¶ … painting "St. Jerome in his Study by Albrecht Durer. Specifically, it will discuss the historical context and aesthetic effect of the painting, while deciding what makes the painting cool. The work is a detailed engraving on paper created meticulously in black and white, created in 1514, and measuring 24.8 x 18.8 cm. It is located in the Ball State Museum of Art in Indiana, and the Clark Art Institute of Massachusetts. This engraving is magnificent in its detail and its subject matter. At the center of the work is an old man, St. Jerome, bent low over his work on a low table bathed in light from the windows that line the room on the old man's right. His study is roomy enough to include window seats under the oversized windows, items hanging from the ceiling and on the wall behind St. Jerome, and a pair of animals curled up at the base of the table, waiting for St. Jerome to complete his work. One of the animals in a content lion, and the other is a dog, curled up in sleep. Light surrounds St. Jerome's head like a halo, and while some of the room is bathed in deep shadow, the table and the work are brightly lit, showing the importance of St. Jerome's work transcribing in his study. What is so miraculous about this piece is the great detail Durer showed in the room. The windows are made up of tiny circles of glass, and their shadows radiated into the room, showing their makeup and the great attention to detail. The wooden ceiling is so realistic viewers can see the knots and grain of the wood, and a variety of items hang on the back wall, indicating that St. Jerome does have other pastimes, such as gardening, to keep him busy. The dominant colors in this work are black and white, while of course there are a variety of grays used in shadow and light. The starkness of the engraving gives a high degree of naturalism and realism to the print, and focuses directly on the man and his work, which is the main subject of this work. Light and space are quite remarkable, with the architecture rendered completely believably, and the space of the room consistent with the work St. Jerome is doing. Light is portrayed quite naturally from the windows, and lights the room realistically, with shadow and murkiness in the right places. This engraving is quite remarkable for its realism, detail, and the mood it creates, which is one of studious dedication, mixed with a bit of mystery. (There is that skull on the window ledge to make the viewer wonder just what St. Jerome has been up to in his past.) The skull represents inevitable death, while the hourglass on the back wall represents the pass inevitable passage of time. Durer's work was part of the Northern Renaissance movement, which centered on Germany and the Netherlands in the 15th and 16th centuries. Since Durer was a German painter who spent much time in Nuremberg, this makes sense. The Renaissance movement in Italy influenced the movement, but it retained a very dark, Gothic influence, which is quite apparent in this work by Durer. Gothic art was characterized by its great attention to detail, and again, this is quite apparent in Durer's work. The Northern Renaissance movement gradually gave way to the Mannerism movement (1520 and beyond). Durer's later works, (after "St. Jerome"), were often categorized in this movement. The Northern Renaissance movement was quite important because it blended what was going on in Italy with the popular Gothic movement, and Durer's engraving is cool for a variety of reasons. First, there is much more to the engraving than first meets the eye. Initially, the viewer is drawn to the man at the table....
Clearly, he is writing on a tablet of some sort, and his work is important, scholarly, and religious in nature, as the halo around his head indicates. However, there is much more in the room that makes the viewer wonder about the man and his mission. For example, the lion and the dog lie dozing at their master's feet. The dog is completely comfortable, laying on its side and sleeping, while the lion is awake, but quite comfortable and ready to doze off. What kind of scholar has a lion for a pet in the middle of the city? Then there is the skull resting on the windowsill. Clearly, the skull signifies death; while the animals signify the joy of life, but why does the scholar have a skull on his windowsill? Are there skeletons in the closet? These details are fascinating, and make the viewer want to know more about the scholar and the man who painted him, and that is cool.Painting Read Monet's the Stroll Monet Monet's the Stroll, Camille Monet Her Son Jean (Woman With a Parasol) This painting epitomizes the impressionistic style and artistic philosophy in a number of different ways. If one looks closely at the painting by Monet one can see that the foreground, the sky as well as the dress and parasol are created by many short strokes of opaque paint. This gives the impression of a moment captured
Paintings Both Salvador Dali and Raphael incorporated Christian imagery into their paintings. Raphael renders a scene from the life of Christ in "Madonna and Child Enthroned with Saints." The painting is rendered on wood, with oil and gold leaf. It was designed to be a panel installed in a church: meaning that the painting had a cultural, religious, and ritualistic context as opposed to being art for art's sake. In Dali's
Painting analysis of Jean Helion's 1948 painting "Grande Citrouillerie" (Big Pumpkin Event) Rather than a traditional harvest painting, as its title might suggest, "Grande Citrouillerie," or, in English translation the "Big Pumpkin Event," has the appearance of a poster or advertisement painted in an art deco fashion typical of the 19th century. The painting shows the form of a twisted, half cut open pumpkin with its inner seeds and hanging pulp
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His work can be seen as fitting into a wider context of artists working to represent the France their generally well-off and comfortably middle-class and upper-class purchasers wanted to see and to believe in. The purchasers of Millet's works may never have visited the Normandy countryside for themselves, but they could share in its beauty and its spiritual and moral values through Millet's art and the art of other
Is this a simple soldier pulling away the cadavers of his companions or death itself taking away dear individuals into the unknown? Who is connecting the physical bodies with the symbolic meaning of the stripes painted with their blood? The characters in the background also play an important role in the creation of the painting. With their presence, they create an antithesis to the characters in the foreground. They are
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