Marilyn Monroe
I have selected the book Marilyn Monroe by arbara Leaming. This book is 480 pages long, and was published by the Three Rivers Press in February of the year 2000. Many books have been written on the subject of Marilyn Monroe, and many critics will argue that there is nothing new to be said about this famous Hollywood actress. However, Leaming has said something new in this book, and not in the tradition of Hollywood storytelling. Many biographers have been less than truthful in their reports of Monroe's life. However, instead of making up a lot of stories about Marilyn Monroe that will help sell books by being extremely controversial or Tabloidesque, Leaming has presented a very truthful account of Monroe's life, based on hardcore facts. In addition to reporting the known facts about Monroe, Leaming also did additional research, uncovering new testimonies from the people who lived and…...

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Bibliography

Leaming, Barbara. Marilyn Monroe. Three Rivers Press, 2000.

Marilyn Monroe - Dead oman alking
At 4:25 A.M. On August 5, 1962, Sergeant Jack Clemmons of the est Los Angeles Police Department answered a phone call. According to some reports, the caller identified himself as Dr. Ralph Greenson. Greenson was Marilyn Monroe's personal psychiatrist and analyst. According to other reports, the caller identified himself as Dr. Hyman Engleberg, Monroe's internist. According to Donald H. olfe, in his book, The Last Days of Marilyn Monroe, the caller was Engelberg (4). Agitated to the point that Clemmons was unable at first to understand the message that the physician was trying to convey, when the caller finally calmed himself enough to convey his message, it was one that was immediately suspicious and remains today the subject of outrage. "I am calling from the house of Marilyn Monroe," he said. "She is dead. She just committed suicide."

Suicide, however, implies that one acts alone to…...

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Works Cited and Referenced

APB Documents. APB News, GIF images, FBI documents. "G Files." 2000. 2/08/02

Autopsy photograph. Marilyn Monroe. August 5, 1962. 2/08/02

(FAQ: How did Marilyn die?)
Whatever may be reason death occurred at her age of thirty six. Some opined she left a legacy of beauty while to some she left a legacy of sadness. However, even after forty two years of her death she is considered to be the most recognized women in the world. The legend of Marilyn acclaimed several images all of which are divergent and distinguishable. In the words of Andy Warhol, Marilyn was 'star for all ages'. (Marilyn Monroe: The Exhibit)

eferences

Classic Movie Star's Marilyn Monroe Tribute" etrieved at http://www.angelfire.com/ri2/rebeccastjames/Monroe.html. Accessed on 18 February, 2005

FAQ: How did Marilyn die?" etrieved at http://www.marilyncollector.com/legend/faq.html. Accessed on 18 February, 2005

Hollywood's Leading Sex Symbol" Court Tv's Crime Library. etrieved at http://www.crimelibrary.com/notorious_murders/celebrity/marilyn_monroe/4.html?sect=26. Accessed on 18 February, 2005

Marilyn Monroe biography: A short biography of world famous movie star, Marilyn

Monroe" (2002) Page Wise. etrieved at http://mtmt.essortment.com/marilynmonroeb_rrot.htm. Accessed on 18 February, 2005

Marilyn Monroe" etrieved at…...

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References

Classic Movie Star's Marilyn Monroe Tribute" Retrieved at Accessed on 18 February, 2005http://www.angelfire.com/ri2/rebeccastjames/Monroe.html.

FAQ: How did Marilyn die?" Retrieved at   Accessed on 18 February, 2005http://www.marilyncollector.com/legend/faq.html .

Hollywood's Leading Sex Symbol" Court Tv's Crime Library. Retrieved at Accessed on 18 February, 2005http://www.crimelibrary.com/notorious_murders/celebrity/marilyn_monroe/4.html?sect=26.

Marilyn Monroe biography: A short biography of world famous movie star, Marilyn

History of Fashion: HO TO MARRY a MILLIONAIRE 1953 (Monroe)
History of Fashion: How to Marry a Millionaire

How to Marry a Millionaire is a 1953 romantic comedy set in New York City starring Betty Grable, Marilyn Monroe, and Lauren Bacall, directed by Jean Negulesco. The costumes of the film, as designed by Charles Le Maire, showcase the 'New Look' popularized by Christian Dior. The 'New Look' (as exemplified most prominently in the red, full-skirted gown worn by Marilyn Monroe in a scene set in a powder room) featured sweeping skirts, a tiny cinched waist, and an exaggerated bosom. It was an ultra-feminine ideal that stood in stark contrast to the more practical, comfortable, and androgynous appearance of orld ar II fashion. The style of the New Look was far more restrictive and made women look more like artificial adornments than the ideal of 'Rosie the Riveter.' omen during the era were…...

