4. Pablo Picasso (Oct. 25, 1881 - Apr. 8, 1973)
Our first non-French artist, Pablo Picasso was born in Spain to an artist father. From an early age, Picasso demonstrated remarkable talent and zeal. After moving to Paris his art career exploded when he created the "Cubist" movement using shapes and dull colors to represent the subjects. Later he experimented with "Neo-Classicism" and "Surrealism." Picasso was not only a painter of great renown, but he was also a sculpture in his own right with Chicago's Daley Plaza home to one of his sculptures.
No art exhibit could be complete without something from Picasso. Like our other artists, he too developed his own style: "Cubism," and like our other artists, he was not limited to the canvas. Influenced by many different sources, one can see his father's influence, as well as the great masters like Velaquez, Delacroix, and Manet.
Picasso's Bullfighting Scene (1901) should…...
mlaWorks Cited
Courthion, Pierre. Georges Seurat. New York: H.N. Abrams, 1988. Print.
Cowling, Elizabeth. Matisse, Picasso. London: Tate Publishing, 2002. Print.
Frank, Elizabeth. Jackson Pollack. New York: Abbeville, 1983. Print.
Palau, I. Fabre, Josep. Picasso. New York: Rizzoli, 1985. Print.
Upon the altar of which this piece would have been a part, the priests of the medieval age would have offered the sacrifice of the Mass -- in which the Body and Blood of the Christ would be offered in an unbloody manner through an act called Transubstantiation. This was a central portion of the Mass and was part of the belief system of the "age of faith" in estern civilization.
The altarpiece depicts various figures from the Christian mythology, such as Christ, the Blessed Virgin, St. Anthony and St. Sebastian. The central image, however, is the one upon which the entire mythology of the Middle Ages is based -- the Incarnation of God and His death upon the cross.
hat this says about the civilization of Europe in the Middle Ages is that it had a strong desire to see their faith as both realistic and mythical. The images and…...
mlaWorks Cited
"Buddhist Studies." BuddhaNet. Web. 12 Aug 2011.
Martinez, Eugenia Soledad. "Crossing Cultures: Afro-Portuguese Ivories of 15th and
16th Century Sierra Leone." Web. 12 Aug 2011.
Michelle of Nah Tah Wahsh PSA. "Pomo Basket." Web. 12 Aug 2011.
sculpture of artist Henry Moore. Specifically, it will look at his art style and how events in his life affected his work
Henry Moore was an influential English abstract sculptor who lived from 1898 too 1986. His modernistic works appear in museums and collections around the world. He was intensely preoccupied with two forms of sculpture above all others, the "reclining figure," which he reproduced dozens of times. Each one was different, but followed the same basic premise of a figure lying down. The other is the "mother and child," which he reproduced countless times in countless ways.
Moore's artistic talent was discovered early, when an art teacher took interest in his work while he was still in secondary school. His family did not encourage him in his artistic pursuits, and so he began his career as a teacher, and then went into the army. In 1919, he received a grant…...
mlaReferences
Editors. "Henry Moore on the Internet." ArtCyclopedia. 20 July 2002. 24 Oct. 2002. http://www.artcyclopedia.com/artists/moore_henry.html
Grohmann, Will. The Art of Henry Moore. New York H.N. Abrams, 1960.
Kramer, Hilton. "After All These Years, Henry Moore Is Great." New York Observer. 12 Nov. 01,-page 18.
George Durrie was an American painter who lived and worked during the 19th century (George). Durrie was a northerner who supported abolition and professed a concern over rampant industrialization which he believed diminished the natural landscape. Currie was most famous for his paintings of pastoral landscapes and country images which were later reprinted and sold as lithographs for the popular Currier and Ives Company, particularly his winter scenes which became popular on Christmas cards even up to the present moment. Although perhaps not the most recognized American painter, nor the most productive, it can be easily argued that George Durrie made a lasting contribution to the American artistic tradition and to the subsequent understanding that creative people had the ability and the audience to include social commentary into even the most apparently innocuous of their works. This particular painting by Durrie, entitled "inter in the Country," was created in 1857…...
mlaWorks Cited:
"George Henry Durrie (1820-1863)." 2012. Web. April 2012.
http://www.questroyalfineart.com/artist/george-henry-durrie
Hutson, Martha et. al George Henry Durrie, 1820-1863. Santa Barbara, CA: Santa Barbara
Museum of Art. 1977. Print.
