1. In Virginia Woolf's "The Mark on the Wall" and Daphne du Maurier's "The Apple Tree," the Laingian concept of alienation serves as a critical lens to explore how the protagonists' internal dialogues reflect a disconnection from reality, thereby reinforcing the theme of madness as a form of self-exploration and existential questioning.
2. Laing's theory of ontological insecurity, where individuals experience a profound sense of alienation from their own existence, is vividly portrayed in Woolf's narrative through the protagonist's obsessive focus on a mark on the wall, symbolizing her detachment from the external world and her immersion into a self-constructed reality.
3. Du Maurier's "The Apple Tree" uses the protagonist's interaction with the tree as a metaphor for his internal conflict and alienation, aligning with Laing's idea that madness can be a retreat into a private world where one's true self can be explored away from societal norms.
4. The narrative technique in both stories, where the stream of consciousness reveals the characters' inner turmoil, supports Laing's assertion that the self is often at odds with the 'divided self,' where the mind splits into conflicting parts, each vying for dominance.
5. Woolf's protagonist's contemplation of the mark on the wall as a gateway to various historical and philosophical musings exemplifies Laing's notion of 'metanoia,' where madness is not merely a breakdown but a breakthrough to a deeper understanding of one's existential condition.
6. In "The Apple Tree," the protagonist's madness is depicted through his irrational fear and obsession with the tree, which can be interpreted through Laing's lens as an attempt to reconcile with his own fragmented self, highlighting the struggle between his rational and irrational selves.
7. The use of nature and inanimate objects as focal points in both stories underscores Laing's idea that alienation can manifest in the externalization of internal conflicts, where the environment becomes a mirror reflecting the protagonist's psychological state.
8. Laing's concept of 'mystification,' where individuals are misled about their own experiences, is evident in Woolf's narrative where the protagonist's reality is constantly questioned, suggesting that her madness is a form of resistance against societal expectations.
9. Du Maurier's portrayal of the protagonist's interaction with the apple tree as a source of both comfort and terror aligns with Laing's exploration of how individuals might seek solace in madness as a way to escape the unbearable reality of their alienation.
10. Ultimately, both Woolf and du Maurier, through their characters' journeys into madness, reinforce Laing's thesis that alienation is not just a symptom of mental illness but a profound existential condition, where the self seeks authenticity through the very act of madness.
Sources: