Wuthering
This passage is indicative of the depths to which Heathcliff has sunk. The quote elucidates his character as he descends into being an abusive father. Heathcliff views his son as a tool to be used to gain property, referring to Linton as "mine," not in the sense of paternal love but because Linton can be "prospective owner of your place." Heathcliff means by this that he wants Thrushcross Grange, not for the money or even the status, but as a means to secure symbolic vengeance and power over Edgar. Linton's name becomes increasingly symbolic at this time.
Heathcliff also reveals the depth of his anger, sorrow, loneliness, and despair in this passage. The reader wonders if he is actually truthful when he states, "I despise him for himself, and hate him for the memories he revives!" Heathcliff must feel a lot of dredged up emotions upon encountering Linton, who he had not raised until this point and who reminds him of his losing Catherine. Bronte achieves ambiguity in this scene by hinting that Heathcliff still retains some of his humanity. Beneath the awful, misanthropic, almost psychopathic exterior lies a man who remains deeply insecure and deeply hurt.
Bronte has Heathcliff stress the words "mine" and "MY" to show that Heathcliff has turned completely in on himself, shutting out the world. As soon as Catherine married Edgar, Heathcliff had started to close himself off from others. Not being able to open his heart to his own son, and only thinking of himself, shows just how damaged the man had become.
Heathcliff is also self-aware. Bronte shows this by having him state outright, "I want the triumph of seeing…my child hiring their children to till their father's lands for wages." Here, Heathcliff makes it clear that he feels utterly defeated; otherwise he would not cling so terribly to an illusory "triumph." Likewise, Heathcliff blames Edgar and all the Linton family excessively for his lot in life, as he wants to curse generations there to come.
2. Catherine feels an inexplicable love for Linton. He is clingy, moody, and weak, and perhaps these faults are actually what make Catherine like him. In this passage, Bronte shows that Catherine possesses much compassion and kindness, because she does not actually look down on Linton at all. She sees him as being inextricably tied to her destiny.
When she states, "He'll never let his friends be at ease, and he'll never be at ease himself," Catherine testifies to Linton's difficult character. It seems...
Wuthering Heights and Jane Eyre have captured the imagination of successive generations of critics, from the time they were published till today. Widely acclaimed, these two novels continue to literally mesmerize scholars as the harbingers of a unique literary genre of romance in a gothic drama setting, which is related with harsh vitalism and lack of moral zeal. More than their technical aspects, however, a review of the critical literature on
Mother in Wuthering Heights" by Margarret Homans, and "Myths of Power: A Marxist Study on Wuthering Heights" by Terry Eagleton, rely very heavily on their respective critical paradigms in their analysis of Bronte's novel. In some ways, to fully understand the intricacies of their arguments the reader must be steeped in the rhetoric and discourse of Marxist and Feminist criticism. However, that being said, I believe Eagleton's article provides
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