The Wizard of Oz some regard as ‘like a dream’, a kind of Alice in Wonderland motif set in America. It represents a means of witnessing the culture of the mid-west, but also a dream world that allows someone like Dorothy to find herself and her way home. Dreams influence films and vice versa. How those that made The Wizard of Oz convey the dream element was through key decisions in cinematography, lighting, and acting style. Such decisions generated a film that even now is regarded as one of the best in its genre.
To begin, one must examine the cinematography of the film. The cinematography aspect of The Wizard of Oz follows several themes. One in particular, is the theme of “Dreams, Hopes, and Plans”. The dreams of Dorothy and her friends have been brought into focus via an acting out of what they desire most (Bulkeley, 1999).
The Tin Man wants a heart. Dorothy wants to get home. The Lion wants courage. The scarecrow wants a brain. These things or places represent what each character treasures the most. It is in desiring these things that they feel propelled to move forward with their quest. The cinematography aspect lends to reinforcing this theme through the introduction of the characters that help Dorothy get home. The Lion is shown constantly afraid, the Tin Man emotionless, and the scarecrow lacking memory and critical thinking skills....
References
Baumann, S. L. (2008). Wisdom, compassion, and courage in the Wizard of Oz: A humanbecoming hermeneutic study. Nursing Science Quarterly, 21(4), 322-329. doi:10.1177/0894318408323488
Bulkeley, K. (1999). Touring the dream factory: The dream-film connection in The Wizard of Oz and A Nightmare on Elm Street. Dreaming, 9(1), 101-109. doi:10.1023/a:1021321227642
Plantinga, C. R. (2009). Moving viewers: American film and the spectator's experience. Berkeley: University of California Press.
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