¶ … Dying
William Faulkner's novel As I Lay Dying tells the story of a family living in Yoknapatawpha County, Mississippi. The matriarch of this family, Addie Bundren, is approaching death and her family prepares for this event through various means based upon the personality of that character and the particulars of their relationship with this family member. Upon her death, Addie asks her son to allow her to be buried in Jefferson, Mississippi and a large part of the plot concerns the efforts that the Bundrens must undertake in order to fulfill their mother's dying wish. Addie is at the center of the story and all of the actions of the children, and her husband also, are reflections on this matriarchal figure. More than this, literary scholars have argued that the story is an extended metaphor for the American south in the period following the Civil War and up to the turn of the century. According to literary critic Wesley Morris, Addie Bundren is the Old South (155). "This is the myth that [Faulkner] will go to any length to deconstruct" (Morris 155). The mother of this family, Mrs. Addie Bundren, is a symbol for the south in the period before the schism in American society, her husband is an example of the new south and its attempt to abandon the society of the pre-war period, and each of her various children is a representative of one type of person living in the south following that time.
Addie Bundren is a woman who has reached the end of her life. For most of the story she is dead, but she still has an important impact on the rest of the story, even to the point of providing narration during certain parts of the story. Addie claims domination over all of the members of her family and the children in particular. She says "My children were of me alone" (Faulkner 167). This shows how she felt the children were belonging to her and their fathers had little right or authority over them. The reason that the family is travelling from their home to Jefferson is because of a final wish to be buried there. To appease their matriarch's last request, the family undergoes emotional and financial distress. It is perhaps no coincidence that the surname of the family is almost an anagram of the word "burden." The type of woman that Addie was is up to debate. Some classify her as a decent woman and a loving mother and wife. Many others considered her a dinosaur, a relic of an old regime filled with the venom of the land on which she lived. Addie herself admits to some sadomasochistic tendencies while as a teacher. She enjoyed hitting and beating her students for even the smallest of infractions. She says:
When the switch fell I could feel it on my flesh; when it welted and ridged it was my blood that ran, and I would think with each blow of the switch: Now you are aware of me! Now I am something in your secret and selfish life, who have marked your blood with my own for ever and ever (Faulkner 170).
One cannot read this passage and not think of the atrocities suffered by African-American slaves in the south before the Civil War. Slaves were constantly abused and mistreated, even murdered, by their white oppressors. The process not only allowed for the punishment of other human beings with inhumane means, but it turned people who may not have had the instinct to harm others into sadistic, and brutal monsters.
Anse Bundren seems to be a man unwilling to see the truth of his situation, either in his marriage to Addie or in his later, more abrupt marriage at the end of the novel. The impending death of his wife at the beginning of the story does not seem to cause him grief. Instead, he looks upon the event as an inconvenience to him. It seems that the...
William Faulkner A renowned novelist, William Cuthbert Faulkner was born in New Albany, Mississippi in 1897 (The Columbia Encyclopedia). Eight years prior to his birth, his grandfather was killed by an ex-partner in business. William Faulkner was the eldest of the siblings. During his school life, William loved sports and was a quarterback in the football team and his passion for writing poetry existed since he was only 13 years old.
Together, the chapters present a beautiful glimpse into the minds' of Faulkner's characters, as well as a peek at the author's own stream of consciousness, his process of getting a fully formed story from his mind to the paper. Other than as I Lay Dying, Faulkner's short story "Barn Burning," contains elements of stream of consciousness. This can be best realized through segments of the story in which the narrator
In the opening paragraph, his detailed physical description of Jewel and him walking on the path exhibits what we soon see is a strong faith that language makes memory, perception, and action real. (Lockyer 74) She also notes that Darl is the character who speaks the most in the novel, thus showing his adherence to the value of language in his actions as well as his words. In doing so,
Moreover, according to William T. Going "The treatment of the surface chronology of a Rose for Emily is not mere perversity or purposeful blurring; it points up the elusive, illusive quality of time that lies at the heart of the story; it is at once the simplest and subtlest of Faulkner's achievements in one of his best stories" (53). Other critics have observed that several times in the narrative, time
William Faulkner's As I Lay Dying The classic 1930 Novel by William Faulkner, “As I Lay Dying” is a demonstration of the evolution of modernist literature that incorporates an in-depth psychological aspect. The psychoanalytic novel displays the intricacy of the human psyche by attempting to unravel what lays in human minds. The novel presents an emotionally, psychologically and physically distressing journey of a family characteristic by selfishness as they embark. The
But since their sense of righteousness is flawed, their plans fall apart and the ending is quite disastrous as Howe explains: "When they reach town, the putrescent corpse is buried, the daughter fails in her effort to get an abortion, one son is badly injured, another has gone mad, and at the very end, in a stroke of harsh comedy, the father suddenly remarries" (138). Addie and Cora represent two
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