culture of humankind and its history, for as the saying goes, "the more we are different, the more we are the same." The Tang Dynasty in China occurred hundreds of years ago, yet some of the issues from that time remain as pertinent today as they did in the past. The poets of this period truly exemplify this continuation through time. When reading the works of the most well-known writers of this period in Asia, it is almost as if they were just written.
TO MY DAUGHTE

ON HE MAIAGE INTO THE YANG FAMILY

My heart has been heavy all day long

Because you have so far to go.

The marriage of a girl, away from her parents,

Is the launching of a little boat on a great river.

..You were very young when your mother died,

Which made me the more tender of you.

Your elder sister has looked out for you,

And now you are both crying…...

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References

Ho, Jianying. "Women of the Tang Dynasty." The Tang Dynasty. 12/01. http://www.chinavoc.com/history/tang/women.htm.

University of Virginia. "300 Tang Poems." 1997.  http://etext.lib.virginia.edu/chinese/frame.htm03/01/04

Female Agency in Short Stories
There are numerous points of similarity between Eileen Chang's "Shame, Amah!" and Wang Anyi's "Granny". Both stories depict the lives of Chinese domestic workers. Moreover, each tale is set during the same time period -- the years surrounding the Second World War. Furthermore, both of the authors are Chinese and display a marked affinity for the intimate details surrounding Chinese culture, which factors prominently in each respective tale. Still, there is a distinct point of differentiation in these works when it comes to the notion of female agency, and how it is displayed in each piece. It is significant that female agency factors into each of these tales. However, "Granny" is largely a story about a somewhat unconventional matriarch who is able to become the provider for a host of people. The concept of female agency in Chang's piece is centered around conventional notions of masculinity…...

Poetry and Politics in 1079: The Crow Terrace Poetry Case of SU Shih
Charles Hartman in his article on the political fallout of the poetry of SU Shih acknowledges that all societies practice censorship in some degree and in some form. estern society has a history of confiscating, banning, destroying, controlling the distribution and punishing authors and individuals for the creation and possession of written texts that are deemed morally or politically subversive. The paradox of the matter is that the western knee jerk reaction to censorship is one of condemnation and dismay. This high and mighty attitude is based on the idea that the First Amendment to the Constitution guarantees freedom of speech.

However, Herbert Mitgang in his book Dangerous Dossiers: Exposing the Secret ar Against America's Greatest Authors, observes that for a greater part of the twentieth century the federal government policed many of the most revered American authors and…...

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Works Cited

Hartman, Charles. "Poetry and Politics in 1079: The Crow Terrace Poetry Case of Su Shih." Chinese Literature: Essays, Articles, Reviews, Vol. 12. (December 1990): 15-44. JSTOR. Web. 11 May 2012.

Mitgang, Herbert. Dangerous Dossiers: Exposing the Secret War Against America's Greatest Authors. New York: Donald I. Fine Inc., 1988. Print.

In the course of the Cultural Revolution, the communist leader Mao Zedong proclaimed particular cultural requirements for both art and writings in China. This was a period that was filled with violence and harsh realisms for the people within the society. Authors such as Bei Dao, Gu Cheng and Yu Hua can be considered to be misty poets, whose works endeavored to shift from an inactive response to active formation. The aforementioned individuals are renowned authors, writers and poets celebrated for their influential literal works and their impact during the course of the Cultural Revolution in China. Through their short stories and poems, these authors strove to create a cultural force with the purpose of educating the public and offering them revolutionary principles and ideals. The art and literature that was delineated by these authors played a significant role in the sociopolitical realm and the demise of the Cultural Revolution…...

Chinese Cultural Revolution in Literature
There are a number of stark images found in the works of literature reviewed by Dao, Cheng, and Hua in this assignment. Specifically, this paper details the imagery evinced in Bei Dao's "Resume," Gu Cheng's "Curriculum Vitae," and Yu Hua's "On the Road at Eighteen." That imagery and those works in general are thinly veiled allusions to the Chinese Cultural Revolution, which took places in the early to midway part of the 20th century. It largely appears as though the imagery evinced in this work are indicative of some of the more salient factors of this revolution. Regardless of the political orientation of those who took place in this revolution, one of the more demonstrable facets of its manifestation was a surplus of fighting, pain, bloodshed, and even death. All of these images are found in the aforementioned works of literature, which suggest that the most…...