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Works Cited

"Christian Dior." The Design Museum. [20 Mar 2012]

 http://designmuseum.org/design/christian-dior

Sexyuality
Sexuality

The 1950's and Sexuality

World War II can be seen as an ending and then a beginning for different eras. Prior to the war, the world was in a the most severe economic downturn that anyone had experienced in modern times, whereas the 1950's were one of the most prosperous times in American history. The prewar years were fraught with struggle for between the wealthy elite and the poor. There was a relatively small middle class that served the wealthy and helped to dominate the poor. After the war, people, as a whole, had more economic opportunity, and the middle class grew astronomically. The war also separated America's ideas of what a woman was from what she could become. During the war women had been required to work in factories doing jobs that were normally reserved for men. Women could be teachers, nurses, or mothers before 1945, but the long climb…...

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References

Lester, N.A. (2010). Disney's "The Princess and the Frog": The pride, the pressure and the politics of being a first. Journal of American Culture, 33(4), 294-310.

Sharp, G. (2009). 1950s beauty pageant judging guidelines. Retrieved from   guidelines/http://thesocietypages.org/socimages/2009/07/22/1950s-beauty-pageant-judging -

Williams, Z. (2005). The fifties ideal of sexuality was serious: Less flesh, more promise. New Statesman, 134(4741), 28-33.

Art can come in many shapes, sizes, and mediums, yet one thing that all art has in common is its ability to connect to individuals and enable them to experience catharsis, that is illicit an emotional response. Some of the most awe-inspiring works of art are architectural such as the Lincoln Memorial, which bookmarks the National Mall in Washington, D.C.
The Lincoln Memorial is impressive and its sheer magnitude and size was unexpected. Walking up to the memorial, I realized that it was much larger than I had anticipated and that much like a temple, the actual memorial is located at the top of a series of steps. It was nothing like looking at the back of a penny or a five-dollar bill. The Lincoln Memorial successfully combining the concepts of form and function through its structure (Pearson Publication, Inc., 2009, p. 164). The memorial itself was designed by Henry acon,…...

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Bibliography

National Parks Service. (2012). Lincoln Memorial design individuals. Accessed 21 August 2012,

from  http://www.nps.gov/linc/historyculture/lincoln-memorial-design-individuals.htm .

Pearson Publications Inc. (2009). Chapter 5: Art. The Art of Being Human: The Humanities As A

Technique For Living, pp. 114-169.

Hot is a classic Hollywood comedy with Jack Lemmon, Tony Curtis, and Marilyn Monroe, and it is special in many ways. Directed by Billy Wilder, a legendary director in Hollywood, the film was shot in black and white, and uses straightforward lighting, camera shots, and editing to create a film that is visual, but never takes anything away from the cast, the script, and the setting. It is the acting and the music that all add up to make this film memorable, and it is an excellent example of when to use unique camera and lighting techniques, and when not to.
Most of the camera shots in this film are straightforward. There are several deep-focus scenes, such as the pivotal scene in the garage when the car careens into the garage, and then the men are lined up against the wall. The lighting in this scene is dark in the…...

Venus in Art
Introduction to Venus and Aphrodite:

Throughout history, Venus has long been a source of inspiration for artists. Her representation of love and beauty has been captured in various mediums, from the visual arts of paintings and sculpture to music and drama; Venus has served as a universal symbol of beauty and has embodied the secrets of love. Central to understanding how artists have been able to use her as such a representation of love and beauty, is understanding Venus and Aphrodite's roles in history and Greek mythology.

Venus is an ancient Italian goddess closely associated with fields and gardens and later identified by the Romans with the Greek goddess of love, Aphrodite. Although the question as to how Venus came to be identified with so important a deity as Aphrodite remains unanswered, Venus' identification with Aphrodite is certain and because of this is often depicted in art. As a native…...

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Works Cited

Arscptt, C. & Scott, K. (Eds.) (2000). Manifestations of Venus: Art and sexuality. New York: Manchester University Press.

Beckley, B. (ed.) (1998). Uncontrollable Beauty: Toward a new aesthetics. New York: Allworth Press.

Hersey, G. (1996). The evolution of allure: sexual selection from the Medici Venus to the Incredible Hulk. Cambridge, MA: The MIT Press.

