Again, the piece does not shirk on color, spreading the artwork to give Marie de Medici a glorious entrance. The dark golds and the light blues, and even the deep red carpet on the plank give this painting vivid movement.
Gentileschi's Judith Slaying Holofernes moves on to the violent once again, though unlike the Rape of the Sabine Women, the colors are much darker, the action even more dramatic and ominous. This is quite a graphic scene, as it is a still of Judith cutting Holofernes' head off with a short sword. Meanwhile, her maid assists in the execution. The shading and the light make this painting breathe with life, almost like a photograph taken just as the crime was taking place.

We stray from the violent and return to a more humorous piece; Velazquez's Los Barrochos. Two of the drunks are looking straight at the viewer, perhaps inviting them to…...

Baroque Period
Annotated...

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Zuffi, Stephan. Baroque Painting: Two Centries of Masterpieces from the Era

Preceding the Dawn of Modern Art. Barrons Educational Series, 1999.

This is an amazing book of 500 color reproductions of major artworks of the Baroque period - the end of the Renaissance through the 18th century. The book includes painting by Baroque artists such as Canaletto, Gainsborough, Watteau, Fragonard, Hogart, Caravaggio and Tiepolo. The paintings shown are from different museums around the world and cover Eurpoean Baroque painting in its entirety.

Imagery and metaphor were extremely important in Baroque works, and sometimes metaphors became their own metaphors yet again. This poem's images are strong, such as "the iron gates of life," and they create an elaborate and memorable work that is truly Baroque in style. Included are many natural elements common in life, like birds, gardens, and even the sun, which are also elements that point to a Baroque, romantic style.
Bernini's "David" is a fine example classical Baroque artwork. One element that is solidly Baroque is the power and movement of the piece. It is not static or frozen in time. "David" is active, getting ready to slay the giant, and this movement is quite representative of the Baroque style. So is the elaborate clothing David wears, while other versions were unclothed. Elaborate style is part of the Baroque era, and this statue is much more elaborate than any other…...

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References

Editors. "David." GalleriaBorghese.it. 2007. 5 Feb. 2007.  http://www.galleriaborghese.it/borghese/en/edavid.htm 

Marvell, Andrew. "To His Coy Mistress." Handout.

In this regard it should also be noted that the architect faced a number of obvious constraints in his design of the Square. These constraints were from existing structures such as the Vatican Palace as well as the granite fountain. To incorporate these constraints into his design "
Bernini made the fountain appear to be one of the foci of the ovato tondo embraced by his colonnades and eventually matched it on the other side, in 1675, just five years before his death" and " the trapezoidal shape of the piazza, which creates a heightened perspective for a visitor leaving the basilica & #8230;is largely a product of site constraints. (Saint Peter's Square)

2.3. Construction

The construction of the square started in 1656 and was completed twelve years later, in 1667. A central aspect that formed a focal point of the contractions was the Vatican Obelisk. This has a long and interesting…...

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References

1600-1830: Baroque. Web.

Baroque Architecture. Web.

Beard, Geoffrey. The Work of Christopher Wren. Edinburgh: John Bartholomew, 1982.

Blunt, Anthony. Borromini. Cambridge: Harvard University Press, 1979.

Baroque vs. Classical Music
Although music from the 17th, 18th, and 19th century is all often grouped under the designation of 'classical' music today, the Baroque and the Classical periods have distinctive features and stylization that are immediately apparent when listening to the great composers of both eras. When listening to a Baroque work, the contrast between different 'movements' is quite notable. The celebratory Baroque work Handel's Water Music, for example, has three distinct sections, with sharp breaks between the different suites. Each movement reflects a particular tone and musical atmosphere, followed by another movement with a very distinct, contrasting sound. In contrast, Classical composers "did not restrict themselves to the 'terraced' dynamics (abrupt shifts from loud to soft) characteristic of Baroque music" (Characteristics of Classical Music, 2011, Music Learning Center). Classical composers wanted to portray a full expression of human emotions, rather than simply create a mood.

During the Baroque era,…...

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References

Baroque style. (2009). Classical Score. Retrieved:

 http://www.classicalscore.com/baroquestyle.htm 

Characteristics of Classical Music. (2011). Music Learning Center. Retrieved:

 http://www.musiclearningcentre.com/2011/09/03/characteristics-of-classical-music/

Music is itself a structure, based upon a certain accepted range of tones that are pleasing, or intentionally discordant, to the ear. Even modern popular music obeys certain conventions that are determined by the demands of the marketplace and music executives. Like composers of the past had to please patrons and the public, as do musicians of today. Even things we take for granted, like the length of popular songs are often demanded by questions of radio playtime, the need for a song hook, and the decreased importance of CDs and the increased importance of downloadable singles.

Of course, it is true that modern music has certain innovations that would be unrecognizable to Baroque and Classical composers, like atonal music, music that makes use of Eastern as well as estern instruments and melodies, and even more experimental uses of sounds that defy what most people would call music. However, the reason…...

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Works Cited

Baroque music." Musopen. 2007. 10 Apr. 2007.  http://www.musopen.com/learn/history/baroque.html 

Sonata." The Columbia Electronic Encyclopedia, Sixth Edition. Columbia University Press. 2003. Answers.com. 10 Apr. 2007.  http://www.answers.com/topic/sonata

Messiah:" What major cultural events could we say contribute to this rise of the individual?

Although oratorios were not staged like operas, they were composed many individual songs pieces when the singers would take on the roles of different characters. The focus was on the individual singer, not the chorus. Even the "Hallelujah" chorus is a chorus sung in the name of Christ's birth, a specific event in the life of Christ's story, not an abstract idea like a song that is just about the general glory of God. The singers and the music seems emotional than Renaissance music, as it is designed to express joy and celebration and the words and the swells of the music match, rather than simply stand paired against one another. The more personalized nature of oratorio is also due to the fact "Messiah" was also designed to be sung in a concert hall. People came…...

Also, the crowd seemed to enjoy the canon, since its melody is so familiar.
What did you not like about it?

Although the piece is enjoyable to listen to, even in performance it does not stir up strong emotions within me.

Assessment

Does learning something about a concert piece before the concert affect the concert experience? If so, how?

Absolutely! I felt that this historical composition was much more accessible, and I had much more respect for the work, when I saw how many modern arrangements had been inspired by the cannon -- including some tunes from popular music, television theme songs, and even some themes to video games! Even if the original work does not set my toes tapping, it has inspired many works and pieces that I love or are a part of my culture.

Based on this concert experience and your studies this semester, describe your assessment of the function, purpose, and…...

Here, made sure his instruments within the orchestra were supreme and strictly oversaw his musicians and choir. Finally, in 1750, his illustrious career came to a close after he died following a serious infection from two cataract operations performed the same year. He continued composing even into the last few days before his death with the help of prescription drugs and his closest associated.
Several different characteristics stood out within the various performances Bach watched over in his career, whether as a composer or an organist. After attaining the position of Cantor in Leizberg, Bach made his discipline apparent in performances there. In order to curb previous bad reputations, many reported Bach's performances to be astounding presentations of organization and discipline on the behalf of both Bach and his musicians. This then helped earn his stern and forceful reputation which allowed him to gain so much fame within the German…...

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Works Cited

Geocities. "Johan Sebastian Bach's Compositions." The Classical Period.

A www.geocities.com.Retrieved September 20, 2008 at http://www.geocities.com/Vienna/Strasse/1492/cjsbachc.htm.

Smith, Timothy. "J.S. Bach: Education and Career." Northern Arizona University. 1996.

Retrieved September 20, 2008 at  http://jan.ucc.nau.edu/~tas3/life.html .

For the Baroque movement, the imperative of restoring and solidifying authority was based in the vestment of this to the Church through the Crown. Thus, the perspective of the Baroque movement as serving very particular objectives is captured in the political and cultural forces driving its chief composers. As we move into a discussion on some of these figures, it becomes increasingly apparent that success and notoriety depended largely on courtly patronage and that, consequently, those who achieved the greatest success and notoriety would be the most adept in the innovation of sacred music.
Key Figures in the Development of the Oratorio:

Perhaps none from this time can be said to have been so adept as Handel, who is seen to an extent as the key nexus point between the Renaissance and the Classical period. Living during the Baroque period stretching between these eras, he is often seen as a unifying…...

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Works Cited:

Asiado, T. (2007). Felix Mendelssohn's Elijah. Suite101.

Burrows, D. (1991). Handel, Messiah. Cambridge University Press.

Dent, E.J. (2007). Handel. BiblioBazaar.

Hicks, a. (2007). Handel, George Frideric. The New Grove Dictionary of Opera.

Each sculpture has a style and beauty all its own, and each shows the style and message of the artist.
It is clear the styles changed as these sculptures were created. Michelangelo's DAVID is classical Greek style, with fluid lines and a muscular body that is very pleasant to look at. Bernini's DAVID is a man, while Michelangelo's is clearly a young boy, and Donatello's looks like a dandy or a cavalier. Even his pose makes him look less manly than the other two sculptures, but does somehow manage to convey power, which is ultimately the goal of all the sculptures.

The message behind these sculptures is the same legend of David slaying Goliath, but they each convey that message very differently. Michelangelo's and Bernini's DAVID's both look like they could slay a giant, while Donatello's looks like the hand of God helped him along. All the statues convey power and…...

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References

Editors. "David." GalleriaBorghese.it. 2007. 5 Feb. 2007.  http://www.galleriaborghese.it/borghese/en/edavid.htm 

Editors. "Photos of St. Peter's Basilica." Sacred-Destinations.com. 2007. 5 Feb. 2007.  http://www.sacred-destinations.com/italy/st-peters-basilica-pictures/index.htm

European music: Baroque vs. Romantic and Classical music
Any non-contemporary orchestral music is often called 'classical' in a colloquial fashion. However, there are many varieties of music between the eras of the 15th century and our own besides what is technically associated with the classical period. Perhaps the most notable movement which laid the foundation for our own contemporary era of music is that of the Baroque period. Rather than naturalness, the Baroque stressed ornamentation, artificiality, and technique, including its use of the human voice. "Generally, the qualities most valued in the Baroque voice were agility, purity and clarity, even at the expense of the power which characterizes today's operatic voice" (Thornburgh 1). The predominant instruments besides the human voice were the harpsichord, violins, recorders, and trumpets, which gave Baroque music its unique sound.

Stylistically, Baroque music is notable for its use of the basso continuo and its intense, ornamental style. "The…...

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Works Cited

Schmidt-Jones, Catherine. The Music of the Romantic Era. Connexions. 15 Feb. 2013

Swann, Jeffrey. "Classical and Romantic music: Part 1." 22 Jul 2014.

http://trumpet.sdsu.edu/M345/Romantic_Music1.html

Thornburgh, E. "Baroque music: Part 1." 22 Jul 2014.

Art
The Baroque period of art that flourished in the seventeenth century. Although the focal point of Baroque art was Italy and France, its influence was felt throughout Europe. In Italy and other heavily Catholic countries, Baroque art is characterized by overtly strong religious themes, emphasizing the power of the Church during the counter-Reformation. Baroque architecture in Catholic countries was often ornate. In Protestant regions like the Netherlands, Baroque art manifested in completely different, mainly secular forms that included subject matters such as those depicting daily-life scenes and especially the burgeoning bourgeoisie.

