Cain (afterward coupled by Mickey Spillane, Horace McCoy, and Jim Thompson) -- whose books were also recurrently tailored in films noir. In the vein of the novels, these films were set apart by a subdued atmosphere and realistic violence, and they presented postwar American cynicism to the extent of nihilism by presuming the total and hopeless corruption of society and of everyone in it. Billy Wilder's acidic Double Indemnity

Film Comparison Almodovar's Prisons Prisons can be more than a place where one is confined for what they have done. A prison can be a great number of things; a prison can be a psychological, social, emotional, or physical construct. Pedro Almodovar explores these four types of prisons in two of his films, Volver and Todo Sobre Mi Madre (All About My Mother). In both of these films, the characters find themselves

Com). Pricilla Dean, despite her odd and some might say crooked features and curvy figure, had an interesting though brief career offering audiences a unique and fierce performance in Outside the Law in 1920 (Stanford.edu, 2011). It's rare nowadays to have published short fiction in movie magazines. This one utilizes five stars under the headline and above the title. This article demonstrates that human beings still write simple "how-to" style articles even

Film Analysis on Farewell, My Concubine Farewell, My Concubine: Lies that become realities The film Farewell, My Concubine uses the lens of two men's lives to chronicle the political and social upheavals that gripped China first during the communist and then during the Cultural Revolutions. These men are extraordinary and unique: they are actors in the famous, traditional Peking Opera. However, the film argues that the artifice they are forced to use

The natural world allows us to show of more of our individual talents, whereas the urban landscape seems to only allow us to show what is needed of us in terms of industry. Modern Times echoes these themes and images of the early representation of the modern city. However, the film is much more comedic, but with the same message. For example, the factory scene shows the same monotony. It

Film Noir Among the various styles of producing films, it has been observed the noir style is one that has come to be recognized for its uniqueness in characterization, camera work and striking dialogue. Film Noir of the 1940s and 50s were quite well-known for their feminine characters that were the protagonists, the femme fatale. This was most common with the French, later accepted in the United States. There might have