyberspace, First Steps," the Cybercultures Reader. Eds. David ell, arbara M. Kennedy. NY: Routledge, 2000.
Punday, Daniel. "The narrative construction of cyberspace: Reading Neuromancer, reading cyberspace debates." College English 63 (2000): 194-213.
Lemley Mark a. "Place and Cyberspace." California Law Review, 91 (2003): 521-542.
Marshall, David P, New Media Cultures, Oxford University Press, NY, 2004.
Niu, G.. "Techno-Orientalism, Nanotechnology, Posthumans, and Post-Posthumans in Neal Stephenson's and Linda Nagata's Science Fiction." MELUS 33 (2008): 73-97.
Olsen, Lance. "Virtual termites: A hypotextual technomutuant explo…...
mlaBibliography
Adams, Paul C. "Cyberspace and Virtual Places." Geographical Review, 87 (1997): 155-171.
Bell, David, an Introduction to Cybercultures, NY; Routledge, 2001.
Bell, David and Barbara M. Kennedy, the Cybercultures Reader, NY: Routledge, 2000.
Benedikt, Michael, "Cyberspace, First Steps," the Cybercultures Reader. Eds. David Bell, Barbara M. Kennedy. NY: Routledge, 2000.
Billy Collins' poem is a lyric poem because mainly it expresses highly personal emotions and feelings. Many lyric poems involve musical themes or tones, and in fact in Shakespeare's era the word "lyric" meant that the poem was accompanied by a musical instrument (a lyre). But while Collins' poem doesn't give off a musical idea or theme (unless the sound of a fork scratching across a granite table is music), it does use metaphor and achieves a dramatic impact.
The metaphor has two people, presumably married and in a love partnership who have divorced. (It is known that although un-married couples who have been together for a long time and break up are also involved essentially in a "divorce" of their partnership.) The metaphor of "two spoons" shows two people locked together, snuggling would be a good word, in a warm bed. "Tined" means prongs on a fork -- or it…...
Good Country People: Metaphor and Irony
Joy Hulga is the main character of Flannery O'Connor's "Good Country People." She represents the proud, young educated student who has renounced any faith in Christ. As her mother Mrs. Hopewell puts it to Manley Pointer, the Bible salesman, "My daughter is an atheist and won't let me keep the Bible in the parlor" (O'Connor 278). Manley turns out to be both Joy's double and foil -- atheistic like herself, but also seeking to seduce her for her false leg (he is a collector of oddities), even as she seeks to seduce him to show that she does not believe in sin. The great irony is that proud Hulga falls for Manley -- only to be rejected. For O'Connor, a Roman Catholic, sin is the absence of good -- and the absence of any good whatsoever at the end of the story is what acts…...
The spider's patient web spinning during the winter shows how it is necessary for Dillard to become dependant on the natural world, rather than upon humans alone or upon chemicals and tools that tamper with nature in a human fashion. To survive the winter physically and psychologically, she must trust her instinctual place in the larger animal firmament. As she observes the spiders that keep her own home insect-free, their work becomes a metaphor for Dillard. They lead her to her spiritual musings about the perfect symmetries that exist in nature. "Because the light just happened to be such that I couldn't see the web at all. I had read that spiders lay their major straight lines with fluid that isn't sticky, and then lays a non-sticky spiral. Then they walk along" the thread, weaving until the major lines are complete, then moving on to the minor lines of…...
mlaWorks Cited (Dillard, Annie. A Pilgrim at Tinker's Creek. New York: Harper Perennial Modern Classics, 1998)
“Submit to one another out of reverence for Christ,” (Ephesians 5:21). This outstanding sentence clarifies one of Paul’s main objectives in outlining the household codes of Ephesians. Christ is the head of the Church, to which all Christians belong. However, Paul quickly shifts focus to the patriarchal marriage union to model Christian social norms: “Now as the church submits to Christ, so also wives should submit to their husbands in everything,” (Ephesians 5:24). Paul therefore uses the household code partly as an opportunity to provide a “theological justification and motivation for the subordination of wives, children and slaves to the head of the household,” (MacDonald, n.d., p. 341). Yet somewhat mysteriously, Paul switches back again and states, “This is a profound mystery—but I am talking about Christ and the church,” (5:32). Modern readers should not take Paul’s message about marriage customs and gender roles seriously, but should pay close attention to…...
