(Dart) Some aspects of wrestling entertainment have remained unchanged for decades. Barthes states that wrestling shows were a "spectacle of excess." Yet they also deal with issues of suffering, defeat and justice. (Barthes 19)
But what of the performers/athletes, what is their own feeling about it and their participation in it? In the Movie, "The Wrestler" this question is certainly addressed. Darren Aronofsky's film gives the audience a more in depth look into the participants of the sport. The main character is Randy "the Ram" Robinson, as portrayed by Mickey Rourke. He was a sensation in the 80's, which he often dwells both musically and stylistically, but in the present is now a "has been" in most respects. He has no money and his health is fading, the only gigs he can find is local school auditoriums holding bush league matches, all completely staged of course, but, at least he is allowed to win these. We also see some young participants in the local towns as well of other, like the Ram, going to wrestling conventions and making money signing autographs and hamming it up for the fans.
The grand expanse of good and evil is certainly exaggerated in the wrestling arena, and just as entertaining writers do they create stereotypical characters that can represent the extreme of both of these, God and the Devil and so on throughout time have represented the internal moral dilemma between our own internal conflict of good and evil. "the Ram" is essentially one of the god guys and...
Shakespeare's "Hamlet" is perhaps one of the most famous and hotly debated literary artifacts ever written. However, because literary critics and historians have discussed the work so often, it is easy to forget that Shakespeare wrote his tragedy as a play to be performed in the context of an Elizabethan production, to an Elizabethan audience. It is a refreshing antidote to some of more modern textual analysis of this performed
O Brother, Where Art Thou? Homer in Hollywood: The Coen Brothers' O Brother, Where Art Thou? Could a Hollywood filmmaker adapt Homer's Odyssey for the screen in the same way that James Joyce did for the Modernist novel? The idea of a high-art film adaptation of the Odyssey is actually at the center of the plot of Jean-Luc Godard's 1963 film Contempt, and the Alberto Moravia novel on which Godard's film is
We would not accept such an assertion about any other historical notion. Who would say that the revolution was inevitable, without the fight of the patriots and the leadership of the Founding Fathers? Yes, the question of slavery was a contentious issue -- but it was just as contentious a hundred years later, a hundred more years of bondage for blacks, and a hundred more years of making the
Shakespeare's Foreshadowing In Tragedy And Comedy Shakespeare is popularly known as "The Bard" for good reason: he excels at his literary craft, applying all the techniques and tools of drama at his disposal with a certain regularity. One of these important tools necessary for any truly coherent play is foreshadowing, or the appearance of elements early in the play that subtly predict the future direction of the plot, action, or symbolism.
Of course competition at the major university level, and in the Olympic Games, is also important in terms of national pride and individual achievements for elite athletes. But at the community level, gymnastics is also important because it provides a way for young people to learn about -- and pursue -- practices that promote healthy living. The correlation between components of physical fitness and gymnastics: an article in the Journal
196)." This is what we see during the 1980s to throughout the 1990s cinema with films like Fatal Attraction (Lyne, motion picture film), Predator (McTiernan, John (dir), 1987, motion picture film), the Terminator film and sequels (Cameron, James (dir), 1984, 1991, and 2003, motion picture film), the Mad Max (Miller, George (dir),1979, 1981, and 1985, motion picture) series, and the Lethal Weapon (Donner, Richard (dir), 1987, 1989, 1992, and
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