Goodman, E. (ed.) (2001). Art and Culture in the Eighteenth Century: new dimensions and multiple perspectives. Newark: University of Delaware Press.

ogert Ebert noted in his review of the film in 1979, that "Kramer vs. Kramer" is so intriguing because there is never the necessity to choose sides, although the film is unconventional for that time in that it was a woman leaving her husband and child as opposed to the man. The film shows a struggle between two unhappy individuals who are striving to find themselves -- Ted struggles in his career, and Joanna feels that she lost herself upon entering into the marriage. While this film belongs more to Hoffman than Streep, what is the most interesting in terms of social and cultural ideas is that Streep's argument at the end of the custody trial is a very simple "appeal-to -- the fact that motherhood is powerfully persuasive as a social institution" (Malloy 1981).

Streep's portrayal of Joanna Kramer shows some very important issues of this time period such as…...

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Rogert Ebert noted in his review of the film in 1979, that "Kramer vs. Kramer" is so intriguing because there is never the necessity to choose sides, although the film is unconventional for that time in that it was a woman leaving her husband and child as opposed to the man. The film shows a struggle between two unhappy individuals who are striving to find themselves -- Ted struggles in his career, and Joanna feels that she lost herself upon entering into the marriage. While this film belongs more to Hoffman than Streep, what is the most interesting in terms of social and cultural ideas is that Streep's argument at the end of the custody trial is a very simple "appeal-to -- the fact that motherhood is powerfully persuasive as a social institution" (Malloy 1981).

Streep's portrayal of Joanna Kramer shows some very important issues of this time period such as the desire for woman to have a career and a family and the single-parent family. Joanna Kramer has been viewed as a cold and even heartless character, which goes against a woman's societal role. Streep, off-screen, appears anything but cold as her star persona is very warm and oftentimes she is incredibly self-deprecating. Streep has become America's ideal actress and she has defied many odds in the film business as an aging actress who only recently starred as the romantic lead in "It's Complicated" at the ripe age of 60.

Eleven years after "Kramer vs. Kramer," Streep moved on to portray an Australian mother charged and convicted in the murder of her infant daughter in "A Cry in the

Humanities
Importance of the humanities in the professions:

A comparison of "Paul's Case," Muriel's Wedding and Andy Warhol's rendition of Marilyn Monroe

The modern concept of 'celebrity' is that anyone can be famous, provided that he or she embodies an ideal of glamour, using material trappings like clothing and possessions to show his or her 'specialness.' This is a common method of 'selling' a particular product in business.

The idea is paradoxical -- on one hand, celebrities are special, on the other hand the media suggests everyone can be a celebrity and 'famous for 15 minutes' if they buy the right item.

This can be seen in "Paul's Case" by Willa Cather, about a boy who feels as if he is above his classmates.

Paul desires to have a celebrity-like status, based upon his perceptions of himself as having innately refined tastes.

But this costs money, and Paul is unwilling to put in the hard work…...

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References

Andy Warhol's Marilyn prints. Web Exhibits. Retrieved October 11, 2011 at  http://www.webexhibits.org/colorart/marilyns.html 

Cather, Willa. Paul's case. Retrieved October 11, 2011 at  http://www.shsu.edu/~eng_wpf/authors/Cather/Pauls-Case.htm 

Muriel's Wedding. (1994). Directed by P.J. Hogan.

Saari, Rob. (1996). "Paul's case": A narcissistic personality disorder. Studies in Short

Coplans, John. Andy Warhol. England: The Curwen press, 1989

Kinsman, Jane, "Soup can mania." Artonview, no. 49 (2007): 38-9.
http://vnweb.hwwilsonweb.com/hww/results/resultssinglefulltext.jhtml;hwwil
sonid=HJWLOMQXHRMITQA3DIMCFF4ADUNGIIV0

Ratcliff, Carter. Andy Warhol. New York: Abbeville Press, 1983.

Revy, Louisiana. Andy Warhol and his world: Nykredit, 2000

Image Source

Image 1 :
http://www.rock-hill.k12.sc.us/schools/elem/odes/soupcan.jpg

Image 2 :
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Image 3 :
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Image 4 :
http://i278.photobucket.com/albums/kk83/arcadiarose/my%20signature/Andy-
Warhol-Elvis--1963--double-Elv.jpg...

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Bibliography

Bauer, Claudia. Andy Warhol. Nw York: Prestel, 2004.