Lesson Plan
Teaching Similes and Metaphors
Grade: This lesson is designed for 7th Grade Language Arts
Students should be able to interpret similes and metaphors. Students should be able to create and write their own examples.
Materials: Selected written examples from various sources. Books, poetry, media etc..
Discussion Questions: What are the purposes of similes and metaphors? Why is description necessary in communication ? What are the artistic implications of these literary tools ? How can they be used in everyday life for advantage ?
Activities:
Display literary examples of similes and metaphors.
Have students identify each type.
Have students exchange the two types.
Practice in groups.
Have each student create their own.
Evaluation
Not graded activity, practice only.
Lesson Plan Reflection
The lesson plan that was planned and discussed in dealing with similes and metaphors was a successful effort where much learning took place. Examples of each kind of literary tool were used to highlight and describe their intent. Similes and metaphors can be…...
Janus" has its quirks, its metaphors, and its symbolism. This paper will thus aim to answer two questions in regards to Ann Beattie's short story. The first question will relate to the significance of the title, and the second will describe the marriage of Andrea and her husband.
In order to put the questions into context it is important to provide some background on the work. In the short story, Beattie examines the connection between Andrea, a successful real-estate agent, and a simple bowl. Andrea utilizes this glazed bowl when she shows houses, thinking it provides both simplicity and elegance. According to Andrea, the bowl is "both subtle and noticeable - a paradox of a bowl."[footnoteRef:1] The bowl is very special to Andrea, and later the reader finds out that this is because Andrea received it from a former lover, which prompts the question of whether she is dissatisfied with…...
mlaNow, with regards to the title, a simple search reveals the fact that Janus is the name of a Roman god. More specifically, Janus is the god of "gates and doors, of beginnings and endings," according to one blogger. He is represented as "a head with two faces looking in opposite directions." [footnoteRef:2] When one looks at the story this way, one can see that perhaps the title has some significance in Andrea's life. In a way, this could be interpreted as the fact that the woman is being pulled in two directions. One is the direction of her own life, her safe life, with her husband, and the other direction is that she is being pulled into the past, by the bowl and its association with a former lover. [2: "Janus" by Ann Beattie." This to Say about That. Web. 23 Oct. 2011. .]
In that which concerns Andrea's marriage this is not exactly a bed of roses either and is described when she looks at the bowl and calls it "still and safe, unilluminated."[footnoteRef:3] It seems that the story does, as aforementioned, reflect Andrea's condition and her inability to connect with her current life, demonstrating some sort of disappointment that the author feels her generation also feels. [3: Edwards, Thomas R. "A Glazed Bowl of One's Own." New York Times. 12 Oct. 1986. Web. 23 Oct. 2011. .]
According to a critic, "Ms. Beattie's people suffer emotional and moral disconnection in a world that has yet been rather generous to them in material ways. They live comfortably enough in New York, the suburbs, the country; they work at business, finance, editing, modeling, writing, the law; they have been to college and sometimes graduate school, and now, as they approach 40, they miss what they remember as the innocence and intimacy of student community."[footnoteRef:4] It is, thus, probably that the story examines this feeling of loss of a time gone by, and this most certainly coincides with the duality of the title as well. [4: Edwards, Thomas R. "A Glazed Bowl of One's Own." New York Times. 12 Oct. 1986. Web. 23 Oct. 2011. .]
Metaphor of the Sea in Keats' and Longfellow's Poetry
One of the most potent metaphors in literature is that of the ocean. The ocean has a timeless, rhythmic quality that has inspired authors of all genres, nations, and eras. For the early 19th century omantic poet John Keats, observing the sea motivated him to reflect upon pagan mythology and the moon's inconstant temperament. In his poem simply titled "On the Sea," Keats writes that sometimes the sea "with its mighty swell / Gluts twice ten thousand Caverns, till the spell / Of Hecate leaves them their old shadowy sound." Keats notes how the sea can sometimes be harsh and threatening while other times be mild and even tender. Although it may fill some caverns up with its threatening presence, at other times "tis in such gentle temper found / that scarcely will the very smallest shell / Be moved for days…...
