Zulu Beadwork and Clothing
The Zulu nation is the best-known sub-group of the Nguni tribe, which is one of the largest tribal groupings in South Africa. The Zulus have a rich culture with the traditional handicrafts and the intricate designs of their beadwork being especially noteworthy. This paper gives a brief history of the Zulu beadwork and clothing. It also describes how the beads are made and who makes them, what they are used for and the significance and symbolic meaning of the beadwork and clothing in Zulu culture.
History of Zulu Beadwork
Wearing of beads among the Zulus is an ancient tradition. The oldest known Zulu beads were made from bones, shells of ostrich eggs, stones, seeds, and metal. Present day high quality Zulu beads are almost exclusively made of glass, although cheap beads for every day use are now also made from plastics.
Glass itself has an ancient history and is believed to have been discovered in Egypt during the rule of the Pharaohs about 3000 years ago and the Egyptians are known to have engaged in trading of glass items for ivory, gold, and slaves with the African nations of the south. ("The Story of Zulu Beads").
The ancient seafaring nations of the Phoenicians used to trade in glass beads along the North African coast. The Arabs, who later conquered most of North Africa in the 7th and 8th centuries are considered to be the successors of the Phoenicians in the manufacturing and trade of glass beads. The Portuguese succeeded the Arab traders in the 15th and 16th centuries, and...
Necklace by Guy De Maupassant Guy de Maupassant's short story, "The Necklace," deals with many different themes. This work of literature examines notions of beauty and youth, class and money, and a liveliness and zest for life that is contrasted with the conception of aging. Despite all of these thematic issues, it appears to the shrewd reader that the principle theme that this work of literature is based upon, and which
Loisel feels that she has no dresses worthy of the elite party. Rather than appreciate the material goods she and her husband do have, she laments what she lacks and thus seems bitter and ungrateful. Her life filled with fantasy and longing causes quite severe mental and emotional impairment, even depression: "she wept all day long, from chagrin, from regret, from despair, and from distress." Madame Loisel was depressed
757). Chopin (2002) writes: "There would be no one to live for her during those coming years; she would live for herself. There would be no powerful will bending hers in that blind persistence with which men and women believe they have a right to impose a private will upon a fellow-creature" (p. 757). Louise is discovering that she will have say over what she does and there will
And as before, rather than expressing openness about her true feelings, in the face of wealth she becomes embarrassed and ashamed, and this also proves her undoing, as if she had only been open about what had transpired with the necklace, then she would not have had to labor her entire life to pay back the debt. Mathilde bankrupts her husband, by losing the paste necklace, but this selfishness is
In Guy de Maupassant’s “The Necklace” (1884), a beautiful young woman named Mathilde is depicted almost as having been deprived of a higher station in life simply because of her impressive physical characteristics and that fact that she lives in humble dwellings. She is sharply aware both of her beauty and of her modest status. Having been born into a family of clerks and married a clerk, she feels constrained.
Faience Necklace This necklace was found in the Egyptian tomb. Wealthy Egyptians who died were buried with many of their most precious and/or sentimental life's possession that they wished to take with them to another world (the Afterlife). This necklace was found in one ancient Egyptian tomb and evidently manifested value despite its cheap nature. (Faience was a relatively cheap material) (Andrews, 1981) The beads are various scintillating colors representing various
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