Realism as an art movement flourished primarily in France in the 19th century. Landscapes, cityscapes, and depictions of ordinary life were common subjects, with no attempt to embellish or idealize. Realism preferred also to highlight the real lives of the poor and working class. However, Dutch realism flourished much earlier, in the 17th century and differed significantly from French realism…...

art are closely enmeshed in the social and political culture of any given time. Hence the significant differences in different periods of art, and also the ability to differentiate between these periods. While changes between adjacent time periods may seem minor, they eventually accumulate to form wide differentialities between periods. ecause human beings change, politics and society change, and therefore art will also be subject to change accordingly. As substantiation for this claim, one might consider the differences between the Renaissance and Romantic periods of art.
During the Renaissance, the church and a number of powerful families, such as the Medici, played a powerful role not only in politics, but also in influencing the arts. In the early fifteenth century, for example, Renaissance palaces changed from the rather austere designs of the past to include a more socially inclusive arcaded halls and family loggias. The focus of art during this…...

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Bibliography

Brion, Marcel. (1966). Art of the Romantic Era. London: Thames and Hudson.

Harrison, Charles, and Wood, Paul.(Eds) (1998). Art in Theory: 1815-1900. Oxford: Blackwell Publishers.

Van Schaack, Eric. (1964). Baroque Art in Italy. New York: McGraw-Hill Book Company.

Wackernagel, Martin (1938). The World of the Florentine Renaissance Artist. Trans. By Alison Luchs, Princeton, N.J.: Princeton University Press.

At the time, the understanding was that state must be relatively autonomous from major religious concerns.
The post-reformation European political theorists believed that Europe had experienced the religious conflict within states and between states, with support from the church. This experience called for a change in the relations between European religious institutions and political institutions.

5. Conquest and Colonization of the New World

The centralization of Spain as a state within independent power from the nobles, led to its absolution from Western Europe. This led to the softened the estate system, released personnel and forces from commoner estate, with its effects having significant consequences in the conquest and colonization of the New World. The Spanish conquest and colonization of America was further fueled by their military struggle following its success with the Muslims in Europe. Their military strength implied that Spain, the conqueror and controller of America had the necessary resources to…...

Thesis Statement

Crafting a Compelling Thesis Statement for a Music Thesis

A thesis statement is the central argument or claim that your music thesis will explore and support. It is the foundation upon which your entire thesis will be built, guiding your research, analysis, and writing. Crafting a strong and effective thesis statement is essential for the success of your thesis and requires careful consideration.

Characteristics of a Strong Thesis Statement

Clear and Concise: Your thesis statement should be concise and to the point, stating your argument or claim in a clear and unambiguous manner.
Specific and Focused: Avoid broad or general statements.....

Origins and Inspiration of the Flute: A Journey Through Time and Culture

The flute, an enigmatic and captivating instrument, traces its roots back to the primordial depths of human history. Its origins lie in the realm of nature, imbued with the spirit of the wind and the song of birds. The earliest flutes, crafted from hollow reeds or animal bones, were likely born out of a profound connection between humans and the natural world.

Paleolithic Origins:

The earliest known flutes date back to the Paleolithic era, approximately 40,000 to 10,000 years ago. These primitive instruments, discovered in archaeological sites in Germany and Slovenia,....

Father Eusebio Kino was a Jesuit missionary and explorer who had a significant impact on the cultural and architectural landscape of the Southwest United States. Kino founded numerous missions and settlements throughout the region, including several in present-day Arizona, California, and Mexico.

One of his most notable architectural achievements was the establishment of Mission San Xavier del Bac in Tucson, Arizona. This mission, completed in 1797, is renowned for its stunning Baroque architecture and intricate decorative details. It is considered one of the finest examples of Spanish Colonial architecture in the United States.

In addition to his architectural contributions, Father Kino played....

Captivating Essay Topics Related to Sculpture and Installation

1. The Role of the Spectator in Interactive Installations: A Phenomenological Exploration
Examine the transformative and immersive experience of interacting with kinetic or participatory sculptures, considering the viewer as an active participant in the work's meaning-making.

2. The Politics of Monumental Sculpture: Commemoration, Controversy, and the Construction of History
Analyze the power dynamics inherent in large-scale public sculptures, exploring their contested histories, symbolic meanings, and influence on societal narratives.

3. Materiality and Modernism in Sculpture: From Bronze to New Media
Investigate the shifting relationship between materiality and artistic expression in sculpture, from traditional media to contemporary explorations of....