Art Appreciation Research Paper
This paper focuses on artistic work that concentrates on the themes of love and sex. Although the two seem to be in tandem, at least in terms of application, the dominant theme is love. It refers to different arts and several artists who give their diverse opinions in support and against love. It is essential to highlight the deductions made in this paper reflect the thoughts of associated artists. However, the author has introduced some customized ideas that help create harmony in various authors' opinions. Some sections of the paper juxtapose different artwork sections to illustrate the fundamental differences in the theme of love. The differences make the piece more realistic and appreciated.
The Theme of Love and Sex
The theme of love has dominated the lives of artists for centuries. In the Italian Renaissance, love was the core theme and demanded a political and philosophical ideal from the…...
mlaReferences
Anika, D. (2015). Erotic Sculpture - 10 Titillating Examples From the History of Art. Retrieved from Wide Walls: Artble. (2015). The Kiss Analysis. Retrieved from Artble: https://www.artble.com/artists/auguste_rodin/sculpture/the_kiss/more_information/analysis Artimage. (2015, January 08). Artimage\\\\'s top pick of artworks on themes of love. Retrieved from Artimage.org.uk: https://www.artimage.org.uk/news/2015/our-top-pick-of-artworks-relating-to-themes-of-love/ Artsper. (n.d.). Art Analysis: The Kiss by Klimt. Retrieved from Artsper MAgazine: https://blog.artsper.com/en/a-closer-look/art-analysis-the-kiss-by-klimt/ Macholz, K. (2018, July 20). How Constantin Brancusi Brazenly Redefined Sculpture. Retrieved from Artsy.net: https://www.artsy.net/article/artsy-editorial-constantin-brancusi-brazenly-redefined-sculpture https://www.widewalls.ch/magazine/erotic-sculpture-10-examples
Art Museum: Case Study
This case study involves a campus art museum that for many years had a competent director, but a relatively staid presence on campus. The last director had a far more populist orientation. He tried to bring schoolchildren into the museum on a regular basis, and bring in traveling art exhibitions that were of interest to the larger public. But he seemed more interested in advancing a radical political agenda than truly supporting art. Because the art museum is seen as connected to the graduate school, there is a great deal of anger amongst faculty members, who believe that the museum should serve the interests of the school, specifically the graduate students studying for PhDs. In the future, the evaluation committee must have a more systematic process for evaluating candidates. The mission of the art museum must be clearly defined. And the past qualifications, necessary skills, and goals…...
Art and Politics
"Light being the very essence of our existence, a work of art that is not concerned with light has no right to exist." (Rosso 23)
The eye takes in and processes a world of information all at once. We do not even fully recognize all of the inputs that the brain processes. In fact, the brain is still more sophisticated than the world's most powerful computer. These facts have deep implications for art and art appreciation since the "impression" of the art is important in the sense that it attempts to recreate a reality. For an artist to try to recreate reality they must pay particular attention to light and color. However, all of this assumes an artist wants to "recreate" something natural and the feeling that accompanies it during the first impression. This is not always the case.
Other artists and architects have focused more on the functionality of…...
He advocates a greater openness and acceptance of other determinations and views about art. For example, the way the art of "disgust" and harsh realism have entered into the mainstream of art should be seen in the context of this reappraisal and reassessment of 'beauty'.
Central to this important debate is the fundamental realization that the meaning and even existence of art is at issue as never before. This is referred to by Danto as a form of "conceptual erasure" which is related to the present state of pluralism in art. y pluralism, Danto means that there are many and not one single view of what art is or should be. He refers to pop art in this regard and extends his argument to the way in which modern forms of art have become conceptual and do not even need to produce an object or work of art.
As a result…...
mlaBibliography
Danto, Arthur C. 2002. "The Abuse of Beauty." Daedalus 131, no. 4-35+. (Accessed November 11, 2007).http://www.questia.com/PM.qst?a=o&d=5000663170 ;
Danto Arthur C. 1964. "The Artworld," Journal of Philosophy, 61, no. 19: 571-584;
Puolakka Kalle. Interrupting Danto's Farewell Party Arrangements: Comments for Grigoriev. (Accessed November 11, 2007).http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=392 :
Danto Arthur C. 1964. "The Artworld," Journal of Philosophy, 61, no. 19: 571-584; (Accessed November 11, 2007).
Admittedly, these two teams were faced with a daunting challenge in acquiring and interpreting those works of art that were most appropriate for their exhibition goals, and interpretive efforts must use some framework in which to present the resources in a fashion that can be understood and appreciated by the targeted audiences.