mlaReferences
Keats, J. (1817). On the sea. Harvard University. Retrieved from:
https://www.eecs.harvard.edu/~keith/poems/Sea.html
Longfellow, H. (1920). The sound of the sea. Henry Wadsworth Longfellow. Retrieved from:
Cognitive DevelopmentIn A Conversation with obert Sapolsky, the interviewee discusses the role that stress hormones play on neurons in the brain, and how they might affect the onset of Alzheimers or stress patients. His first goal in research is to understand this connection, and in his own words he states, I am trying to understand, on a cellular level, how one class of hormones released during stress can damage neurons, and what that has to do with which of us have lots of brain damage after a stroke or seizure, or who succumbs to Alzheimers (Brain Connection, n.d.). His focus is on that part of the brain used in learning and memory, and his aim is to see how stress impacts the nervous system.Once understanding that relationship between stress hormones and neurons in the brain, Sapolsky wants to focus on saving the neurons from damage due to stress-related factors. One…...
mlaReferencesBrain Connection. (n.d.). A conversation with Robert Sapolsky. Retrieved from https://brainconnection.brainhq.com/library/interviews/
To operationalize the Rubik's cube as a unit of analysis for an idea let's break down the various components of the cube. The original cube has nine tiles per face, six faces (like a die), and six colors per side. There are exactly 43,252,003,274,489,856,000 permutations that the cube can take. To create the metaphor of the Rubik's cube as the root of an idea, we can imagine each permutation having its own total absolute meaning.
Each color could have a symbolic meaning assigned to it, thus any combination of colors would create a new meaning. If you remove the restriction of fixed colors, but leave each tile as its own 'container' of which meaning could be assigned by differing colors representing ideas, you would be left with a container (the Rubik's cube) containing faces (more containers) containing tiles (more containers) that aggregately come up with a meaning for an idea. Then…...
This suspicion becomes even more ironically clear as we read further. As we progress with the analysis of the protagonist's description of his love we find even more apparently negative comparisons. For example, he states that that in comparison to perfumes his "mistress reeks" and that music has a much more "pleasing sound" than her voice. He also states that she is no goddess in the lines,
I grant I never saw a goddess go;
My mistress, when she walks, treads on the ground
However in the final couplet of the sonnet there is a dramatic change of tone and a radical change in our perception of the loved one. The final two lines read as follows.
And yet, by heaven, I think my love as rare
As any she belied with false compare.
These two lines should be carefully considered as they ironically overturn the meaning and intention of the metaphorical comparisons that have been…...
Tom Shulich ("ColtishHum")
A comparative study on the theme of fascination with and repulsion from Otherness in Song of Kali by Dan Simmons and in the City of Joy by Dominique Lapierre
ABSACT
In this chapter, I examine similarities and differences between The City of Joy by Dominique Lapierre (1985) and Song of Kali by Dan Simmons (1985) with regard to the themes of the Western journalistic observer of the Oriental Other, and the fascination-repulsion that inspires the Occidental spatial imaginary of Calcutta. By comparing and contrasting these two popular novels, both describing white men's journey into the space of the Other, the chapter seeks to achieve a two-fold objective: (a) to provide insight into the authors with respect to alterity (otherness), and (b) to examine the discursive practices of these novels in terms of contrasting spatial metaphors of Calcutta as "The City of Dreadful Night" or "The City of Joy." The chapter…...
mlaReferences
Barbiani, E. (2005). Kalighat, the home of goddess Kali: The place where Calcutta is imagined twice: A visual investigation into the dark metropolis. Sociological Research Online, 10 (1). Retrieved from http://www.socresonline.org.uk/10/1/barbiani.html
Barbiani, E. (2002). Kali e Calcutta: immagini della dea, immagini della metropoli. Urbino: University of Urbino.
Cameron, J. (1987). An Indian summer. New York, NY: Penguin Travel Library.
Douglas, M. (1966). Purity and danger: An analysis of concepts of pollution and taboo. New York, NY: Routledge & K. Paul.
In this stanza, mainline and dragon are used as metaphors for his drug of preference, although these drugs can be seen as metaphors for the other addictive substances and behaviors that people can become dependent on regardless of if these substances are legal or illegal. The last two lines of this stanza insinuate that Nikki has come to an impasse and does not know what to next with his life, which is possibly why he turned to drugs. The last two lines state, "No regrets, you've got no goals/Nothing more to learn" (Queensryche). These concluding lines indicate that Nikki is waiting for some sort of direction, regardless of whether it is good or bad, simply to not be a slave to the drug.
