Wuthering Heights
This case study takes into consideration three main themes; the power of love that never change, social class and conflict of nature and culture. Love is a variety of feelings, attitudes and states which range from pleasure to interpersonal relationship. The power of love is strong in the sense that it becomes impossible to change. On social class, it is a fact that it is does not depend solely on the amount of wealth that one has, it also depend on the source of income, family connections, birth and roles of the person in the society. In most societies, the three primary social classes that exist are the working class, the middle class and the elite class. On conflicts between nature and culture, it is a fact that there are always conflicts between culture and nature. This is because people belonging to different culture always do things that contradict with the requirement of nature leading to conflicts.
Taking the above three themes into consideration, Wuthering Heights is one of the best film which portrays these themes. It is a love story that encompasses social class as well as conflicts between nature and culture (Wuthering Heights 2013). For the purpose of portraying these themes, the film uses a lot of symbolism, starting off with the present and then going back to the past. The film is relevant to a class situation as it include Genre, style, symbolism, iconography, ideologies and the role of female vs. male in the society.
In Wuthering Heights, the power of a love that does not change, social class and the conflict of nature and culture play a significant role in reflecting on the issues that affect the modern society (Wuthering Heights 2013). It is from this film that the meaning of true love, social class and conflict of nature and culture come out clearly.
Theoretical / Conceptual Framework
Released in 1939, Wuthering Heights is American dramatic film. The film was an adaptation of Emily Bronte's novel bearing the same title. This film involves a love story between Heathcliff and Catherine. The setting of this film is against restrictions as well as social convections of the British life of the 19th century. The film is a haunting story of romance turned tragic because of Catherine, its heroine. This is because she lets her obsessions with wealth as well as social status win out over her deep love for Heathcliff, a man raised up from a boyhood in a humble family home (Wuthering Heights 2013).
During their childhood, Catherine comes to love Heathcliff quickly despite his skin color (Lloyd 2009). The love between the two grows rapidly and they become inseparable. They spend their days playing together on the moors. Heathcliff then becomes an orphan and he finds himself treated with cruelty by Linton as he works all day in the fields. Irrespective of this mistreatment, his love for Catherine continues to grow. Unfortunately, a dog bites Catherine making her to stay at Grange for five weeks in order to recuperate. During this period, she becomes infatuated with Edgar, making her relationship with Heathcliff get more complicated (Lloyd 2009).
The desire for Catherine for attainment of social status forces her to become engaged to Edgar. Despite her intense love for Heathcliff. This is because Edgar Lincon comes from a healthy background making Catherine think that he is a perfect match, taking social class into consideration. This action makes Heathcliff feel alienated and he makes the decision of running away from Wuthering Heights to evade this reality (Lloyd 2009). After three years, he returned to Wuthering Heights and finds that both Catherine and Edgar are already in marriage.
Catherine decision of marrying Edgar makes Heathcliff set about seeking a revenge on all those who have wronged him. He then acquires mysterious wealth which makes him inherit Thrushcross Grange through marrying Isabella Linton. He treats Isabella cruelly and he even continues to treat his son even worse after Isabella dies (Lloyd 2009). All this is a form of revenge of what Catherine did to him. Thirteen years later, he meets Catherine on the moor and even despite what Catherine had done to him; he still feels that he love her dearly. Everything that he sees reminds her of her and he begins speaking to her ghost. After sometimes, both Heathcliff and Catherine die (Antrobus 2009).
Considering this film, it is evident that the presence of moors portrays symbolism. They symbolize wilderness, as they are wild, untamed, and vibrant but very beautiful. It is impossible to cultivate moorland (Lloyd 2009). Therefore, moors symbolize the wild threat posed by nature.
Case Study Description
Mary Shelley's Frankenstein, or The Modern Prometheus is a Gothic novel that tells the tale of Victor Frankenstein and his creation. As seen in other Gothic works, Shelley employs the supernatural as her character of Dr. Frankenstein creates a monster made out of the leftover pieces of dead humans to create something that is nearly super-human in stature and strength. What is perhaps most interesting about Shelley's novel, which she began
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Wuthering Heights by Emily Bronte Heathcliff is one of the most fascinating characters in Wuthering Heights, an ineffable masterpiece of Emily Bronte. More than any of the other characters, Heathcliff is subject to multiple extremes -- he feels love and hate, is alternately loved and hated, is rich and poor, magnanimous and misanthropic. Perhaps it is because of these extremes he has experienced that he is one of the characters in
Wuthering Heights, read "Remembrance" Emily Bronte compare actions feelings Heathcliff final chapter Wuthering Heights feelings speaker final stanza "Remembrance." The essay-based sources: "Remembrance" (Emily Bronte) Wuthering Heights (Emily Bronte). Undying love in Emily Bronte's poetry and prose Emily Bronte's poem "Remembrance" offers a complementary poetic narrative to her great novel Wuthering Heights. Both the poem and the novel have similar themes: undying, eternal love, unruly protagonists, and the manner in which
But the fact that Catherine is still drawn to Heathcliff indicates that this apparent veneer of civilization is not 'real' and merely a surface manifestation of finery, not evidence of Cathy's real nature. Catherine lives in a state of internal exile: her soul is at odds with how she is expected to behave, as an upper-class woman and as a wife. Perhaps the most extreme statement of Catherine's sense of
Wuthering Heights and Jane Eyre have captured the imagination of successive generations of critics, from the time they were published till today. Widely acclaimed, these two novels continue to literally mesmerize scholars as the harbingers of a unique literary genre of romance in a gothic drama setting, which is related with harsh vitalism and lack of moral zeal. More than their technical aspects, however, a review of the critical literature on
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