Indeed, the trajectory of the narrative involves exacting revenge on those who prevented her marriage from taking place.
Although the Bride's marital aspirations might suggest that she holds a conservative sensibility, this is far from the case and she is ultimately more aggressive than Jen. While Jen also exhibits physical prowess, her sacrificial gesture at the film's conclusion signifies how she maintains a strong reverence for the Confucian moral code, assimilating her within the wuxia genre. Physically, the Bride resembles a dominatrix; she is taller than many of the characters and fights in a relentlessly savage manner (even going so far as to bite her adversary in one scene.) in contrast, Jen is more diminutive and her face and eyes are softer and less predatory. Where the Bride looks much more imposing than an average person, Jen has an average size that is not dissimilar from the other characters. Indeed,…...

Chinese Civilization
China during the Tang dynasty was a period of beauty and regality among the Chinese citizenry. One of the art forms which took on new importance during the era was in writing. Literature both in the form of stories and poetry became artistic and beautiful. Those who could write best were elevated themselves to the pantheon of artists. This attitude about the importance of writing is visible in some of the stories of the ear. In the tale "Yingying's Story," the main character of Zhang finds himself completely enamored of a young seventeen-year-old girl. The only way that he is able to woo her is through his writing and in turn she is unwilling to show him her own writings for fear of how he will perceive her.

Zhang declares that he is physically unable to stand the three-month long wait it would take for a proper engagement and a…...

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Works Cited:

Zhen, Yuan. "Yingying's Story." The End of the Chinese 'Middle Ages': Essays in Mid-Tang

Literary Culture. Ed. Stephen Owen. Stanford, CA: Stanford UP. 1996. 192-204. Print.

" That Giles does not translate that section highlights their differences. Giles never addresses the beloved, but refers to him in second-person, as if had been stricken from the mind of the poet and could not now be addressed but only spoken about. "For his coming shall not I too yearn? Since my lord left -- ah me unhappy day!"
It is not that Giles' speaker no longer is in love, but they no longer retain an image of the beloved as someone who can be addressed directly. It is easier for them to address the clouds than to address him. One may also notice a subtle difference between the speaking of his return as well. Miao referring to him as having "went away," and yet has also stated as a fact that "when people separate they always reunite" -- so it may be only a matter of time, which the…...

ibliography

Zhenshi, Guo " Playing the Game by the Rules" Javnost; the Public Vol. 10, No. 4 November 2003..

Zhengrong, Hu (2004) the Post-WTO Restructuring of the Chinese Media Induistries and the Consequences of Capitalism." Javnost; the Public Vol. 10, No. 4 November 2003.

Fong, Chien-san (2004) "It is Legitimate to Imagine China's Media as Socialist?"

Javnost; the Public Vol. 10, No. 4 November 2003..

Ampuja, Marko (2004) "Critical Media Research, Globalization, Theory and Commercialization" Javnost; the Public Vol. 10, No. 4 November 2003..

rants, Kees (2003) "Auditing Public roadcasting Performance: Its Theory and Practice" Javnost -- the Public Vol.10 No.3 November 2003.

McQuail, Denis (2003) "Public roadcasting: oth Free and Accountable" Javnost; the Public Vol. 10, No. 4 November 2003.

Media Shakeup: Public What Readers Want or Perish" (2004) China Daily News [Online] located at http://www.chinadaily.com.cn/en/doc/2003/09/02 / content 260549.htm

Feng, Chien-san (2004) "Is it Legitimate to Imagine China's Media as Socialist?: The State, the Media and 'Market Socialism'…...

