In all of these poems Yeats brings these fantastic worlds into such clarity -- both visually and emotionally -- for the reader that they feel swept away for the time they are reading. "Who Goes with Fergus" is exceptional in its ability to transport the reader into Yeats' world especially considering its brevity.
Finally, the poem that is most poignant in placing the Romantic movement is "The Wilde Swans at Coole." This poem is about change, and it clearly relays the heartache that one must feel when confronting the dramatic change of all that you know in your youth. Both WWI and the Irish Civil War were fought in the time between his first viewing of the swans and the one that he describes in this poem (Pierce 89). Both of these war changed the face of Ireland's world, both literally and figuratively, and Yeats was coming from a generation who had their roots forcibly removed and yet were expected to bloom anew.
Although Yeats is considered the last of the Romantic poets, these poems leave little room for doubt that he belongs with this group of great innovators of the art. Though he uses these intimate themes that are so closely related to the Romantic poets, he does so with such...
Yeats justification of contemporary Irish Nationalism by creating a myth of the Irish past: The use of magic, myth and folklore in the poetry of W.B. Yeats, specifically in his book "The Wanderings of Oisin and Other Poems." Although the poetry of the Irish W.B. Yeats is largely known today for the writer's espousal of a spare, harsh modernism, in his early 20th century poetry, Yeats' tone in verse also had a
The final lyrics in this poem divert back to the young girl that has stolen Yeats attention away from politics. The line reads "But O. that I were young again/and held her in my arms!(Yeats)" This line is significant in that Yeats seemingly asserts that although there is a certain fascination with politics, to a young man winning the affections of a girl is too much of a distraction and
Poetry of William Butler Yeats [...] theme of Ireland in Yeats poetry and show in several poems how this one theme is developed and changed over time. Poems discussed are "To Ireland in the Coming Times," "Down at the Salley Gardens," "No Second Troy," "When you are Old," "At Galway Races," "Red Hanrahan's Song about Ireland," "The Falling of the Leaves," and "The Two Trees." William Butler Yeats was
Ee cummings "she being brand new" At its surface, E.E. Cummings's poem, "she being Brand/-new" appears to be a poem about a man getting to know his way around a brand new car. The unnamed narrator of the poem describes each nuance as he discovers it and allows the reader to understand the complications that arise when adjusting to a new car. Consequently, "she being Brand/-new" is an extended metaphor for
Childhood Poets of the eighteenth, nineteenth, and early twentieth century concerned themselves with childhood and its various experiences, but the particular historical and aesthetic contexts within which different poets wrote affected their perspective on the matter greatly. As literature moved from Romanticism to naturalism, the tone poets took when considering children and their place in society changed, because where children previously existed as a kind of emotional or romantic accessory, they
"Yeats's flight into fairyland begins in his early childhood with Celtic folklore, 'the chief influence of [his] youth,' and climaxes in his early twenties with the 1888 publication of his first book" (Ben-Merre 2008). Yeats was commissioned to "gather and record the fairy and folk tales of the Irish peasantry" in what eventually became Fairy and Folk Tales of the Irish Peasantry (Foster 76). "The collection includes descriptions of
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