Nevertheless, there is little or no discussion concerning the fusion of artistic styles in the two catalogs, with a preference for a neat and orderly, date by date, presentation of representative works that typify the points being made by the exhibition. Despite these shortcomings, both catalogs were shown to be authoritative references that were supported by relevant citations and imagery. Likewise, both catalogs provide useful overviews of the materials that are being presented preparatory to their interpretation, helping place the information in its historical context.
Conclusion
The research showed that interest and appreciation in colonial Latin American art has experienced…...
mlaWorks Cited
Bailey, Gauvin Alexander. Introduction in Art of Colonial Latin America. New York: Phaidon
Press, 2005.
Paz, Octavio. Metropolitan Museum of Art: Mexico: Splendors of Thirty Centuries. Los Angeles: The Metropolitan Museum of Art.
Pierce, Donna, Gomar, Rogelio R. And Bargellini, Clara. Painting a New World: Mexican Art
Art During Renaissance
The Evolution of Art During the Renaissance
The Renaissance period is defined as a cultural movement that spanned approximately from the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe (rotton 2006, p. 6). This period in the history of art included the painting, decorative arts and sculpture of the period and for many was considered a reawakening or rebirth of historic and ancient traditions based on the classical antiquity and the inclusion of more recent developments by applications of contemporary scientific knowledge.
The Renaissance was seen as a bridge between the Middle Ages and the modern era. The period also marked a cognitive shift from religious perspectives to a more intellectual and social focus. Classical texts previously lost to European scholars became readily available and included science, drama, poetry, prose, philosophy, and new considerations regarding Christian theology.…...
mlaBibliography
Acidini, Luchinat Cristina. The Medici, Michelangelo, & the Art of Late Renaissance Florence. New Haven: Yale UP in Association with the Detroit Institute of Arts, 2002. Print.
Adams, Laurie. Italian Renaissance Art. Boulder, CO: Westview, 2001. Print.
Barter, James. Artists of the Renaissance. San Diego, CA: Lucent, 1999. Print.
Bartlett, Kenneth. The Civilization of the Italian Renaissance. Toronto D.C.
Art
Impressionism in art developed in the 19th century. Impressionist paintings were characterized by visible brush strokes, and subject was drawn from ordinary life and outdoors, rather than being confined to still life, or portraits and landscapes drawn in studios. Emphasis was laid on the effect of light changing its qualities as well as movement. These characteristics of impression can be well observed in the works of art by Gustave Caillebotte, Edgar Degas and Edouard Manet in their paintings Paris: A ainy Day, The Absinthe Drinker and The Bar at the Folies Bergere respectively.
Paris: A ainy Day is an oil painting drawn in 1877 encompasses the Impressionist use of landscape scene. The curator of the Art Institute of Chicago was quoted describing the painting by Hedy Weiss in the Chicago Sun-Times (December 12, 1995) as "the great picture of urban life in the late 19th century." The masterpiece gives of view…...
mlaReferences:-
1. Gaustave Caillebotte, Paris Street: A Rainy Day, retrieved on July 9, 2012 from http://sites.google.com/site/beautyandterror/Home/bourgeoisie-and-proletariat
2. L' Absinthe-Degas, retrieved on July 9, 2012 from http://labsinthedegas.blogspot.com/
3. Edouard Manet, A Bar at the Folies-Bergere, retrieved on July 9, 2012 from http://sites.google.com/site/beautyandterror/Home/capitalism-and-the-death
Art can come in many shapes, sizes, and mediums, yet one thing that all art has in common is its ability to connect to individuals and enable them to experience catharsis, that is illicit an emotional response. Some of the most awe-inspiring works of art are architectural such as the Lincoln Memorial, which bookmarks the National Mall in Washington, D.C.
The Lincoln Memorial is impressive and its sheer magnitude and size was unexpected. Walking up to the memorial, I realized that it was much larger than I had anticipated and that much like a temple, the actual memorial is located at the top of a series of steps. It was nothing like looking at the back of a penny or a five-dollar bill. The Lincoln Memorial successfully combining the concepts of form and function through its structure (Pearson Publication, Inc., 2009, p. 164). The memorial itself was designed by Henry acon,…...
mlaBibliography
National Parks Service. (2012). Lincoln Memorial design individuals. Accessed 21 August 2012,
from http://www.nps.gov/linc/historyculture/lincoln-memorial-design-individuals.htm .
Pearson Publications Inc. (2009). Chapter 5: Art. The Art of Being Human: The Humanities As A
Technique For Living, pp. 114-169.
