Wordsworth
Poetry has existed as a popular art form for many years. The following discussion will focus on what poetry, poets, and the lyric mean to William Wordsworth as related in his PREFACE to Lyrical Ballads. The research will also connect John Stuart Mills and Roman Jakobson's definitions of poetry to that of Wordsworth.
Poetry Poets and Lyric according to Wordsworth
William Wordsworth was one of the preeminent poets of the 20th century. He possessed powerful beliefs about the meaning of poetry poets and lyric which he expressed through his Preface to Lyrical Ballads. The initial paragraphs of the preface acknowledge that the type of poetry presented in the book differs greatly from the type of poetry that the general public, at the time had become familiar with reading. For this reason Wordsworth felt the need to explain the poetry. Wordsworth then goes on to explain that authors of the past made a contract of sorts with their readers to oblige familiar habits of association and that certain types of concepts will be found in the literary work. The author also ensures that certain other ideas will not be found in the book. This type of contract has existed throughout the ages and has become generally accepted as a norm. However, Wordsworth asserts that the Lyrical Ballads contained in the book do not necessarily honor the aforementioned contract.
He warns
"They who have been accustomed to the gaudiness and inane phraseology of many modern writers, if they persist in reading this book to its conclusion, will, no doubt, frequently have to struggle with feelings of strangeness and awkwardness: they will look round for poetry, and will be induced to inquire by what species of courtesy these attempts can be permitted to assume that title (Wordsworth)."
Instead of utilizing "Inane phraseology" Wordsworth asserts that the ballads will contain situations and experiences from everyday life. In addition the language used will be consistent with the language used in real life. However, Wordsworth contends that the language will be imaginative and thought provoking. He also asserts that the experiences reflected in the ballads would be that of humble and rustic life. This was chosen because such conditions tend to bring out the most heartfelt and sincere emotions. In addition such experiences tend to lend themselves to the use of simple but resounding language. Wordsworth further contends that the rustic and humble condition of life encourages the presence of feelings that are the most elementary. He also asserts that the nature of such an existence allows for greater amounts of contemplation. Additionally he asserts that the character of rural occuapations is easier to comprehend and more lasting. Finally he asserts that the beauty of the natural environment and the rudimentary passions of men are combined in a rustic setting.
The language, too, of these men has been adopted (purified indeed from what appear to be its real defects, from all lasting and rational causes of dislike or disgust) because such men hourly communicate with the best objects from which the best part of language is originally derived; and because, from their rank in society and the sameness and narrow circle of their intercourse, being less under the influence of social vanity, they convey their feelings and notions in simple and unelaborated expressions. Accordingly, such a language, arising out of repeated experience and regular feelings, is a more permanent, and a far more philosophical language, than that which is frequently substituted for it by Poets, who think that they are conferring honour upon themselves and their art, in proportion as they separate themselves from the sympathies of men, and indulge in arbitrary and capricious habits of expression, in order to furnish food for fickle tastes, and fickle appetites, of their own creation (Wordsworth)."
In other words poets use fancy words because they want to be recognized as great poets. They do not necessarily write in a manner that is comprehended by their audience. Wordsworth seems to be annoyed by this practice. He contends that true poetry should contain a philosophical language. This philosophical language, Wordsworth asserts, is most evident in repeated experiences and regular feelings.
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