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Bibliography

Zhenshi, Guo " Playing the Game by the Rules" Javnost; the Public Vol. 10, No. 4 November 2003..

Zhengrong, Hu (2004) the Post-WTO Restructuring of the Chinese Media Induistries and the Consequences of Capitalism." Javnost; the Public Vol. 10, No. 4 November 2003.

Fong, Chien-san (2004) "It is Legitimate to Imagine China's Media as Socialist?"

Javnost; the Public Vol. 10, No. 4 November 2003..

In addition, repeating ACSI can provide trend data (Hall, 2002, p. 23+), important to government agencies, but also to new industries. Hall notes that, "Besides the ability of the ACSI to maintain a pulse on customer satisfaction, the ACSI is an index, not just a survey. This means it groups all participants and provides an integrated score, or index" (2002, p. 23+).
Schay et al. reported that the United States federal Office of Personnel Management uses a similar instrument that measures nine core dimensions underlying customer satisfaction. "These dimensions were distilled from 139 dimensions identified in the management, marketing, and organizational psychology literature. The dimensions are empirically related to organizational effectiveness and relevant to all service sectors" (Schay et al., 2000, p. 30), and therefore would need to be developed specifically for each industry.

hile ACSI is the dominant measuring tool in much of U.S. consumer satisfaction research, the Kano system…...

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Works Cited

Arnould E.J. And L.L. Price. River magic: extraordinary experience and the extended service encounter, J. Consum. Res. 20(1) (1993):24-45

Berry, Leonard L. And Thomas W. Thompson. Relationship Banking: The Art of Turning Customers into Clients," Journal of Retail Banking, (1982, June), 64-73.

Bettman, James R.An Information Processing Theory of Consumer Choice, Reading, MA: Addison-Wesley (1979).

Bowlby, John. Attachment and Loss: Vol. 1. Attachment, 2nd ed., New York: Basic Books (1982).

Chinese and Canadian Negotiation Styles
When dealing with businessmen globally, it's critical to be aware of the cultural beliefs and values that shape their negotiation style and business behavior. This is imperative for successful and positive business relationship because not all cultural foster similar beliefs and hence there can vast differences in negotiation styles. These differences become more pronounced as we move from west to east because while most western countries may have few things similar in terms of culture and education, the same is not true for eastern countries. In this paper we shall compare the negotiation style of Chinese and Canadians. This will help us understand what a business person from the west need to know about the Chinese business communication style in order to be successful in their relationship with them.

Negotiation refers to the process where two or more parties communicate with each other in order to reach…...

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References

Graham J. And Lam, M. 2006 The Chinese Negotiation. Harvard Business Review.

Silverman, J. (1997). Doing business internationally. New Jersey: Princeton Training

Press.

James, D. (2003) Communication guide lines for doing business in Asia

Chinese Jade Burial Suits
During all my travels throughout ancient China, one of the more peculiar beliefs I came across was the notion that jade holds mystical powers, capable of preventing the body from decaying. I am currently in Chang'an, the capital of the dynasty, which is known in the present day as Xi'an. The year is 192 CE. The people of the estern Han Dynasty universally agree that this supposedly magical material is the essence of mountains, and because it prevents the decomposition of the physical form, it may in fact ensure rebirth. Now, as of the present day, very few of these jade burial suits still actually exist, and it may seem ambiguous as to whether or not they were a passing fad or a momentary excess amongst emperors. However, upon my investigation of the long-forgotten past, I have found that this practice of burying the dead with or…...

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Works Cited

Cultural China. (2007-2010). Jade burial suit. Retrieved December 9, 2010, from http://arts.cultural-china.com/en/32Arts415.html

China.org.cn. (2001). Handicraft industry and technological advances. Retrieved December 9,

2010, from  http://www.china.org.cn/e-gudai/4.htm 

H-ry?-ji. Horyuji: a brief history. Retrieved December 9, 2010, from http://www.horyuji.or.jp/horyuji_e.htm

Figue 1. Demogaphic composition of the United States (2003 estimate).