Coplans, John. Andy Warhol. England: The Curwen press, 1989

Kinsman, Jane, "Soup can mania." Artonview, no. 49 (2007): 38-9.

 

sonid=HJWLOMQXHRMITQA3DIMCFF4ADUNGIIV0http://vnweb.hwwilsonweb.com/hww/results/resultssinglefulltext.jhtml;hwwil 

The argument that I have been making is a twofold one. The first branch of this argument is that Pop Art, while it incorporates ordinary images and commercial motifs and tropes just as does commercial design, it does so in different ways and for different reasons than does purely commercial work. It is because the motivations of the Pop Artist (and I suppose we might say of the art objects themselves) are so different from the motivations of commercial designers that Pop Art must qualify as art. Rather than simply giving his audiences pretty pictures, arhol made them work to understand his creations -- and this seems to me to be a pretty good definition of what art is and what the artist does. And once this condition is met, it really does not matter how much (if any) money the artist makes from the work.

Yes, arhol ended up making…...

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Works Cited

Davies, Stephen. The Philosophy of Art. New York: Wiley-Black, 2006.

Madoff, Stephen Henry. Pop Art: A Critical History. Berkeley: U. Of California Press, 1997.

Sandler, Irving. Abstract Expressionism and the American Experience: A Reevaluation. New York: Hudson Hills Press, 2009.

Warhol, Andy. Andy Warhol: Art from Art. Berlin: Schellmann, 1994.

1994 Smirnoff advertisement.
Incorporate three of the factors that influence meaning as critical criterion.

Smirnoff's 1994 campaign was a trend-setting advertising campaign that boosted the product and enhanced its worldwide selling power.

This 1994 advertisement for the world's best selling vodka was based on spectacular or illusion advertising. The theme -- this bottle can change reality. This is a good example of category and brand development tools that set the stage for some of the more critical criteria for producing a successful advertisement.

What is the advertisement saying to audiences? And what was its intended message? In all probability, the message(s) could be perceived differently by different populations. The overall connotation appears to link Smirnoff with symbols of American pride -- the Statue of Liberty, Marilyn Monroe and what looks like New York City. The hidden message could be "American loves Smirnoff"; or "be true to the red, white and blue, drink Smirnoff";…...

Instead, her cancer diagnosis provided a catalyst for her to investigate the relationship between beauty, sexuality, and feminine power in America. The resulting discussion, and Lucas' affirmation that all women should be able to wear red lipstick, is extremely uplifting.
One of the most interesting aspects of the book is that Lucas uses Marilyn Monroe, probably the preeminent example of American female sexuality, as an example throughout the book. Monroe is one of those rare sex symbols who is not frequently broken down into parts, but is taken as the whole as an eminently sexual creature. Furthermore, years after her death, most people are aware that the sex-pot side of Marilyn Monroe was an affectation that a young girl used to achieve commercial and financial success in Hollywood. Lucas breaks Monroe down into two aspects; the breasts and the lipstick. Looking at a pre-surgical society, she shows how women could…...

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Referenced

Lucas, Geralyn. Why I Wore Lipstick to my Mastectomy. New York: St. Martin's Press.

But the cool tone of the images in arhol's works is one reason why a viewer might be tempted to read a kind of backhanded affection for advertising and consumption in arhol's series, as well as satirical parody. hat Hughes calls this affectlessness, a fascinated and yet indifferent take on the object, arhol does not obviously express a point-of-view, rather he simply deploys sameness in different contexts -- advertising in an art gallery, movie stars tinted with flat paints. hether he does this with love as well as humor might be possible, but because there is such a visual parallel between the parody or the art and the real, it is hard to assign a definitive tone, other than coolness, to arhol.

For instance, a viewer might ask, is there, in the repetition of stars' faces such as Elizabeth Taylor, Jackie O. And of course Marilyn, as well as Marlon Brando,…...

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Works Cited

Baker, D.S. "Jeff Koons and the Paradox of a Superstar's Phenomena," Bad Subjects, Issue 4: February 1993. http://eserver.org/bs/04/Baker.html

Eldredge, Charles C. "Warhol, Andy." World Book Online Reference Center. 2005. World Book, Inc. 6 Jan. 2005. http://www.aolsvc.worldbook.aol.com/wb/Article?id=ar591910.

Hughes, Robert. American Visions. New York: Knopf, 1997.

The Jeff Koons Handbook. London: Thames and Hudson, 1993.

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