William Shakespeare's 1597 history play Henry IV, Part 1 involves Henry Bolingbroke (King Henry the fourth) and his struggle to maintain his throne, like the rebellions throughout the land. Although the rebellion initially appears to show the progress and conditions change of the king's son, Hal, and his peculiar friend, Sir John Falstaff, who gets actively involved in assisting Henry. Falstaff's character is especially intriguing when he prefers to use logics rather than morality with the purpose of being successful. Harry Percy (Hotspur) contrasts Falstaff and eventually comes to be defeated due to his employing an honorable attitude in combat. Comment by Nathaniel Hodes: successful in what sense? surviving the war? anything else? Comment by Nathaniel Hodes: Good. Now follow up these two points with a thesis statement that unites them. What is the play telling us about honor or morality?
Henry IV is a fifteenth century play set in England. The political condition in England is edgy: King Henry IV is dead, his son, the youthful King Henry the V, assumes throne. More than a few harsh civil conflicts leave people of England agitated and disgruntled. In addition, gaining the English peoples respect, Henry has to live his wild adolescent past. The peak of war finds the English less prepared
Falstaff thinks leave people decide honorable, Falstaff achieves gaining things practical, fortune fame. On contrary, people decide Hotspur honorable man, honor honor's sake, Hotspur takes danger death. Falstaff and Hotspur in Henry IV, Part William Shakespeare's 1597 history play Henry IV, Part 1 puts across an account involving Henry Bolingbroke (King Henry the fourth) and his struggle to maintain his throne as a series of rebellions emerge throughout the land. Even
" James a.S. McPeek further blames Jonson for this corruption: "No one can read this dainty song to Celia without feeling that Jonson is indecorous in putting it in the mouth of such a thoroughgoing scoundrel as Volpone." Shelburne asserts that the usual view of Jonson's use of the Catullan poem is distorted by an insufficient understanding of Catullus' carmina, which comes from critics' willingness to adhere to a conventional -- yet incorrect
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