Verified Document

Woman On The Edge Of Time Term Paper

Women Science Fiction Writers as Probing Pathfinders Author Marge Piercy's Woman on the Edge of Time was written in 1976, and it has received critical acclaim for the science fiction future it depicts, but it was likely given literary wings by a bizarre science fiction tale written in 1818, according to a scholarly essay in Critique: Studies in contemporary Fiction (Seabury, 2001). The science fiction tale Seabury alludes to is in fact "often called the first work of science fiction," and that is the classic story of Frankenstein.

Additionally, Seabury uses a quote to tip the cap to Frankenstein's author, Mary Shelley, who, in penning Frankenstein, has written "perhaps the single most influential work of science fiction by a woman." And so, in the genre of feminist science fiction, even though Frankenstein is quite the opposite of feminine, to say the least, the author was clearly a pathfinder of tremendous significance for future female authors.

Meanwhile, one of the main differences between Piercy's work and Shelley's classic is that in Frankenstein, "the fantastic is reached through potentially credible science," while Piercy's novel "emerged from...the Computer Revolution, which has catalyzed us to see anew the radical changes we might anticipate." Seabury goes on to allude to Piercy's novel's alternative 2137 futures, which are "clearly possible outgrowths of our own science and technology" in a world where "medical technology gives us the power to alter behavior and manipulate genes." That power is quite a few light years away from Shelley's science fiction in Frankenstein, but no less entertaining for its jolt value in the 19th Century than was Piercy's in the 1970s.

To continue the theme that Piercy has plucked style and pointers from Shelly, Piercy's "Connie" certainly has some similarities at least in literary tone to Shelly's famous monster; to wit, on page 285, after Connie and Skip have had their brain operations, the great each other with "Hello monster." And a bit earlier, when Connie is drugged, and her speech is slurred and later she has a plate implanted - affixed with "sharp metal pins" (281) - her character is beginning to resemble a creature with bolts and...

Redding drilled on her skull, "It did not hurt; it was merely horrifying," Piercy writes on page 281. "Next they fitted a machine over her...and they pounded it into her head with three sharp metal pins as if she were a wall they were attaching a can opener to. Tap, tap, tap." And on page 282-283, a very Frankensteinian passage is offered by Piercy: "She would be a walking monster with a little computer inside and a year's supply of dope to keep her stupid." A key difference between Piercy's monster and Shelly's is that Piercy's is in the computer age, quite a leap from the 19th Century.
But, in looking beyond similarities between Shelly's work and Piercy's characters, in terms of science fiction sounding very much like real life, Connie suffers from what alert readers in 2004 know to be the all too common condition humans suffer from: unfairness and pain, and specifically, violence at the hands of family members. Connie's father beats her and she has a desire for love and for being mothered like her brother Luis was mothered. "Both Connie and the creature continue to be rejected by those who should be family," Seabury writes.

We often want love when we need something else," Connie says (86), "like a good job or a chance to go back to school."

Meanwhile, as to the real growth of feminist science fiction, in the book, Lost in Space: Probing Feminist Science fiction and Beyond, reviewed by Phebe Davidson in Belles Lettres: A Review of Books by Women, the writer reports that eight of the thirteen science fiction stories of the 1970s were written by women. And of the 37 science fiction books published in the 1980s, seventeen have female authors. So, clearly, women are writing great science fiction, and being recognized.

However, one of the essays in Lost in Space (written by Marleen S. Barr) takes a shot at Piercy; it is titled, "Men in feminist Science fiction: Marge Piercy, Thomas Berger, and the end of Masculinity." Indeed, in response to Barr's shot across her bow, Piercy is quoted in the Davidson piece as saying that Barr is one "who writes wickedly... [and who] will…

Sources used in this document:
References

Davidson, Phebe. "Lost in Space: Probing Feminist Science fiction and Beyond." Belle

Lettres: A Review of Books by Women 9, 27-29.

Piercy, Marge. Woman on the Edge of Time. New York: Fawcett Crest, 1976.

Rudy, Cathy. "Ethics, reproduction, Utopia: Gender and Childbearing in 'Woman on the Edge of Time' and 'The Left Hand of Darkness'." NWSA Journal 9 (1997): 22-39.
Cite this Document:
Copy Bibliography Citation

Related Documents

Women, Disability, Sexuality and the
Words: 5037 Length: 16 Document Type: Term Paper

Stocker, deaf since birth, admittedly attempted to compensate for her disability, her imperfection, through the relentless pursuit of achieving perfection physically and athletically, and even when she excelled, Stocker confesses, for a long time she remained emotionally tortured by disability for which no amount of body shaping or athletic skill in sports could change that disability (2001, p. 154). Stocker's struggle with her self-image, her identity and hers sexuality

Women's Rights Equality in the Workforce Equal Pay
Words: 4388 Length: 12 Document Type: Term Paper

WOMEN'S RIGHTS: EQUALITY IN THE WORKFORCE, EQUAL PAY Women's Rights: Equality in the Workplace, Equal Pay Legislative background. The word "sex" is always an attention-getter, and when used in legislation, it can be polarizing. Public Law 82-352 (78 Stat. 241) was passed by Congress in 1964 as a civil rights statute. The Law made it a crime to discriminate in all aspects of employment on the basis of race and sex. Representative

Women in Douglass Still Bound
Words: 1698 Length: 4 Document Type: Term Paper

I have frequently felt her head, and found it nearly covered over with festering sores, caused by the lash of her cruel mistress. I do not know that her master ever whipped her, but I have often been an eye witness of the revolting and brutal inflictions by Mrs. Hamilton; and what lends a deeper shade to this woman's conduct, is the fact, that, almost in the very moments

Women in Film Noir
Words: 2395 Length: 9 Document Type: Term Paper

Women in Film Noir When artists - painters, sculptors, film directors - create a portrait, they are depicting more than what they see in front of them. They are also painting themselves as well as painting their moment in history. These last two may or may not be intentional; indeed they are most usually not intentional. However, every artistic portrait is a window into an entire worldview, as we see can

Women and Outsourcing
Words: 3390 Length: 10 Document Type: Term Paper

Women in the Major Religions The role of women in organized religion has been an issue of discussion and debate for many years. It gained significant attention as the "women's rights" movement gathered momentum, and it has been fueled further by recent global events. After the terrorist attacks on the United States on September 11, 2001, interest in religious practices in Afghanistan gathered a lot of attention. That is because the

Women Authors and the Harlem
Words: 4238 Length: 10 Document Type: Research Proposal

Some artists, such as Aaron Douglas, captured the feeling of Africa in their work because they wanted to show their ancestry through art. Others, like Archibald J. Motley Jr., obtained their inspiration from the surroundings in which they lived in; where jazz was at the forefront and African-Americans were just trying to get by day-to-day like any other Anglo-American. Additionally, some Black American artists felt more comfortable in Europe

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now