Art
Along with Georges Braque, Fernand Leger and Pablo Picasso were firmly at the forefront of the cubist movement in modern art. Cubism sprouted from Picasso's experimentations with collage, along with Braque, but later morphed into an interpretive and expressive style of painting that heralded many related movements in abstract modern art including futurism. As Fitz puts it, Picasso used the cubist style to express the things he could not see, but which he knew were there; the things that everybody is "certain of seeing," but which are not depicted on a traditional canvas (228). As a result, Picasso reinvented painting, and reinterpreted what the function of painting was. Leger deserves credit also, for he too pursued the " quest for a means by which to accurately describe three-dimensional objects on a two-dimensional canvas," (Spector). Leger and Picasso developed totally unique and distinct brands of cubism, even if their formative influences…...
mlaWorks Cited
Dickerman, Leah. Inventing Abstraction. New York: The Museum of Modern Art, 2013.
Fitz, L.T. "Gertrude Stein and Picasso: The Language of Surfaces." American Literature. Vol. 45, No. 2. May 1973.
Lanchner, Carolyn, Leger, Fernand, Hauptman, Jody, Afron, Matthew, and Erikson, Kristen. Fernand Leger. New York: The Museum of Modern Art. 1998.
Spector, Nancy. "Fernand Leger." Guggenheim. Retrieved online: http://www.guggenheim.org/new-york/collections/collection-online/show-full/piece/?search=Nude%20Model%20in%20the%20Studio&page=&f=Title&object=49.1193
A good example of this can be seen with Sistine Chapel in the Last Supper. In this piece, he is using color and his imagination to understand what is happening. The use of bright and dark colors added to the sense of realism by giving the appearance as if these events were happening at the moment. In the future, this technique would be utilized by artists to create a sense of appreciation and underscore the emotions of the work itself.
Furthermore, the article that was written by Oremaland (1980), is discussing how pieta has often been used throughout many different building projects in the world (with the original at St. Peter's Cathedral). Since that time, various churches have used this dome like structure to create designs that mirror those of Michael Angelo. These different elements are important, because they are showing how this technique was continually embraced by various contractors…...
mlaBibliography
Eknoyan, Garabed. "Michael Angelo," Kidney International, no. 57 (2000): 1190 -- 1201.
Lavoy, Michael. "The Digital Michael Angelo Project," Modern Art, no. 10 (1999): 2 -11.
Oremaland, Jerome. "Mourning and its Effect on Michael Angelo," Annual of Psychoanalysis, no. 8 (1980): 317 -- 351.
Chicago Format. http://owl.english.purdue.edu/owl/resource/717/01/
Art Critique
Critique of Surreal and Post-Impressionist Works of Art
Dali's Autumn Cannibalism (1936) http://arthistory.about.com/od/from_exhibitions/ig/dali_retrospective/dali_pma_05_07.htm
Salvador Dali is one of the great and mercurial figures in art history. The surrealistic Spanish painter was influenced heavily by the tumultuous period of history in which he lived and by the haunting images in his own psyche. Both are on dramatic display in the 1936 piece, "Autumn Cannibalism." Here, Dali paints a depiction of the military conflict tearing his motherland apart from within, offering us this terrifying rendering of civil war as seen through the eyes of one consumed by it.
In the confrontation between the social commentary and the internal reflection that comprise this piece, Dali creates a piece that is decidedly representative of the surrealist movement both in aesthetic and motif. In spite of Dali's incredible influence, surrealism was ultimately a short-lived movement, leaving its impression on the art world through a peak lasting from…...
Negative space, also known as white space, refers to the empty or unoccupied areas in a piece of art that form shapes surrounding the subject or objects. The use of negative space can have a significant impact on the overall composition of a piece of art in several ways:
1. Balance and Harmony: Negative space helps create balance and harmony within the composition by providing a contrast to the main subject or objects. It allows the viewer's eyes to rest and prevents the piece from feeling cluttered or overwhelming.
2. Emphasis and Focus: By using negative space effectively, artists can draw attention....
Negative Space: The Unsung Hero of Composition
In the realm of visual arts, composition holds unparalleled importance, orchestrating the interplay of elements to create a harmonious and impactful whole. Amidst the myriad of compositional techniques, negative space stands out as a pivotal force, often overlooked yet indispensable in shaping the overall composition of a piece of art. Negative space, the area of a composition devoid of distinct forms or objects, exerts a profound influence on the visual narrative, enhancing depth, contrast, and visual rhythm.
Depth and Spatial Illusion
Negative space serves as a catalyst for creating the illusion of depth. By surrounding and....
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