Souce: Based on tabula data in Wold Factbook, 2007 (no sepaate listing is maintained fo Hispanics).

Fom a stictly pecentage pespective, it would seem that Asian-Ameicans do not epesent much of a theat at all to mainsteam Ameican society, but these mee numbes do not tell the whole stoy of couse. Fo one thing, Asian-Ameicans ae one of the most divese and fastest gowing goups in the United States today (Hong, Kim & Wolfe, 2005). Accoding to Alvaez and Kimua (2001), studies have documented time and again that, consistent with thei histoical teatment, Asian-Ameicans continue to be the tagets of acially motivated popety vandalism, vebal haassment, theft, physical assaults, and in some instances, homicide; futhemoe, othe studies have confimed that a pesistent patten diving anti-Asian violence is the peception of Asian-Ameicans as foeignes who pesent an economic, academic, social, and/o cultual theat…...

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references

Due to skills and abilities

4. Based on what you know and believe, would you agree or disagree with the following statements?

Racism in America is no longer a problem for Chinese-Americans.

Racism in America is no longer a problem for women and minorities

peasant in modern Chinese fiction.
The image of the peasant in modern Chinese fiction

A great deal of writers has gotten actively engaged in discussing the image of the Chinese peasant during the last century. Class differentiation, the struggle to attain economic stability, and poverty as a whole represent some of the main topics that writers took on regarding the matter. It was very difficult for some people to understand how the Chinese peasant changed through time, especially given that communism had brought along significant transformations, making the masses less able to act in accordance with reform. In spite of these respective changes, however, the Chinese continued to preserve some of their traditional values.

Upper class individuals in China were among the most ignorant when considering their perspective toward peasants. Because of their higher social status, these people were unable to understand that peasants were equal to them and that they too…...

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Lau, Joseph S.M. "The Columbia anthology of modern Chinese literature," (Columbia University Press, 2007)

Ling, Ding, "When I was in Hsia Village"

Xun, Lu, "My Old Home"

Honor Code of Chinese Warriors
The objective of this study is to discuss the honor code of warrior-heroes in Chinese history and to answer to what the honor code consists of and the origin of the honor code. As well, this study will examine how this honor code influenced the intentions, words, and actions of the warriors and how the honor code manifests itself in novels, how and when the codes apply and what competing visions existed in human conduct.

Wuxia is a term in Mandarin that means literally "martial arts chivalry" and is representative of a unique Chinese type of story that is dated back as far as the Tang Dynasty (681-907). Wuxia is defined by stories "that combine wushu (martial arts) tradition with deeds of heroic chivalry perfomed by men and women." (Pollard, 2011, p.1) Wuxia stories are rooted in "early youxia (?

) and cike (?

) stories around 2nd to…...

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Bibliography

The Warrior Code (nd) China History Forum. Retrieved from:  http://www.chinahistoryforum.com/index.php?/topic/31149-warrior-spirit-in-china-chinese-warrior-codes/ 

Hsia, C.T.C.T. Hsia on Chinese Literature. Columbia University Press, 2004 (ISBN 0231129904), pg. 149

Bordahl, Vibeke. Four Masters Of Chinese Storytelling: Full-length Repertoires Of Yangzhou Storytelling On Video. Nordic Institute of Asian Studies; Bilingual edition, 2004 (ISBN 8-7911-1464-0), pg. 166

Guth, Christine. Longfellow's Tattoos: Tourism, Collecting, and Japan. University of Washington Press (2004), p147

Cultural Diversity's Impact on Art and Literary Titles: An Exploration

The title of a work of art or literature serves as a critical gateway, inviting the audience into the realm of the creative expression it encapsulates. While titles often embody the essence of the work, their significance is profoundly shaped by the cultural context in which they are created and received. Cultural diversity, with its tapestry of values, norms, and perspectives, exerts a profound influence on the selection, interpretation, and impact of artistic and literary titles.

1. Cultural Context and Title Selection:

Cultural diversity influences the choice of titles by artists and authors....