The third stanza offers Nikki a solution for his dilemma and proposes that the doctor will give his life purpose, which ironically, is the price Nikki will…...
mlaWorks Cited
Titus, Christa. "Queensryche Ink New Record Deal, Next Album Due June 11." Billboard Biz.
4 March 2013. Web. 18 March 2013.
Queensryche. "Operation: Mindcrime." Operation: Mindcrime. EMI America, 1988.
"Queensryche." Official Band Page. Web. 18 March 2013.
Blue Terrance" by Terrance Hayes and "The eary Blues" by Langston Hughes both use the blues as a metaphor for human existence. The 'blues' are a historically African-American form of musical expression that pairs sorrow with expressive music, and is considered one of the greatest contributions of African-Americans to musical culture. However, the authors' uses of the blues as a metaphor are different. Hayes uses the blues to express his own, personal pain of romantic rejection and his difficulties in life, although he clearly sees his attraction to the blues as a natural extension of his African-American identity. Hughes, in contrast, takes a more expansive view of the blues, and sees all African-Americans as united in the blues. hen he sees a solitary blues singer, he identifies with the man, and eventually by the end of his poem, his identity and the identity of the singer are united by the…...
mlaWorks Cited
Knapp, James F. "Langston Hughes." W.W. Norton & Co. 2005. [9 Nov 2011]
http://www.wwnorton.com/college/english/nap/Weary_Blues_Hughes.htm
Dylan Thomas's 1951 poem, "Do not go gentle into that good night," like Johnson's poem, is an elegy to someone he loves -- his father -- but unlike Johnson's poem, at the time the poem was written before his father passed away, which allows him to express and explain his fears to the man he wrote the poem for. In "Do not go gentle into that good night," Thomas urges his father to fight to live, a stark contrast from Johnson's lament for death to escape the "world's and flesh's rage" (Johnson line 7). Thomas writes, "Old age should burn and rave at close of day," in supplication to his father in order to get him to fight against "the dying of the light," which can be taken as a metaphor for a person's transition through life into death (Thomas line 2-3). Thomas then proceeds to list different types of…...
mlaWorks Cited
Johnson, Ben. "On My Sonne." 1616. Web. 29 May 2013.
"Literary Devices." Center for Literary Arts. Web. 29 May 2013. PDF.
Thomas, Dylan. "Do not go gentle into that good night." 1951. Web. 29 May 2013.
Title Generator-Aligned Essay Topics
1. The Power of Language: The Influence of Titles in Shaping Narratives
Explore the ways in which titles can predetermine the interpretation of literary works.
Analyze how titles create expectations and bias the reader's perspective.
Discuss the ethical implications of using manipulative or deceptive titles.
2. Titles as Mirrors: Reflecting the Complexity of Literary Characters
Examine how titles can reveal the inner nature and motivations of characters.
Analyze the use of irony, paradox, and symbolism in titles to create complex character portraits.
Discuss the impact of character-based titles on the reader's understanding of the narrative.
3. The Art of....
1000-Word Brainstorming Session for Catchy Thanksgiving Family Tradition Titles
Introduction
Thanksgiving, a widely celebrated holiday, is not only about feasting and giving thanks but also about family traditions that create lasting memories. Whether it's a unique dish, a festive game, or a heartfelt ritual, these traditions add a special touch to the Thanksgiving celebration. To capture the essence of your family's treasured tradition, a catchy title is essential. Here's a comprehensive brainstorming session to guide you in crafting the perfect title.
Section 1: The Essence of the Tradition
Begin by considering the core element of your family tradition. What makes it special and unique?....
1. The Role of Visual Metaphors in Shaping Brand Identity
Explore the ways in which visual metaphors can create powerful and memorable brand identities. Analyze case studies to demonstrate how metaphors can convey brand values, connect with target audiences, and differentiate brands in competitive markets.
2. The Ethics of Image Manipulation in Advertising
Examine the ethical implications of image manipulation in advertising. Discuss the impact of altered images on consumer trust, body image, and societal norms. Consider the role of regulations and industry guidelines in balancing creative freedom with the need for transparency.
3. The Power of Data Visualization in Storytelling
Analyze the role of....
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now